US20110066940A1 - Music/video messaging system and method - Google Patents

Music/video messaging system and method Download PDF

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Publication number
US20110066940A1
US20110066940A1 US12/453,847 US45384709A US2011066940A1 US 20110066940 A1 US20110066940 A1 US 20110066940A1 US 45384709 A US45384709 A US 45384709A US 2011066940 A1 US2011066940 A1 US 2011066940A1
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Prior art keywords
music
video
user
message
recipient
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US12/453,847
Inventor
Nader Asghari Kamrani
Kamran Asghari Kamrani
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Individual
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Individual
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Priority to US12/453,847 priority Critical patent/US20110066940A1/en
Priority to US12/656,252 priority patent/US20170149600A9/en
Publication of US20110066940A1 publication Critical patent/US20110066940A1/en
Priority to US15/808,154 priority patent/US11063895B2/en
Priority to US16/560,833 priority patent/US11190388B2/en
Priority to US17/342,306 priority patent/US11916860B2/en
Priority to US17/379,805 priority patent/US11310093B2/en
Priority to US17/692,983 priority patent/US11641382B2/en
Priority to US18/125,829 priority patent/US20230231891A1/en
Priority to US18/348,845 priority patent/US20230353526A1/en
Abandoned legal-status Critical Current

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    • GPHYSICS
    • G06COMPUTING; CALCULATING OR COUNTING
    • G06QINFORMATION AND COMMUNICATION TECHNOLOGY [ICT] SPECIALLY ADAPTED FOR ADMINISTRATIVE, COMMERCIAL, FINANCIAL, MANAGERIAL OR SUPERVISORY PURPOSES; SYSTEMS OR METHODS SPECIALLY ADAPTED FOR ADMINISTRATIVE, COMMERCIAL, FINANCIAL, MANAGERIAL OR SUPERVISORY PURPOSES, NOT OTHERWISE PROVIDED FOR
    • G06Q10/00Administration; Management
    • G06Q10/10Office automation; Time management
    • HELECTRICITY
    • H04ELECTRIC COMMUNICATION TECHNIQUE
    • H04LTRANSMISSION OF DIGITAL INFORMATION, e.g. TELEGRAPHIC COMMUNICATION
    • H04L51/00User-to-user messaging in packet-switching networks, transmitted according to store-and-forward or real-time protocols, e.g. e-mail
    • H04L51/21Monitoring or handling of messages
    • H04L51/224Monitoring or handling of messages providing notification on incoming messages, e.g. pushed notifications of received messages

Definitions

  • the present disclosure relates generally to digital communication, and more particularly to creating and/or sending music/video messages.
  • Every music has a message to say something.
  • the message is for instance about love, friendship, family, peace, compassion, and how people can stay together with tolerance.
  • music is primarily used as a form of entertainment, through personal devices such as CD players, iPods, laptops or digital players.
  • music and the message of music may also be used as a form of communication to trigger memories or to express feelings or emotions.
  • multimedia wireless devices mobile phones and computers spreads and new wireless network technologies are being improved, it is now possible to improve relationships and social networks using music and/or video as a way of communication.
  • the present invention discloses music/video messaging systems and methods for connecting people on a social scale through the use of personal computers, laptops, pocket PCs, mobile phones, iPods, the Internet, wireless networks, and more.
  • the disclosed systems and methods address certain aforementioned limitations by allowing users to create custom music/video messages that can be created, edited, etc. to improve and/or facilitate social interaction.
  • a user or client instead of sending music as the message, a user or client can create and send a music/video message that in effect uses music, video, text, etc. as “metadata” for a unique, custom message.
  • a user is able to utilize multimedia as a tool to electronically convey his true emotions and/or feelings, trigger memories of shared experiences, convey a message based on common interests, and more in a personalized manner.
  • recipient(s) may choose to download the message, edit the message, and/or forward the message to other friend(s) or recipient(s). Each time the message is edited, forwarded, etc., new user-related information is added to the message.
  • the disclosed systems and methods also address certain aforementioned limitations by involving music/video providers in the communication process.
  • the music/video providers offer content for users to customize and/or send as a message to others.
  • the music/video providers are presented with additional sources of revenue, and are encouraged to produce or obtain quality products.
  • a method for creating a custom music/video message representative of feelings or emotions to be communicated to one or more recipient device(s) over a communications network comprising: presenting user-customizable content selections to a user device display; receiving user-customized content selection(s) from the user device; receiving user-provided customized content, if any, from the user device; receiving recipient device information from the user device; notifying the recipient device(s) of the user-customized content; and in response to a request from a recipient device, providing the user-customized content to the recipient device in a single music/video message.
  • the music/video message comprises a combination of at least two of: music, video, pictures, slideshows, and text.
  • the user/client communication device and recipient device(s) include, but are not limited to: personal computers, laptops, personal digital assistants, pocket PCs, iPods, and/or mobile phones.
  • the selected content corresponds to at least portions of music, video, pictures, slideshows, and/or text/voice message. Additional information may include, but is not limited to: sender's name, phone number, e-mail address, IP address, date/time, recipient(s) name, phone number, e-mail address, IP-address, etc.
  • creating the custom music/video message includes combining the music, video, pictures, slideshows and/or text/voice message into a single message.
  • the user may provide their own content to be combined with selected content. For example, a husband may wish to send a custom music/video message to his wife and provide the custom text “I still love you” to be combined with their wedding song.
  • a system for creating a custom music/video message representative of feelings or emotions to be communicated to one or more recipient device(s) over a communications network comprising: at least one server configured to: present user-customizable content selections to a user device display; receive user-customized content selection(s) from the user device; receive user-provided content, if any, from the user device; receive recipient device information from the user device; notify the recipient device(s) of the user-customized content; and in response to a request from a recipient device, provide the user-customized content to the recipient device in a single music/video message.
  • the music/video message comprises a combination of at least two of: music, video, pictures, slideshows, and text.
  • the user communication device and recipient device(s) include, but are not limited to: personal computers, laptops, personal digital assistants, pocket PCs, iPods, and/or mobile phones.
  • the selected content corresponds to at least portions of music, video, pictures, slideshows, and/or text/voice message.
  • the music/video message system combines the selected music, video, pictures, slideshows and/or text/voice message into a single message.
  • user-provided content is combined with selected content. For example, a user may combine the music theme from “Rocky” with the personal text “I know you can do it!” to send to a friend preparing for a job interview and thereby trigger inspirational feelings or emotions.
  • music/video messages system helps to improve existing relationships as well as to create new social links.
  • Music/video messaging brings happiness and fun to new as well as existing relationships.
  • the receiver of music/video message will get more value out of the message than from text alone. For example, playing a music/video message that has message of love will provide different experience to the receiver of the message than a text message alone.
  • playing music/video message can trigger memories and emotions e.g., of shared experiences. For example, playing a wedding song can trigger romantic or sentimental feelings, playing a clip or sound-bite of a favorite movie can trigger happy or inspirational emotions, etc.
  • friends and families could use music/video messages to communicate their feelings and emotions in new and creative ways that is not possible to do without it.
  • the present invention offers a solution to problems associated with attempting to remotely communicate feelings or emotions using only written words.
