US1735921A - Joseph ebanzosa - Google Patents

Joseph ebanzosa Download PDF

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US1735921A
US1735921A US1735921DA US1735921A US 1735921 A US1735921 A US 1735921A US 1735921D A US1735921D A US 1735921DA US 1735921 A US1735921 A US 1735921A
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chair
seat
joseph
cello
ebanzosa
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    • AHUMAN NECESSITIES
    • A47FURNITURE; DOMESTIC ARTICLES OR APPLIANCES; COFFEE MILLS; SPICE MILLS; SUCTION CLEANERS IN GENERAL
    • A47CCHAIRS; SOFAS; BEDS
    • A47C7/00Parts, details, or accessories of chairs or stools
    • A47C7/36Support for the head or the back
    • A47C7/40Support for the head or the back for the back
    • A47C7/405Support for the head or the back for the back with double backrests
    • AHUMAN NECESSITIES
    • A47FURNITURE; DOMESTIC ARTICLES OR APPLIANCES; COFFEE MILLS; SPICE MILLS; SUCTION CLEANERS IN GENERAL
    • A47CCHAIRS; SOFAS; BEDS
    • A47C9/00Stools for specified purposes
    • A47C9/08Music stools

Definitions

  • My invention deals generally with furniture but more particularly relates to chairs.
  • One of the specific objects of my invention is to provide a chair in the bottom or seat of which is a'de'pression or cut-away portion at its front edge into which the cello may be partially drawn so to be conveniently near the player while his back is in contact with the back of the chair. He thus has the full length of the chair bottom on which to sit 40 and the chair back against which to rest his body.
  • Another object is to shorten one side of the seat in order that the player may withdraw his right leg somewhat, thereby being able to handle the bow with which he plays the instrument, to better advantage,his left leg meanwhile being extended at the side of the cello so as to more firmly. hold it whileplaying.
  • Fig. 1 is a perspective of the chair;
  • Fig. 2 is a side elevation thereof, and
  • Fig. 3 a plan view of the seat, or as commonly designated, the chair bottom.
  • Fig. 1, 1 represents the legs of the chair, which, however, may be made in various designs other than as presented, as turned dowels.
  • the chair back which also is subject to deviation in design, except as hereinafter noted, comprises, generally, the upright side portions 2, back rail 8 and slats 4.
  • the seat 5 is cut-away'at 6, leaving two forwardly extending sides, 5 and 5 the former somewhat shorter than the latter.
  • Another advantage accruing from the use of this improved chair is the ability of the player to retain a substantially constant sit ting position throughout the execution of a musical composition.
  • the cellist can draw his irstrument toward the back of the chair, within the depression 6 sufficiently to allow him to remain in an easy and comfortable body position without constantly shifting, first ahead and then back, he does with the conventional type 01" chair.
  • a seat superimposed on said legs having sides 01"- relatively dii'lerent lengths, and a depression formed in said seat, between said sides, extending rearwardly to a point in a plane disposed backwardly of the front end of the shorter of the two said sides.

