US35528A - Improvement in pianos w - Google Patents

Description

UNITED STATES PATENT LAFAYETTE LOUIS, OF BUFFALO, NEXV YORK.

IMPROVEMENT IN PIANOS WlTH MELODEON ATTACl-lhiid.

Specification forming part of Letters Patent No. 35,52, dated June l0, 1862.

To all whom it may concern:

Beit known that I, LAFAYETTE Louis, of the city of Buffalo and State of New York, have invented new and useful Improvements in Piano-Fortes with Melodeon Attachment; and I do hereby declare that the following is a full and exact description thereof, reference being had to the accompanying drawings, in whichp Figure I is a vertical cross-section of a pianoforte, including the combination and arrangement of my improvements therewith. Fig. II is a plan of the same with sound-board removed. Fig. III is a vertical cross-section taken on line a b of Fig. I. Fig. IV is a section to represent more fully the construction of the compound rotary bellows.

Letters of like name and kind refer to like parts in each of the figures.

The nature of my invention relates, first, to the arrangement of melodeon tube-board,reeds, and swells above the keys and below the sounding-board of a piano-forte in a manner to obtain the eect of two banks of keys or two separate instruments played at the same time; second, the arrangement of three or more octaves of melodeon-reeds in connection with the treble part of the piano-forte keyboard, for the purpose and so as to secure a new musical effectviz., a wind and legato melody, in combination with a piano and staccatto accompaniment; third, the combination and arrangement of a conducting-tube or hollow shaft through which the wind passes and lever for lifting with a melodeon tube board and piano-forte, whereby the performer is enabled instantly and at pleasure to connect the melodeon tube-board to and disconnect it from the piano-forte, thereby restoring the original touch of the piano when disconnected, fourth, placing the melodeon attachment in such relation to the piano-forte keys as that by striking single keys octaves will be producedviz., each note of the melodeon attachment sounding one octave lower than the note of the piano; fifth, connecting the bellows placed under the piano with the melodeon tube-board piaced over the pianokeys by means of a conducting-pipe passing through the bottom of the piano-forte; sixth, the combination of a tremolo attachment with the melodeon tubeboard and piano-forte; seventh, the combination of a compound rotary bellows (combining thelsuct-ion and pressure principles, and both principles actingin separate apartments in the bellows) with melodeon and piano-forte by which the air after acting upon the melodeonreeds may be confined in the bellows or forced out at pleasure, thereby regulating the degree of air-pressure upon the melodeon, and also using the air which has acted upon the melodeon-reeds for neutralizing and controlling both the suction and pressure power of the bellows, and thereby increase or diminish the power of the tone.

A represents a cross-section of bottom of a piano-forte of common construction.

B is the key-frame, and b guide-pins.

C represents one key of a piano-forte. the keys would be constructed and arranged in the same manner.

D represents the hammer; D', jack hinged to the key, as shown at DE, and projecting upwardly to lift the hammer when the key is struck; d3, spring. The" i. parts are common and well known.

D* represents the bi ,l:rest; S, sound-board.

E represents a melodeon tubeboard,which, when constructed and used according to my improvements, should contain air-chamber, tubes, swell, and reeds to the extent of three or more octaves. This tube-board is hung upon a shaft or journals, upon which it oseillates as a center. One of thejournals (marked e,) is hollow and forms a wind-tube or a portion of the wind-passage from the tube board to the bellows. One end of this hollow journal opens into the air-chamber of the melodeon tube-board, and the other into the airtube H, all of which is shownin Fig. III. The other journal is made of smaller size, and is supported upon the standard Y, as shown at e2. The tube-board will turn upon these journals as a center whenever it is desired to disconnect the tube-board and piano-keys. This is accomplished by means of a rod or lever, c3, hinged to the tube-board and dropping down through the bottom ofthe piano and connecting with a treadle or otherwise. The thrust of this rod upwardly will lift that part of the tube-board which connects with the pianokeys entirely free from the piano-keys, (the melodeon tube-board turning upon its journals as before described.) and thereby a connection or a disconnection between the two instruments is instantly eftectcd at the will of the All' performer, the original touch of the piano being instantly restored when the two instruments are disconnected.

J is one of the push-pins which form the connection between the two instruments. These pins are supported by the plate J', one end of the pin touching the piano-key, and the other end is in such near proximity to the melodeon-valves that by striking the piano-key this pin is thrust upwardly in a manner to open the valves of the melodeon-reeds, thereby producing simultaneously a string or piano tone and a wind or melodeon tone, the melodeon tone sounding one octave lower thanthe piano tone. This forms a coupling of octaves, which is believed to be new, and which produces the effect in some passages of music of two performers upon two instruments.