  • the present systems and methods allow a user to create a custom music/video message that more closely reflects their true feelings or emotions instead of being limited to “pre-canned” messages.
  • One advantage that the present systems and methods can provide is personalized music/video messages. As a result, music/video messages tailored to specific situations, interests, etc. may be shared between users.
  • Such music/video messages effectively enable users to communicate their true feelings, ideas, etc. while enabling message recipients to experience positive feelings and emotions.
  • the music/video messages allow users to communicate the message of music in remote and/or mobile situations.
  • the disclosed music/video message systems and methods create a fun and social environment.
  • the disclosed music/video message systems and methods help to strengthen existing relationships.
  • the music/video message systems and methods disclosed herein also help to create new social links.
  • the disclosed music/video message systems and methods help to motivate music stakeholders to produce high quality products with positive messages.
  • FIG. 1 a is a block diagram illustrating a system for creating and/or sending music/video messages according to an exemplary embodiment.
  • FIG. 1 b is a flowchart illustrating a method steps for creating and/or sending music/video messages according to an exemplary embodiment.
  • FIG. 2 is a block diagram illustrating a system for creating and/or sending music/video messages according to yet another exemplary embodiment.
  • FIG. 3 illustrates method steps for sending and receiving music/video messages according to another exemplary embodiment.
  • FIG. 4 depicts various combinations of music video/messages.
  • a music/video message may be a mixture of at least portions of music, video, pictures, slideshows, and/or text/voice message.
  • a user may provide their own music, video, pictures, slideshows and/or text/voice message to be included in the music/video message.
  • users may choose music, video, pictures, slideshows, and/or text from available lists, charts, icons, displays, etc. to send to other recipient(s) as a music/video message.
  • the music/video providers may include original author/source information with the content, issue disclaimers along with the content, incorporate special watermarks, etc.
  • FIG. 1 a shows a system for creating and sending music/video messages
  • FIG. 1 b shows method steps according to an exemplary embodiment. It will be appreciated that the method steps may be performed using any combination of hardware and/or software as will be appreciated by those skilled in the art and that the method steps need not necessarily be performed in the particular order disclosed.
  • one or more user device 10 communicates with a music/video provider 30 and/or a music/video messaging system (MVMS) 50 via a communication network 20 and one or more communication links 80 . See step 102 .
  • MVMS music/video messaging system
  • the user device 10 includes, but is not limited to: a personal computer, laptop, personal digital assistant, pocket PC, iPod, and/or mobile phone.
  • the user device 10 further includes: a central processor, RAM/ROM, data storage (including internal and external storage), a display, keyboard, speaker, microphone, data interface(s), receiver/transmitter, battery, and the like.
  • the user device 10 also includes a proprietary or open source Operating System including, but not limited to, any Windows or MAC platform, UNIX/Linux, RIM OS, PALM OS, Symbian OS, etc.
  • the user device 10 includes a graphical user interface and preferably web browsing capabilities.
  • the user device 10 also preferably includes a media player. Examples of suitable media players include, but are not limited to, SMIL players such as AdobeTM Media Player, QuickTimeTM Player, RealPlayerTM, Helix Player, Totem Player, or other equivalent proprietary or open source software.
  • the user device 10 only needs a browser, and instructions/software for executing the music/video message may be provided by the MVMS 50 and/or video provider 30 in the form of a plug-in, API, download, etc.
  • the user device 10 browser contains built-in media player functionality.
  • Communication network 20 includes any combination of: LANs, WANs, MANs, the Internet, Intranets, private networks, wired and/or wireless (e.g., IEEE 802.11 standard, satellite, cellular, GSM/GPRS, CDMA, TDMA) networks, mobile networks, public switched telephone networks (PSTN), SMS, SMSC, MMS, SMTP/MIME and/or IM distribution networks, aggregators, provisioning and hosting providers, mobile operators, service providers, gateways, etc.
  • wireless e.g., IEEE 802.11 standard, satellite, cellular, GSM/GPRS, CDMA, TDMA
  • PSTN public switched telephone networks
  • SMS SMSC
  • MMS mobile management system
  • SMTP/MIME SMTP/MIME
  • IM distribution networks aggregators, provisioning and hosting providers, mobile operators, service providers, gateways, etc.
  • the music/video provider 30 comprises one or more associated servers and/or databases. Accordingly, the user device 10 may contact a music/video provider 30 by entering a website, URL, or shortcode associated with the music/video provider 30 . The user device 10 may communicate with the music/video provider 30 , MVMS 50 , and/or recipient device 70 using any combination of HTTP, FTP, SMTP, RTP, WAP, SMS, MMS, IM protocols, or the like. In embodiments, the user registers and/or creates an account at the music/video provider website (step 103 ) and downloads any software necessary to configure the user device for creating/sending music/video messages. For example, an account may include: name, address, phone number, email, and/or credit card information.
  • custom messages created by the user may be stored with the user account e.g., to send again or edit at a later time.
  • Created messages may be stored in memory associated with the user device 10 and/or on one of the servers/databases associated with the music/video provider 30 and/or MVMS 50 .
  • the music/video provider website 30 allows the user of device 10 to select content that is representative of feelings or emotions the user would like to communicate to one or more recipient(s).
  • the user may be presented with a list of selectable content such as music, videos, slideshows, pictures, text, etc.
  • the user may be presented with indicia such as icons, thumbnails, or other images representative of various forms of content.
  • the user may provide his own content (e.g., music, videos, slideshows, pictures, text, etc.) to be included in the music/video message.
  • the music/video provider 30 and/or MVMS 50 may receive user-provided content (e.g., uploaded, emailed, texted, or the like by the user device 10 ).
  • the user then may select the music/video content to be communicated to a recipient that represents his/her feeling(s) and/or emotions via a user interface of the user device 10 . See step 104 .
  • the user may register with the music/video provider 30 site to receive a new and/or random music/video every day/week/month or on a specific day.
  • the music/video provider 30 may be configured to make music/video suggestions based on previous user choices.
  • the music/video provider 30 may be configured to notify the user of new available content.
  • the music/video provider 30 may be a single provider or alternatively may correspond to multiple providers.
  • the music/video provider 30 may include one provider that interfaces with users and has business relationships with, and is in communication with, other music/video providers 30 .
  • the MVMS 50 is the one provider that has business relationships with other music/video providers 30 .
  • one music/video provider 30 may offer music only, another provider video only, and so forth.
  • one or more music/video providers 30 may offer a various types of content such as: music and video; music, video and pictures, etc.
  • the music/video provider(s) 30 may provide content to the user and/or recipient(s) for free, or for a fee.
  • the music/video provider 30 displays available content to the user on a website via a series of lists, charts, icons, displays, etc. According to various design considerations, such content may be grouped by title, artist, theme, subject, keywords, or the like.
  • Music content for example, may include pre-recorded music, music recorded by the user, sound clips, synthesized music, music mixes, or the like.
  • Such content may be stored (permanently or temporarily) on the music/video provider's 30 and/or MVMS 50 server(s). Additionally, content may be stored on one or more databases 40 in communication with the music/video provider 30 and/or MVMS 50 .
  • the MVMS 50 may act as a portal to multiple different music/video providers 30 . In this case, the user need only contact the MVMS website to select diverse types of content from various sources.