Description

Nov. '19, 1929. J. FRANZOSA CHAIR FOR CELLO PLAYERS Filed Sept. 10. 1928 In venlon Patented l9,
JOSEPH FEA'NZOSA, OF PHILADELPHIA, PENN'SYLVAN IA CHAIR FOB, CELLO PLAYERS Application filed September 10, 1928.
My invention deals generally with furniture but more particularly relates to chairs.
Its object, stated in broad terms, is to provide a chair especially adapted for use by orchestral or other performers on the cello.
When sitting in an ordinary chair, the performer on this musical instrument is greatly handicapped by reason of the fact that he is obliged, while playing the instrument, to straddle it, but to do this he. must move forwardly on the chair seat where he gets scant seating facilities and absolutely no support for his back. In consequence, during a somewhat lengthy performance or concert he usually acquires a backache and general weariness of his body; and while this is true of experienced players on the cello it applies with egual, or perhaps greater force to pupils.
he correct posture of a performer re quires that he sit erect during a greater part ofthetime,for in this position he has a greater and more skillful command of his instru ment; but he cannot, while seated on an ordinary chair, draw the instrument toward him sufficiently, on account of interference with the chair seat, so he must, himself, move to ward it, but in doing so thechair, to all intents and purposes, becomes nothing more so "than a r il, devoid of comfortable support beneath and at the back of the performer.
One of the specific objects of my invention is to provide a chair in the bottom or seat of which is a'de'pression or cut-away portion at its front edge into which the cello may be partially drawn so to be conveniently near the player while his back is in contact with the back of the chair. He thus has the full length of the chair bottom on which to sit 40 and the chair back against which to rest his body.
Another object is to shorten one side of the seat in order that the player may withdraw his right leg somewhat, thereby being able to handle the bow with which he plays the instrument, to better advantage,his left leg meanwhile being extended at the side of the cello so as to more firmly. hold it whileplaying.
And a further object provides for the shaping of the back eftho chair more nearly Serial No. 304,861.
than does the ordinary chair. 'With his head erect, his chest thrown forwardly and his.
hips backwardly, the player assumes a posi tion best adapted to bring his movements under perfect control. Furthermore, his efforts are attended with less fatigue and his performance naturally becomes more brilliant than would otherwise be the case.
I have. illustrated, by the use of the accom panying drawing, the preferred embodiment of my invention. I desire it to be understood, however, that the drawing is simply illustrative and the invention, therefore, susceptible of minor changes in structural details without departure from the meaning and intent thereof.
- In the drawing,
Fig. 1 is a perspective of the chair; Fig. 2 is a side elevation thereof, and Fig. 3 a plan view of the seat, or as commonly designated, the chair bottom.
Similar reference characters are employed to identify like parts in all views of the drawing.
Referring to Fig. 1, 1 represents the legs of the chair, which, however, may be made in various designs other than as presented, as turned dowels.
The chair back which also is subject to deviation in design, except as hereinafter noted, comprises, generally, the upright side portions 2, back rail 8 and slats 4.
It will be observed that the back, immediately above the seat 5, is curved at 2, rearwardly. This is for the purpose of conforming somewhat to the shape of the lower portion of the torso of the individual seated in the chair; and so as to offer support to his back, the upper ends of the sides I 2 gradually sweep into substantially straight, vertical portions 2".
- The seat 5 is cut-away'at 6, leaving two forwardly extending sides, 5 and 5 the former somewhat shorter than the latter.
While the player is performing on his instrument, he draws the latter into this depression 6, his left leg above the knee having full length support on the extended portion 5 and contacting with the side of the cello to assist in firmly holding it in a correct position.
His right leg is slightly withdrawn, backwardly, and lowered, this allowing him to depress the bow so as to conveniently reach the right hand strings of the cello without interference with his right knee,the shortening of the side 5 permitting the player to lower his right leg so that the bow is gl rawn over it.
ihe instrumentalist 1s, therefore, very comfortably seated, but not only this, he has opportunity to rest his back against the chair back 2, except at such times as he may prefer to lean forwardly to execute some diflicult passage in his musical score.
Another advantage accruing from the use of this improved chairis the ability of the player to retain a substantially constant sit ting position throughout the execution of a musical composition.
I In many musical pieces there are certai periods of rest in which the cellist is idle.
Sitting in the ordinary chair he must slide back and forth, first to play his instrument and then to rest against the chair back. This is tedious for the player.
lln my chair the cellist can draw his irstrument toward the back of the chair, within the depression 6 sufficiently to allow him to remain in an easy and comfortable body position without constantly shifting, first ahead and then back, he does with the conventional type 01" chair.
5 Having described the superior features and advantages of my improved cellists chair, what I claim and desire to secure by Letters Patent is A chair comprisin seat-supporting legs,
a seat superimposed on said legs having sides 01"- relatively dii'lerent lengths, and a depression formed in said seat, between said sides, extending rearwardly to a point in a plane disposed backwardly of the front end of the shorter of the two said sides.
In testimony whereof I a'ltix my signature JOSEPH rnanzosri.
US1735921D Joseph ebanzosa Expired - Lifetime US1735921A (en)

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Cited By (8)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US4359243A (en) * 1979-07-06 1982-11-16 Crutcher Lewis P Musician's chair
FR2611462A1 (en) * 1987-03-06 1988-09-09 Marillier Jean Marie Device forming a seat for a musician and in particular a double bass player
FR2611461A1 (en) * 1987-02-23 1988-09-09 Mari Olive Germain Ergonomical seat for musicians
US20060208554A1 (en) * 2005-03-18 2006-09-21 Broda Enterprises, Inc. Backrest for bariatric chair
US7396078B2 (en) 2004-02-05 2008-07-08 Wenger Corporation Music posture chair
US20110115269A1 (en) * 2009-11-18 2011-05-19 Roeder Barbara J Adirondack-style chair having improved comfort and support
US9827503B2 (en) 2015-04-17 2017-11-28 Lagoon Corporation, Inc. Restraint system for amusement ride
US9950647B2 (en) 2015-04-17 2018-04-24 Lagoon Corporation, Inc. Seat form for amusement rides

Cited By (8)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US4359243A (en) * 1979-07-06 1982-11-16 Crutcher Lewis P Musician's chair
FR2611461A1 (en) * 1987-02-23 1988-09-09 Mari Olive Germain Ergonomical seat for musicians
FR2611462A1 (en) * 1987-03-06 1988-09-09 Marillier Jean Marie Device forming a seat for a musician and in particular a double bass player
US7396078B2 (en) 2004-02-05 2008-07-08 Wenger Corporation Music posture chair
US20060208554A1 (en) * 2005-03-18 2006-09-21 Broda Enterprises, Inc. Backrest for bariatric chair
US20110115269A1 (en) * 2009-11-18 2011-05-19 Roeder Barbara J Adirondack-style chair having improved comfort and support
US9827503B2 (en) 2015-04-17 2017-11-28 Lagoon Corporation, Inc. Restraint system for amusement ride
US9950647B2 (en) 2015-04-17 2018-04-24 Lagoon Corporation, Inc. Seat form for amusement rides

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