F is the swell. Fand F2 are levers connecting the swell with treadle under the piano for opening the swell.

G is the tremolo, in combination with the melodeon tube-board. A tremolo was patented by me November 18, 1856, to which reference may be had.

G is the tremolo-wheel; G2, tremolo-valve. The wheel and valve are upon the shaft g3.

At g4 is shown an orifice, which opens from the external air into the tremolo, and at g5 is shown an orifice, which opens out of the tremolo into the air-chamber of the tubeboard, so that the inward passing of the air will revolve the wheel. At g6 is represented a valve which covers the orifice g, This valve is operated by means of the lever gi, which connects with a treadle under the bottom of the piano. By this arrangement the air may be let in or shutoff from the tremolo at pleasure.

H represents a hollow standard or tube, which connects with the hollow journal E of the tube-board and forms a journal-bearing therefor. There is also a cross or continuation tube,

' H', which leads from this to the hollow hanger H2. The bellows-shaft M is also made hollow at its ends, but solid at its center, so that the air cannot pass directly through the bellowsshaft, but is drawn in at one end of the shaft by suction and lls the bellows, and is discharged at the other end by pressure, so that there is a complete air-passage from the tubeboard through the bellows, as indicated by the arrows in Fig. III.

I represents a hanger made fast to the bottom ofthepiano and dropping down for the support of one ,end of the bellows-shaft. The other end of the bellows-shaft is supported in the hollow hanger H2, which also and in a similar manner is made fast to the bottom of the piano. The hanger I has an aperture in conjunction with the open end of the bellows-shaft for the escape of the air from the pressure side of the bellows.

I2 represents a valve or stop which covers this aperture, and 13 is a lever for operating the valve. This valve or stop is so placed and arranged that the performer may partly or fully open and close the aperture at pleasure. When it is closed, so that the air cannot freely escape, the force of the weights upon the bellows is neutralized, and when opened for a free escape of the air the force of the bellows is restored, and hence full power of air upon the melodeon-reeds. This improvement gives me entire control of the air-power of the bellows, and enables Ine so to combine and use the suction and pressure principles as to produce a new musical effect-viz., a perfect crescendo and diminuendoJ L is a lever, which connects with a hinged lever, L',v which also has an arm, L2, projecting at right angles thereto, and passes under the piano-hammers and in close proximity thereto, so that the piano-hammers may be raised simultaneously to the extent of three or more octaves by an upward thrust of the lever L, thereby preventing the hammers from striking the strings, while at the same time the same number of melodeon-reeds remains to be actuated by the piano-forte keys, thus enabling the performer to play with the right hand a wind melody exclusive of piano, and with the left hand a piano accompaniment exclusive of the wind tone.

The bellows has rigid arms O, which are divided into two parts or air-chambers, S and T, by the partition R. Ingress and egress airvalves are made in these rigid arms, as shown at V and W, the valves V connecting with the suction part of the bellows and the valves W with the pressure part. The flaps X on either side of the rigid arms are connected by the rigidbar Z, which also forms a weight, which acts at the same time upon both the suction and pressure parts of the bellows. The bellows is revolved by pedal and crank, or by spring and clock-work, or by other appropriate and Y well-known means. The ap which is falling toward the stationary arm is pressing or forcing the air out, and the ilap which is falling from the stationary arm is sucking the air in, and these two principles must act simultaneously and equally, for they are connected by the weighed bar Z; hence by confining the air in the pressure part of the bellows by means of the valve l2 will prevent or retard the pressure-flap from falling toward the stationary arm, and at the same time prevent or retard the suction-flap from falling from the stationary arm, and thereby neutralize the power of the weights and regulate the quantity of tone at will.

What I claim as my invention, and desire to secure by Letters Patent, is-

l. The arrangement of a melodeon tubeboard (including reeds and swell) above the keys and below the sounding-board of a pianoforte, in the manner and for the purposes and substantially as described.

2. So combining and arranging a melodeon tube-board with a piano-forte as that the performer can instantly and at pleasure Adiscontremolo G with the melodeon tube-board E neet the melodeon tube-board from the pianobellows being provided with 2L valve, I2, for forte keys, inthe manner substantially as hereregulating the degree of nir-pressure upon the in set forth. melodeon-reeds7 substantially as set forth.

3. The combination and arrangement of the L FAYETTE LOUIS and piano-forte, substantially as described.

4. The Combination 0f a compound rotary bellows with a. piano-forte and melodeon, the

Vitnesses:

C. W. BIOREN, E. B. FoRBUsH.

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