  • a user may search content via the music/video provider 30 and/or MVMS 50 website by entering search terms, keywords, etc.
  • search capabilities may allow a user to speak the search terms, selections, etc. using voice recognition software (e.g., if using a mobile phone).
  • the user provides recipient information to the music/video provider website for delivering a music/video message (step 106 ).
  • recipient information includes at least one of: email address, phone number, music/video provider site account information (where the recipient has an account with the same or different music/video provider, or other service providers such as Facebook, MySpace, Plaxo, etc.), account information, or the like.
  • the music/video provider 30 is configured to provide “Send” Options to enable user to schedule music/video messages to be sent at specific times and dates (e.g. birthday, anniversary, etc.).
  • the music/video provider 30 is further in communication with the music/video messaging system 50 .
  • the music/video provider 30 provides the content selected by the user as well as recipient information to the music/video messaging system 50 .
  • the music/video messaging system 50 is operated by the same music provider or a third party provider that handles streaming and/or loading of the music/video message to the recipient device(s) 70 1-n . Accordingly, the music/video messaging system 50 and music/video provider's system 30 may be combined in a single application or the music/video messaging system 50 may be implemented as separate module/application that resides on the same, or different, server(s) than the music/video provider 30 . Also, the music/video messaging system 50 may be implemented as part of the music/provider's system 30 that resides on the same, or different, server(s) than the music/video provider 30 .
  • the music/video messaging system 50 is configured to combine and/or store the selected content (e.g., music, video, slideshows, and/or text/voice message). Step 508 .
  • Selected content may be combined using a variety of commercial or custom “mixing” software and/or instructions.
  • the MVMS 50 is configured to combine the selected content (e.g., music, video, pictures, and/or text) in a single container.
  • the MVMS is configured to combine the selected content (e.g., music, video, pictures, and/or text) by referencing and/or embedding the content in the music/video message.
  • Selected content may include, but is not limited to, the following types of file formats: MP3, WAV, RealAudio, Ogg, Vorbis, Sorenson, AIFF, AAC, MIDI, MPEG, JPEG, MIDI, 3GPP, AVI, BMP, GIF, TIFF, PNG, MOV, RealVideo, MJPEG, TXT, etc.
  • distribution network 20 determines whether the recipient device(s) 70 are capable of receiving the music/video message and/or performs any necessary transformations or adaptations for sending the music/video message to the recipient device(s) as will be appreciated by those skilled in the art.
  • the music/video messaging system 50 is configured to inform the recipient device(s) 70 1-n that the message is available. This may be done, for example, by sending an email or text (e.g., SMTP, SMS, MMS, IM, etc.) message to the recipient device(s) 70 1-n including instructions for accessing the music/video message. (Step 510 ).
  • the instructions include e.g., a URL link, phone number, and/or code for accessing/downloading the message and its contents.
  • Step 701 Upon selecting the link, the recipient device 70 communicates with the MVMS 50 to receive the music/video message as a single object. See steps 702 and 703 .
  • the music/video provider 30 and/or MVMS 50 are configured to provide the recipient(s) with the option to forward the message to another compatible device 70 n .
  • the recipient(s) are provided with an option to respond to the music/video message in an interactive manner ( 704 ).
  • a recipient may choose to add his own text comment or picture and reply to the user and/or forward to other recipient device(s) 70 n .
  • the music/video messaging system 50 and/or MVMS 30 is configured to manage changes to the music/video message made by other recipients and/or to use log data to keep an audit trail so that the sender of each message may be determined.
  • FIG. 2 depicts a system for creating and sending music/video messages according to another exemplary embodiment.
  • a user communicates with the music/video provider 30 e.g., by accessing the music/video provider's 30 website.
  • the website includes: login, search, accounting, reporting, feedback options and more.
  • the music/video provider 30 may be comprised of one or more different content providers and associated content servers. Additionally or alternatively, the music/video provider 30 may include one provider that interfaces with users and has business relationships with other music/video providers 30 .
  • the music/video provider 30 may provide content for free, or for a fee. Furthermore, the music/video provider may generate additional revenue from advertisers, etc.
  • the music/video provider 30 displays available content to the user via a series of lists, charts, icons, displays, etc. According to various design considerations, such content may be grouped by title, artist, theme, subject, keywords, or the like.
  • the music/video provider website allows the user to select content that is representative of feelings or emotions the user would like to communicate to one or more recipient(s).
  • the user provides recipient information to the music/video provider website for delivering the music/video message.
  • recipient information includes at least one of: email address, phone number, music/video provider site account information (where the recipient has an account with the same or different music/video provider, or other service providers such as Facebook, MySpace, etc.), account information, or the like.
  • the user may register with the music/video provider site to receive a new and/or random music/video periodically every day/week/month or on a specific day. The user then may choose the music/video to be communicated to a recipient that best represents his/her feeling(s).
  • the user is provided with an option to search content on the music/video provider website by entering search terms, keywords, etc.
  • search capabilities allow a user to type the search terms or speak the search terms (e.g., if using a mobile phone).
  • the music/video provider may provide “Send” Options to let user to schedule music/video messages to be sent at specific times or dates (e.g. birthday, anniversary, etc).
  • the music/video provider 30 is further in communication with a music video messaging system 50 .
  • the music/video provider 30 provides the content selected by the user as well as recipient information to the music/video messaging system 50 .
  • the music/video messaging system 50 comprises one or more servers configured to combine the selected content (e.g., music, video, pictures, slideshows, and/or text/voice message) to form a single music/video message.
  • the server(s) are configured to store the selected content into a single container and/or to embed the selected content in a file along with other information regarding the music/video message.
  • the MVMS 50 server may be configured to combine content by embedding the following information in a single file or container associated with a music/video message:
  • information regarding the music/video message is stored in one or more database(s) 40 maintained by the MVMS 50 and/or music/video provider 30 .
  • the music/video message is sent to a distribution network 60 .
  • the distribution network 60 is responsible for notifying one or more of the recipient device(s) 70 1-n of the music/video message, adapting and/or delivering the message.
  • the distribution network 60 informs the recipient device(s) 70 1-n that the music/video message is available. This may be done, for example, by sending an email or text message to the recipient device(s) 70 1-n including instructions for accessing the music/video message.
  • the instructions include e.g., a URL link and/or code for accessing/downloading the message and its contents.
  • the recipient device(s) 70 1-n include, but are not limited to: mobile phones, iPods, laptops, PCs, pocket PCs, and PDAs.
  • the distribution network 60 includes one or more distribution chain players including, but not limited to: Aggregators, Gateways, Provisioning and Hosting Providers, Mobile Operators, SMS Centers, streaming delivery providers and/or other Service Providers.
  • the distribution network 60 is responsible for ensuring that the recipient device(s) 70 1-n are capable of receiving the music/video message and/or performing any necessary transformations, content adaptations, etc. as will be appreciated by those skilled in the art.
  • FIG. 3 illustrates a flowchart of method steps according to an exemplary embodiment. It is understood that the method steps may be performed using any combination of hardware and/or software as will be appreciated by those skilled in the art and that the method steps need not necessarily be performed in the particular order disclosed.
  • the user communicates with the music/video provider 30 .
