Lucien Georges Clergue (14 August 1934 – 15 November 2014)

lucien 1958

Lucien Clergue (1934–2014) was a filmmaker, author, and photographer known for his masterful compositions and innovative use of light and shadow. Born in Arles, Clergue initially studied the violin before picking up a camera for the first time in the early 1950s. During the early part of his career, the artist befriended Jean Cocteau and Pablo Picasso, both of whom supported his work. In particular, Clergue’s photographs of Picasso, with whom he formed a lifelong friendship, would become iconic, along with his images of bullfighting, gypsies, and nudes, all of which explore themes of life and death.

Lucien Clergue lucien clergue 2

In the 1960s, he became increasingly involved in filmmaking, producing dozens of films over the course of his career, and was nominated for an Academy Award for his documentary Delta del Sel in 1967. In addition, he traveled to the United States for the first time in 1961, where he was deeply influenced by the American landscape and the photographs of artists such as Edward Weston and Ansel Adams. In addition, his time spent in the US inspired Clergue to establish the Arles Rencontres Internationales de la Photographie, a festival held in Arles incorporating theater, dance, music, and art, and which played an important role in establishing France’s prominence in the global photography market.

lucien clergue 3 lucien clergue 4

In 2003, Clergue was named a knight of the Légion d’honneur, and received the 2007 Lucie Award. He also went on to become the first photographer elected to the Académie des Beaux-Arts in Paris, where he served as president in 2013.

The artist died in Nîmes at the age of 80

lucien clergue favourite

I personally have a strong interest in using the nude as a form of expression. I believe it is something incredibly difficult to get just right as each viewer has their own (often strong) opinions and definitions regarding what is tasteful and what has crossed the line.
For me Clergue’s nudes are elegant. I adore the clearly defined form of the body and the way it communicates with the shadows falling on the body.
It is evident in the way Clergue has used the body that he sees the female form as a natural landscape. I appreciate the way he uses the curves of the female form to strengthen his composition and I really enjoy the contrast and darkness of most of his images.
I think his work is beautiful.