  • the online music/video provider 30 has an application, website or portal that allows the user to interface with the provider. The user is then able to select content that they would like to send in the form of a music/video message.
  • the user provides recipient information necessary for contacting one or more recipient(s). Such recipient information may be e.g., phone number, email addresses, music/video provider site account information (where the recipient has an account with the same or different music/video provider, or other service providers such as Facebook, Myspace, etc.), account, or the like.
  • the music/video provider send the information and selected content to the music/video messaging system 50 and/or distribution network 60 at step 308 .
  • the music/video messaging system 50 and/or distribution network 60 informs the recipient device(s) that the music/video message is available 310 .
  • Such informing may include, for example, sending a text, voice, or email message to the recipient's device 70 1-n .
  • the recipient may choose to receive the music/video message by going through instructions provided by the music/video messaging system 50 and/or distribution network 60 .
  • the recipient device 70 1-n retrieves the music/video message by selecting a URL link contained in a text message such as SMS or email.
  • the recipient device 70 1-n may download the music/video message or may receive the music/video message as streaming music/video. Any action taken by the recipient in order to retrieve the music/video message authorizes the music/video messaging system 50 , music/video provider 30 , and/or distribution network 60 to send the music/video message to the recipient.
  • the above method steps performed by the music/video provider(s) 30 , database(s) 40 , and/or music/video messaging system 50 may be implemented in the form of hardware and/or software instructions as will be appreciated by those skilled in the art.
  • Software instructions may include custom macros, sub-routines, logic, or the like implemented using commercially available software such as MS SQL ServerTM, Visual Basic, C++, SMIL, XML, HTML, XHTML, Java, JavaScript, C#, APIs, etc.
  • the software instructions for performing the disclosed method steps may reside in whole, or in part, on a computer-readable medium. Examples of computer readable media include, but are not limited to: hard drives, memory chips, memory sticks, memory cards, CDs, DVDs, tapes, and the like.
  • FIG. 4 depicts different types of content combined in a music/video message. As shown, various combinations may include, but are not limited to: music only; music and text/voice; music and video; music and slide show; music, video and text/voice; music, slide show and text/voice, etc.
  • members of social networking sites may send music/video messages to their network of friends.
  • a social networking user may keep the message or part of the message private or public.
  • the user may allow others to see information such as number of music/video messages that the user has or who the sender is.
  • the user may also allow other members to listen and/or watch the user's music/video messages.
  • the music/video provider 30 may use technologies such as Web, HTTP, WAP, SMS, MMS, IM and/or email to provide music/video messaging service to users.
  • a user may send a message (SMS text message, email, etc.) to the music/video provider 30 with a communication device 10 such as mobile phone and request a music/video message to be sent to a recipient device 70 .
  • the music/video provider's service may be voice-activated. In the examples below it is assumed that “123456” is music/video provider's SMS short code.
  • Example 1 a user wants to include Madonna's “crazy for you” music/video into a music/video message and send it to a recipient phone number which is in our example 703-470-3040.
  • the user brings up a mobile phone's text messaging screen and enters the text message “7034703040 Madonna (Crazy for you)”.
  • This text message is sent to the music/video provider's short code (which, in this example is 123456).
  • the music/video provider 30 creates the music/video message and sends it to the recipient contact information which, in this example, is recipient's phone number 703-470-3040.
  • Example 2 a user wants to include Madonna's “crazy for you” music/video into a music/video message that also contains text such as “I AM REALLY CRAZY” and send it to a recipient phone number 703-470-3040.
  • the user brings up a mobile phone's text messaging screen and enters the message “7034703040 Madonna (Crazy for you) (I AM REALLY CRAZY)”.
  • This text message is sent to music/video provider's short code (which, in this example is 123456).
  • the music/video provider 30 creates the music/video message and sends it to the recipient contact information which, in this example, is recipient's phone number 703-470-3040.
  • Example 3 a user's mobile phone number is 310-230-9000 and the user wants to send Madonna's “crazy for you” music/video into a music/video message and send it to a recipient phone number 703-470-3040.
  • the user creates an email and enters the text message “310-230-9000 7034703040 Madonna (Crazy for you)”.
  • the user sends this email message to music/video provider's email address.
  • the music/video provider 30 creates the music/video message and sends it to the recipient contact information which, in this example, is recipient's phone number 703-470-3040.
  • the music/video provider 30 may also to choose to call the user's mobile phone number or send an SMS text message and ask for confirmation before sending the music/video message to the recipient.
  • Example 4 a user wants to include Madonna's “crazy for you” music/video into a music/video message and send it to a recipient phone number 703-470-3040.
  • the user dials the music/video provider's phone number and leaves a voice message “7034703040 Madonna (Crazy for you)”.
  • the music/video provider 30 creates the music/video message and sends it to the recipient contact information which, in this example, is recipient's phone number 703-470-3040.
  • the music/video provider 30 may also to choose to call the user's mobile phone number or send an SMS text message and ask for confirmation before sending the music/video message to the recipient.

Abstract

A system and method for creating custom music/video messages to facilitate and/or improve social interaction. The music/video messages may include at least portions of music, video, pictures, slideshows, and/or text. Custom music/video messages may be created by a user in communication with a music/video provider and a music/video messaging system. The music/video messaging system and/or a distribution network send the music/video messages to one or more intended recipient(s). The custom music/video messages are representative of feelings or emotions to be communicated by the user to the one or more recipient(s).

Description

  • This application claims priority to U.S. provisional patent application 61/055,940 filed May 23, 2008 and incorporated herein by reference in entirety.
  • BACKGROUND OF THE INVENTION Field of the Invention
  • The present disclosure relates generally to digital communication, and more particularly to creating and/or sending music/video messages.
  • Today as digital communication becomes more commonplace, debates remain as to whether such communication helps, or hinders, inter-personal relationships. On one hand, communication using written words such as email and instant messaging (IM) remove meaning, or context, (e.g., facial expressions, gestures, etc.) surrounding the individual(s) communicating. Text messaging, which is becoming a more popular form of social interaction, relies heavily on the use of abbreviated words and acronyms -abridging communications even more. As a result, it is more difficult to ascertain or interpret true feelings or emotions behind such messages. On the other hand, it is recognized that digital communication helps to reduce boundaries that exist in the physical world attributed to e.g., geographic distance, social “circles,” and more.
  • Every music has a message to say something. The message is for instance about love, friendship, family, peace, compassion, and how people can stay together with tolerance. But currently, music is primarily used as a form of entertainment, through personal devices such as CD players, iPods, laptops or digital players. However, it has not yet been fully appreciated that music and the message of music may also be used as a form of communication to trigger memories or to express feelings or emotions. Moreover, as the market of multimedia wireless devices, mobile phones and computers spreads and new wireless network technologies are being improved, it is now possible to improve relationships and social networks using music and/or video as a way of communication.
  • SUMMARY OF THE INVENTION
  • The present invention discloses music/video messaging systems and methods for connecting people on a social scale through the use of personal computers, laptops, pocket PCs, mobile phones, iPods, the Internet, wireless networks, and more.
  • The disclosed systems and methods address certain aforementioned limitations by allowing users to create custom music/video messages that can be created, edited, etc. to improve and/or facilitate social interaction. For example, instead of sending music as the message, a user or client can create and send a music/video message that in effect uses music, video, text, etc. as “metadata” for a unique, custom message. In this way, a user is able to utilize multimedia as a tool to electronically convey his true emotions and/or feelings, trigger memories of shared experiences, convey a message based on common interests, and more in a personalized manner. In embodiments, recipient(s) may choose to download the message, edit the message, and/or forward the message to other friend(s) or recipient(s). Each time the message is edited, forwarded, etc., new user-related information is added to the message.
  • The disclosed systems and methods also address certain aforementioned limitations by involving music/video providers in the communication process. Preferably, the music/video providers offer content for users to customize and/or send as a message to others. By offering such content, the music/video providers are presented with additional sources of revenue, and are encouraged to produce or obtain quality products.
  • According to one aspect, a method for creating a custom music/video message representative of feelings or emotions to be communicated to one or more recipient device(s) over a communications network is disclosed. The method comprising: presenting user-customizable content selections to a user device display; receiving user-customized content selection(s) from the user device; receiving user-provided customized content, if any, from the user device; receiving recipient device information from the user device; notifying the recipient device(s) of the user-customized content; and in response to a request from a recipient device, providing the user-customized content to the recipient device in a single music/video message. Preferably, the music/video message comprises a combination of at least two of: music, video, pictures, slideshows, and text.
  • Preferably the user/client communication device and recipient device(s) include, but are not limited to: personal computers, laptops, personal digital assistants, pocket PCs, iPods, and/or mobile phones. In embodiments, the selected content corresponds to at least portions of music, video, pictures, slideshows, and/or text/voice message. Additional information may include, but is not limited to: sender's name, phone number, e-mail address, IP address, date/time, recipient(s) name, phone number, e-mail address, IP-address, etc. In further embodiments, creating the custom music/video message includes combining the music, video, pictures, slideshows and/or text/voice message into a single message. In some cases, the user may provide their own content to be combined with selected content. For example, a husband may wish to send a custom music/video message to his wife and provide the custom text “I still love you” to be combined with their wedding song.
  • According to another aspect, a system for creating a custom music/video message representative of feelings or emotions to be communicated to one or more recipient device(s) over a communications network is disclosed. The system comprising: at least one server configured to: present user-customizable content selections to a user device display; receive user-customized content selection(s) from the user device; receive user-provided content, if any, from the user device; receive recipient device information from the user device; notify the recipient device(s) of the user-customized content; and in response to a request from a recipient device, provide the user-customized content to the recipient device in a single music/video message. Preferably, the music/video message comprises a combination of at least two of: music, video, pictures, slideshows, and text.
  • Preferably the user communication device and recipient device(s) include, but are not limited to: personal computers, laptops, personal digital assistants, pocket PCs, iPods, and/or mobile phones. In embodiments, the selected content corresponds to at least portions of music, video, pictures, slideshows, and/or text/voice message. In further embodiments, the music/video message system combines the selected music, video, pictures, slideshows and/or text/voice message into a single message. In some cases, user-provided content is combined with selected content. For example, a user may combine the music theme from “Rocky” with the personal text “I know you can do it!” to send to a friend preparing for a job interview and thereby trigger inspirational feelings or emotions.
  • One advantage of the music/video messages system disclosed herein is that it helps to improve existing relationships as well as to create new social links. Music/video messaging brings happiness and fun to new as well as existing relationships. The receiver of music/video message will get more value out of the message than from text alone. For example, playing a music/video message that has message of love will provide different experience to the receiver of the message than a text message alone. Also playing music/video message can trigger memories and emotions e.g., of shared experiences. For example, playing a wedding song can trigger romantic or sentimental feelings, playing a clip or sound-bite of a favorite movie can trigger happy or inspirational emotions, etc. As a result, friends and families could use music/video messages to communicate their feelings and emotions in new and creative ways that is not possible to do without it.
  • The present invention offers a solution to problems associated with attempting to remotely communicate feelings or emotions using only written words.
  • Unlike systems and methods currently in use, the present systems and methods allow a user to create a custom music/video message that more closely reflects their true feelings or emotions instead of being limited to “pre-canned” messages.
  • One advantage that the present systems and methods can provide is personalized music/video messages. As a result, music/video messages tailored to specific situations, interests, etc. may be shared between users.
  • Other advantages of music/video messages as disclosed herein are that:
  • Such music/video messages effectively enable users to communicate their true feelings, ideas, etc. while enabling message recipients to experience positive feelings and emotions.
  • The music/video messages allow users to communicate the message of music in remote and/or mobile situations.
  • The disclosed music/video message systems and methods create a fun and social environment.
  • The disclosed music/video message systems and methods help to strengthen existing relationships.
  • The music/video message systems and methods disclosed herein also help to create new social links.
  • The disclosed music/video message systems and methods help to motivate music stakeholders to produce high quality products with positive messages.
  • BRIEF DESCRIPTION OF THE DRAWINGS
  • FIG. 1 a is a block diagram illustrating a system for creating and/or sending music/video messages according to an exemplary embodiment.
  • FIG. 1 b is a flowchart illustrating a method steps for creating and/or sending music/video messages according to an exemplary embodiment.
  • FIG. 2 is a block diagram illustrating a system for creating and/or sending music/video messages according to yet another exemplary embodiment.
  • FIG. 3 illustrates method steps for sending and receiving music/video messages according to another exemplary embodiment.
  • FIG. 4 depicts various combinations of music video/messages.
  • DETAILED DESCRIPTION OF THE INVENTION AND PREFERRED EMBODIMENTS
  • Reference will now be made in detail to various exemplary embodiments of the invention, examples of which are illustrated in the accompanying drawings. The following detailed description describes certain embodiments of the invention, and should not be considered as limiting the invention to those embodiments.
  • As used herein, “a” means at least one or more. In embodiments, a music/video message may be a mixture of at least portions of music, video, pictures, slideshows, and/or text/voice message. In some embodiments, a user may provide their own music, video, pictures, slideshows and/or text/voice message to be included in the music/video message. In embodiments, users may choose music, video, pictures, slideshows, and/or text from available lists, charts, icons, displays, etc. to send to other recipient(s) as a music/video message. To attribute original sources, in some cases the music/video providers may include original author/source information with the content, issue disclaimers along with the content, incorporate special watermarks, etc.
  • Turning now to the figures, which depict various exemplary embodiments of the invention, FIG. 1 a shows a system for creating and sending music/video messages and FIG. 1 b shows method steps according to an exemplary embodiment. It will be appreciated that the method steps may be performed using any combination of hardware and/or software as will be appreciated by those skilled in the art and that the method steps need not necessarily be performed in the particular order disclosed. As shown in FIGS. 1 a and b, one or more user device 10 communicates with a music/video provider 30 and/or a music/video messaging system (MVMS) 50 via a communication network 20 and one or more communication links 80. See step 102. In the embodiment shown in FIG. 1 a, the music/video provider 30 and music/video messaging system (MVMS) 50 are shown as separate entities. However, it is appreciated that in other embodiments, the functions of the music/video provider 30 and MVMS 50 may be combined. In further embodiments, the music/video provider 30 and the MVMS 50 may be executed on the same, or multiple, collocated or distributed servers. The user device 10 includes, but is not limited to: a personal computer, laptop, personal digital assistant, pocket PC, iPod, and/or mobile phone. Preferably, the user device 10 further includes: a central processor, RAM/ROM, data storage (including internal and external storage), a display, keyboard, speaker, microphone, data interface(s), receiver/transmitter, battery, and the like. Examples of internal and external storage devices include: SD cards, micro SD cards, multimedia cards, SIM cards, compact flash, secure digital, memory sticks, or the like. The user device 10 also includes a proprietary or open source Operating System including, but not limited to, any Windows or MAC platform, UNIX/Linux, RIM OS, PALM OS, Symbian OS, etc. In addition, the user device 10 includes a graphical user interface and preferably web browsing capabilities. In embodiments, the user device 10 also preferably includes a media player. Examples of suitable media players include, but are not limited to, SMIL players such as Adobe™ Media Player, QuickTime™ Player, RealPlayer™, Helix Player, Totem Player, or other equivalent proprietary or open source software. In some embodiments, the user device 10 only needs a browser, and instructions/software for executing the music/video message may be provided by the MVMS 50 and/or video provider 30 in the form of a plug-in, API, download, etc. In other embodiments, the user device 10 browser contains built-in media player functionality. Communication network 20 includes any combination of: LANs, WANs, MANs, the Internet, Intranets, private networks, wired and/or wireless (e.g., IEEE 802.11 standard, satellite, cellular, GSM/GPRS, CDMA, TDMA) networks, mobile networks, public switched telephone networks (PSTN), SMS, SMSC, MMS, SMTP/MIME and/or IM distribution networks, aggregators, provisioning and hosting providers, mobile operators, service providers, gateways, etc.
  • In embodiments, the music/video provider 30 comprises one or more associated servers and/or databases. Accordingly, the user device 10 may contact a music/video provider 30 by entering a website, URL, or shortcode associated with the music/video provider 30. The user device 10 may communicate with the music/video provider 30, MVMS 50, and/or recipient device 70 using any combination of HTTP, FTP, SMTP, RTP, WAP, SMS, MMS, IM protocols, or the like. In embodiments, the user registers and/or creates an account at the music/video provider website (step 103) and downloads any software necessary to configure the user device for creating/sending music/video messages. For example, an account may include: name, address, phone number, email, and/or credit card information. In addition, custom messages created by the user may be stored with the user account e.g., to send again or edit at a later time. Created messages may be stored in memory associated with the user device 10 and/or on one of the servers/databases associated with the music/video provider 30 and/or MVMS 50. Preferably, the music/video provider website 30 allows the user of device 10 to select content that is representative of feelings or emotions the user would like to communicate to one or more recipient(s). For example, the user may be presented with a list of selectable content such as music, videos, slideshows, pictures, text, etc. Additionally, or alternatively, the user may be presented with indicia such as icons, thumbnails, or other images representative of various forms of content. It is further possible that the user may provide his own content (e.g., music, videos, slideshows, pictures, text, etc.) to be included in the music/video message. In this case, the music/video provider 30 and/or MVMS 50 may receive user-provided content (e.g., uploaded, emailed, texted, or the like by the user device 10). The user then may select the music/video content to be communicated to a recipient that represents his/her feeling(s) and/or emotions via a user interface of the user device 10. See step 104. Additionally, the user may register with the music/video provider 30 site to receive a new and/or random music/video every day/week/month or on a specific day. For example, the music/video provider 30 may be configured to make music/video suggestions based on previous user choices. In another example, the music/video provider 30 may be configured to notify the user of new available content.
  • It is appreciated that the music/video provider 30 may be a single provider or alternatively may correspond to multiple providers. For example, the music/video provider 30 may include one provider that interfaces with users and has business relationships with, and is in communication with, other music/video providers 30. In some embodiments, the MVMS 50 is the one provider that has business relationships with other music/video providers 30. Moreover, one music/video provider 30 may offer music only, another provider video only, and so forth. Alternatively, one or more music/video providers 30 may offer a various types of content such as: music and video; music, video and pictures, etc. According to various business models, the music/video provider(s) 30 may provide content to the user and/or recipient(s) for free, or for a fee.
  • In embodiments, the music/video provider 30 displays available content to the user on a website via a series of lists, charts, icons, displays, etc. According to various design considerations, such content may be grouped by title, artist, theme, subject, keywords, or the like. Music content, for example, may include pre-recorded music, music recorded by the user, sound clips, synthesized music, music mixes, or the like. Such content may be stored (permanently or temporarily) on the music/video provider's 30 and/or MVMS 50 server(s). Additionally, content may be stored on one or more databases 40 in communication with the music/video provider 30 and/or MVMS 50. In embodiments, the MVMS 50 may act as a portal to multiple different music/video providers 30. In this case, the user need only contact the MVMS website to select diverse types of content from various sources.
  • In addition, a user may search content via the music/video provider 30 and/or MVMS 50 website by entering search terms, keywords, etc. In addition, search capabilities may allow a user to speak the search terms, selections, etc. using voice recognition software (e.g., if using a mobile phone).
  • Once content has been selected, the user provides recipient information to the music/video provider website for delivering a music/video message (step 106). Such recipient information includes at least one of: email address, phone number, music/video provider site account information (where the recipient has an account with the same or different music/video provider, or other service providers such as Facebook, MySpace, Plaxo, etc.), account information, or the like. In some cases, the music/video provider 30 is configured to provide “Send” Options to enable user to schedule music/video messages to be sent at specific times and dates (e.g. birthday, anniversary, etc.).
  • The music/video provider 30 is further in communication with the music/video messaging system 50. The music/video provider 30 provides the content selected by the user as well as recipient information to the music/video messaging system 50. In embodiments, the music/video messaging system 50 is operated by the same music provider or a third party provider that handles streaming and/or loading of the music/video message to the recipient device(s) 70 1-n. Accordingly, the music/video messaging system 50 and music/video provider's system 30 may be combined in a single application or the music/video messaging system 50 may be implemented as separate module/application that resides on the same, or different, server(s) than the music/video provider 30. Also, the music/video messaging system 50 may be implemented as part of the music/provider's system 30 that resides on the same, or different, server(s) than the music/video provider 30.
  • The music/video messaging system 50 is configured to combine and/or store the selected content (e.g., music, video, slideshows, and/or text/voice message). Step 508. Selected content may be combined using a variety of commercial or custom “mixing” software and/or instructions. In embodiments, the MVMS 50 is configured to combine the selected content (e.g., music, video, pictures, and/or text) in a single container. In embodiments, the MVMS is configured to combine the selected content (e.g., music, video, pictures, and/or text) by referencing and/or embedding the content in the music/video message. Selected content may include, but is not limited to, the following types of file formats: MP3, WAV, RealAudio, Ogg, Vorbis, Sorenson, AIFF, AAC, MIDI, MPEG, JPEG, MIDI, 3GPP, AVI, BMP, GIF, TIFF, PNG, MOV, RealVideo, MJPEG, TXT, etc. In embodiments, distribution network 20 determines whether the recipient device(s) 70 are capable of receiving the music/video message and/or performs any necessary transformations or adaptations for sending the music/video message to the recipient device(s) as will be appreciated by those skilled in the art.
  • In the embodiment of FIGS. 1 and b, the music/video messaging system 50 is configured to inform the recipient device(s) 70 1-n that the message is available. This may be done, for example, by sending an email or text (e.g., SMTP, SMS, MMS, IM, etc.) message to the recipient device(s) 70 1-n including instructions for accessing the music/video message. (Step 510). In some cases, the instructions include e.g., a URL link, phone number, and/or code for accessing/downloading the message and its contents. Step 701. Upon selecting the link, the recipient device 70 communicates with the MVMS 50 to receive the music/video message as a single object. See steps 702 and 703.
  • Additionally or alternatively, the music/video provider 30 and/or MVMS 50 are configured to provide the recipient(s) with the option to forward the message to another compatible device 70 n. Preferably, the recipient(s) are provided with an option to respond to the music/video message in an interactive manner (704). For example, a recipient may choose to add his own text comment or picture and reply to the user and/or forward to other recipient device(s) 70 n. In embodiments, the music/video messaging system 50 and/or MVMS 30 is configured to manage changes to the music/video message made by other recipients and/or to use log data to keep an audit trail so that the sender of each message may be determined.
  • FIG. 2 depicts a system for creating and sending music/video messages according to another exemplary embodiment. As shown in FIG. 2, a user communicates with the music/video provider 30 e.g., by accessing the music/video provider's 30 website. In embodiments, the website includes: login, search, accounting, reporting, feedback options and more. It is appreciated that the music/video provider 30 may be comprised of one or more different content providers and associated content servers. Additionally or alternatively, the music/video provider 30 may include one provider that interfaces with users and has business relationships with other music/video providers 30. Moreover, according to various business models, the music/video provider 30 may provide content for free, or for a fee. Furthermore, the music/video provider may generate additional revenue from advertisers, etc.
  • In embodiments, the music/video provider 30 displays available content to the user via a series of lists, charts, icons, displays, etc. According to various design considerations, such content may be grouped by title, artist, theme, subject, keywords, or the like. Preferably, the music/video provider website allows the user to select content that is representative of feelings or emotions the user would like to communicate to one or more recipient(s). In addition, the user provides recipient information to the music/video provider website for delivering the music/video message. Such recipient information includes at least one of: email address, phone number, music/video provider site account information (where the recipient has an account with the same or different music/video provider, or other service providers such as Facebook, MySpace, etc.), account information, or the like. Additionally, the user may register with the music/video provider site to receive a new and/or random music/video periodically every day/week/month or on a specific day. The user then may choose the music/video to be communicated to a recipient that best represents his/her feeling(s).
  • Additionally or alternatively, the user is provided with an option to search content on the music/video provider website by entering search terms, keywords, etc. In embodiments, such search capabilities allow a user to type the search terms or speak the search terms (e.g., if using a mobile phone). Additionally, the music/video provider may provide “Send” Options to let user to schedule music/video messages to be sent at specific times or dates (e.g. birthday, anniversary, etc).
  • The music/video provider 30 is further in communication with a music video messaging system 50. Preferably, the music/video provider 30 provides the content selected by the user as well as recipient information to the music/video messaging system 50. In embodiments, the music/video messaging system 50 comprises one or more servers configured to combine the selected content (e.g., music, video, pictures, slideshows, and/or text/voice message) to form a single music/video message. In embodiments, the server(s) are configured to store the selected content into a single container and/or to embed the selected content in a file along with other information regarding the music/video message. For example, the MVMS 50 server may be configured to combine content by embedding the following information in a single file or container associated with a music/video message:
  • <img src=”img.bmp” region= />
    <audio src=”sound.mp3”/>
    <text src=”message.txt.” region= />

    In further embodiments, information regarding the music/video message (e.g., sender information, message ID, time/date, recipient information, etc.) is stored in one or more database(s) 40 maintained by the MVMS 50 and/or music/video provider 30. In the embodiment of FIG. 2, the music/video message is sent to a distribution network 60. The distribution network 60, in turn, is responsible for notifying one or more of the recipient device(s) 70 1-n of the music/video message, adapting and/or delivering the message.
  • For example, the distribution network 60 informs the recipient device(s) 70 1-n that the music/video message is available. This may be done, for example, by sending an email or text message to the recipient device(s) 70 1-n including instructions for accessing the music/video message. In some cases, the instructions include e.g., a URL link and/or code for accessing/downloading the message and its contents. Preferably, the recipient device(s) 70 1-n include, but are not limited to: mobile phones, iPods, laptops, PCs, pocket PCs, and PDAs.
  • The distribution network 60 includes one or more distribution chain players including, but not limited to: Aggregators, Gateways, Provisioning and Hosting Providers, Mobile Operators, SMS Centers, streaming delivery providers and/or other Service Providers. In this case, the distribution network 60 is responsible for ensuring that the recipient device(s) 70 1-n are capable of receiving the music/video message and/or performing any necessary transformations, content adaptations, etc. as will be appreciated by those skilled in the art.
  • FIG. 3 illustrates a flowchart of method steps according to an exemplary embodiment. It is understood that the method steps may be performed using any combination of hardware and/or software as will be appreciated by those skilled in the art and that the method steps need not necessarily be performed in the particular order disclosed.
  • In step 302, the user communicates with the music/video provider 30. Preferably, the online music/video provider 30 has an application, website or portal that allows the user to interface with the provider. The user is then able to select content that they would like to send in the form of a music/video message. At step 316, the user provides recipient information necessary for contacting one or more recipient(s). Such recipient information may be e.g., phone number, email addresses, music/video provider site account information (where the recipient has an account with the same or different music/video provider, or other service providers such as Facebook, Myspace, etc.), account, or the like. Once the recipient information is received, the music/video provider send the information and selected content to the music/video messaging system 50 and/or distribution network 60 at step 308. In turn, the music/video messaging system 50 and/or distribution network 60 informs the recipient device(s) that the music/video message is available 310. Such informing may include, for example, sending a text, voice, or email message to the recipient's device 70 1-n. The recipient may choose to receive the music/video message by going through instructions provided by the music/video messaging system 50 and/or distribution network 60. In embodiments, the recipient device 70 1-n retrieves the music/video message by selecting a URL link contained in a text message such as SMS or email. The recipient device 70 1-n may download the music/video message or may receive the music/video message as streaming music/video. Any action taken by the recipient in order to retrieve the music/video message authorizes the music/video messaging system 50, music/video provider 30, and/or distribution network 60 to send the music/video message to the recipient.
  • It is understood that the above method steps performed by the music/video provider(s) 30, database(s) 40, and/or music/video messaging system 50 may be implemented in the form of hardware and/or software instructions as will be appreciated by those skilled in the art. Software instructions may include custom macros, sub-routines, logic, or the like implemented using commercially available software such as MS SQL Server™, Visual Basic, C++, SMIL, XML, HTML, XHTML, Java, JavaScript, C#, APIs, etc. According to a further aspect, the software instructions for performing the disclosed method steps may reside in whole, or in part, on a computer-readable medium. Examples of computer readable media include, but are not limited to: hard drives, memory chips, memory sticks, memory cards, CDs, DVDs, tapes, and the like.
  • FIG. 4 depicts different types of content combined in a music/video message. As shown, various combinations may include, but are not limited to: music only; music and text/voice; music and video; music and slide show; music, video and text/voice; music, slide show and text/voice, etc.
  • According to another non-limiting example, members of social networking sites (such as Facebook, MySpace, Plaxo, etc.) may send music/video messages to their network of friends. When a social networking user receives a music/video message from another member, the user may keep the message or part of the message private or public. The user may allow others to see information such as number of music/video messages that the user has or who the sender is. The user may also allow other members to listen and/or watch the user's music/video messages.
  • The music/video provider 30 may use technologies such as Web, HTTP, WAP, SMS, MMS, IM and/or email to provide music/video messaging service to users. In embodiments, a user may send a message (SMS text message, email, etc.) to the music/video provider 30 with a communication device 10 such as mobile phone and request a music/video message to be sent to a recipient device 70. In other embodiments, the music/video provider's service may be voice-activated. In the examples below it is assumed that “123456” is music/video provider's SMS short code.
  • Example 1: a user wants to include Madonna's “crazy for you” music/video into a music/video message and send it to a recipient phone number which is in our example 703-470-3040. The user brings up a mobile phone's text messaging screen and enters the text message “7034703040 Madonna (Crazy for you)”. This text message is sent to the music/video provider's short code (which, in this example is 123456). As soon as music/video service provider 30 receives the text message, the music/video provider 30 creates the music/video message and sends it to the recipient contact information which, in this example, is recipient's phone number 703-470-3040.
  • Example 2: a user wants to include Madonna's “crazy for you” music/video into a music/video message that also contains text such as “I AM REALLY CRAZY” and send it to a recipient phone number 703-470-3040. The user brings up a mobile phone's text messaging screen and enters the message “7034703040 Madonna (Crazy for you) (I AM REALLY CRAZY)”. This text message is sent to music/video provider's short code (which, in this example is 123456). As soon as music/video service provider 30 receives the text message, the music/video provider 30 creates the music/video message and sends it to the recipient contact information which, in this example, is recipient's phone number 703-470-3040.
  • Example 3: a user's mobile phone number is 310-230-9000 and the user wants to send Madonna's “crazy for you” music/video into a music/video message and send it to a recipient phone number 703-470-3040. The user creates an email and enters the text message “310-230-9000 7034703040 Madonna (Crazy for you)”. The user sends this email message to music/video provider's email address. As soon as music/video service provider 30 receives this email message, the music/video provider 30 creates the music/video message and sends it to the recipient contact information which, in this example, is recipient's phone number 703-470-3040. The music/video provider 30 may also to choose to call the user's mobile phone number or send an SMS text message and ask for confirmation before sending the music/video message to the recipient.
  • Example 4: a user wants to include Madonna's “crazy for you” music/video into a music/video message and send it to a recipient phone number 703-470-3040. The user dials the music/video provider's phone number and leaves a voice message “7034703040 Madonna (Crazy for you)”. As soon as music/video service provider 30 receives this voice message, the music/video provider 30 creates the music/video message and sends it to the recipient contact information which, in this example, is recipient's phone number 703-470-3040. The music/video provider 30 may also to choose to call the user's mobile phone number or send an SMS text message and ask for confirmation before sending the music/video message to the recipient.
  • The foregoing disclosure of the preferred embodiments of the present invention has been presented for purposes of illustration and description. It is not intended to be exhaustive or to limit the invention to the precise forms disclosed. Many variations and modifications of the embodiments described herein will be apparent to one of ordinary skill in the art in light of the above disclosure. The scope of the invention is to be defined only by the claims appended hereto, and by their equivalents.

Claims (20)

1. A Method for creating a custom music/video message representative of feelings or emotions to be communicated to one or more recipient device(s) over a communications network, the method comprising:
presenting user-customizable content selections to a user device display;
receiving user-customized content selection(s) from the user device;
receiving user-provided customized content, if any, from the user device;
receiving recipient device information from the user device;
notifying the recipient device(s) of the user-customized content; and
in response to a request from a recipient device, providing the user-customized content to the recipient device in a single music/video message.
2. The method of claim 1, wherein the music/video message comprises a combination of two or more of: music, video, pictures, slideshows, and text.
3. The method of claim 1, wherein user provided content corresponds to at least one of: video, pictures, slideshows, and text.
4. The method of claim 1, including receiving and logging changes to the music/video message from the recipient device(s).
5. The method of claim 1, wherein the user-customizable content is obtained from a single music/video provider.
6. The method of claim 1, wherein at least some of the user-customizable content is obtained from two or more different music/video providers.
7. The method of claim 1, wherein the method steps are executed by a single server.
8. The method of claim 1, wherein the method steps are executed by multiple servers in communication with one another.
9. A system for creating a custom music/video message representative of feelings or emotions to be communicated to one or more recipient device(s) over a communications network, the system comprising:
at least one server configured to:
present user-customizable content selections to a user device display;
receive user-customized content selection(s) from the user device;
receive user-provided content, if any, from the user device;
receive recipient device information from the user device;
notify the recipient device(s) of the user-customized content; and
in response to a request from a recipient device, provide the user-customized content to the recipient device in a single music/video message.
10. The system of claim 9, wherein the music/video message comprises a combination of two or more of: music, video, pictures, slideshows, and text.
11. The system of claim 9, wherein the at least one server corresponds to a music/video provider.
12. The system of claim 9, wherein the at least one server includes multiple servers corresponding to multiple different music/video providers.
13. The system of claim 12, wherein the multiple different music/video providers are in communication with at least one common server.
14. The system of claim 9, wherein the at least one server corresponds to a music/video messaging system.
15. The system of claim 9, wherein the at least one server corresponds to a music/video provider and a music/video messaging system residing on a single server.
16. The system of claim 9, wherein the user device corresponds to a: personal computer, laptop, pocket PC, or personal digital assistant.
17. The system of claim 9, wherein at least one recipient device corresponds to a: personal computer, laptop, pocket PC, or personal digital assistant.
18. The system of claim 9, wherein the user device corresponds to a mobile phone.
19. The system of claim 9, wherein at least one recipient device corresponds to a mobile phone.
20. The system of claim 9, wherein the at least one server is configured to receive changes to the music/video message from the recipient device(s).
US12/453,847 2008-05-23 2009-05-26 Music/video messaging system and method Abandoned US20110066940A1 (en)

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US12/656,252 US20170149600A9 (en) 2008-05-23 2010-01-22 Music/video messaging
US15/808,154 US11063895B2 (en) 2008-05-23 2017-11-09 Music/video messaging system and method
US16/560,833 US11190388B2 (en) 2008-05-23 2019-09-04 Music/video messaging
US17/342,306 US11916860B2 (en) 2008-05-23 2021-06-08 Music/video messaging system and method
US17/379,805 US11310093B2 (en) 2008-05-23 2021-07-19 Music/video messaging
US17/692,983 US11641382B2 (en) 2008-05-23 2022-03-11 Music/video messaging
US18/125,829 US20230231891A1 (en) 2008-05-23 2023-03-24 Music/video messaging
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US20230353526A1 (en) 2023-11-02
US11916860B2 (en) 2024-02-27
US20210297382A1 (en) 2021-09-23

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