Vampirella (Publicness) album 5 (1975?) [#17-19]
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Vampirella (Publicness) #17, #18, #19

In French (France); price: 15.00 francs (France).

  • Cover art by Ken Kelly (from Vampirella (Warren) #39) (color)
    • Inside front cover: [blank] (white)
    • Inside back cover: [blank] (white)
    • Back cover: colophon (b&w)
  • Contents: (b&w, except covers)

Vampirella (Publicness) #17 ([not before 1974 July])

  • Cover (p.[1]) art by Enrich (from Vampirella (Warren) #30) (color)
    • Inside front cover (p.[2]): Advertisement: Eerie magazine (pink & white)
    • Inside back cover (p.[83]): Advertisement: Creepy magazine (pink & white)
    • Back cover (p.[84]): Advertisement: Vampirella (Publicness) back issues (color)
  • Contents (b&w)
    • Table of contents; Masthead: Joël Laroche, publisher; Louis Trobert, adaptation; Jean-Paul Nail & François Joyeux & Alain Petit & Jean-Marie Sabatier & Alain Venisse, editors, p.[3]
    • “Vampirella: Plongée en enfer” (Jose Gonzalez, art; Bill DuBay, story), p.5-17 (from “Vampirella: Into the inferno!” in Vampirella (Warren) #24)
    • Cinema bis 9 (Jean-Paul Nail, coordinator; François Joyeux & Jean-Paul Nail & Alain Petit & Jean-Marie Sabatier & Alain Venisse, editors; Alain Venisse, photo editor; Jean-Claude Romer & Stéphane Bourgoin & Jean-Claude Morlot, collaborators; Christian Guillon, paste-up), p.19-[22], [41]-[67]
      • Title page; Masthead, p.19
      • Festival de Sitges (Anjo da noite [Ange de la nuit]; Barbarella; La bataille de la planète des singes; The cat and the canary; Conrack; The exorcist; House of the living dead; Magdalena; La malédicion de Frankenstein; La mansion de la locura; The night of the living dead; La noche de los asesinos; No se deberà profanar el sueño de los muertos [On ne doit pas profaner le sommeil des morts]; Opération Borroro; La possession de Virginie; Il profumo della signora in nero [Le parfum de la dame en noir]; Road in the moonlight; Le système du Dr. Goudron et du Pr. Plume; Le troisième cri; Virgin witch [Les collines du plaisir]; etc.) (Jean-Claude Morlot, reviewer; photographs), p.20-[22], 53
      • Aspects et vitalité du cinema fantastique anglais (Chapeau melon et bottes de cuir; Count Downe; Craze; The creeping flesh; The curse of Frankenstein; Dracula; Dracula and the seven golden vampires; Dr. Jekyll and Mr. Hyde; Frankenstein; Frankenstein and the monster from hell; Frankenstein must be destroyed; Go for a take; Horror of Dracula; Horror of Frankenstein; Konga; The satanic rites of Dracula; Shatter; Son of Dracula; Vampira; Vault of horror; etc.) (Stéphane Bourgoin, reviewer; photographs), p.[41]-52
      • Noble Johnson (By right of birth; La chasse du Comte Zaroff; Crime de la Rue Morgue; La croisière du Navigator; Les 10 commandements; Fils de King Kong; Les horizons perdus; King Kong; Livre de la jungle; Love afame; Mad doctor of Market Street; La momie; La mystère du château maudit; Les 4 cavaliers de l’apocalypse; The realization of the negro’s dream; Something always happens; La source de feu; Les trois lanciers du Bengale; Trooper of Troop K; Le voleur de Bagdad; etc.) (Jean-Claude Romer, reviewer; photographs), p.54-[59]
      • Les musées de cire (Blood bath; Le cabinet des figures de cire; Chamber of horrors [La chambre des horreurs]; Charlie Chan at the wax museum; Crimes au musée des horreurs; Le Doctor X; L’etrange rendez-vous; Genius at work; Histoires extraordinaires; L’homme aux figures de cire; L’homme au masque de cire; Le loup garou; Les mains d’Orlac; Masques de cire; Le moulin des supplices; Reves et hallucinations; Santo en el museo de cera; La señora muerte; Vierge de Nuremberg; Le voyage imaginaire; etc.) (Alain Petit, reviewer; photographs, p.[60]-[67]
    • “Le monstre de Pepper Lake” (Berni Wrightson, art & story), p.23-32 (from “The Pepper Lake monster” in Eerie (Warren) #58) july 1974
    • “La sourde étincelle des talons hauts” (Richard Corben, art; Doug Moench, story), p.[33]-40 (from “The low spark of high heeled noise!” in Creepy (Warren) #57) Nov 1973
    • “Le chat noir” (Berni Wrightson, art; Edgar Allan Poe, story), p.69-80 (from “The black cat” in Creepy (Warren) #62) may 1974
    • Advertisements: Vampirella (Warren), p.[4]; Creepy (Warren), p.[18]; Eerie (Warren), p.[68]; Famous monsters of filmland (Warren), p.[81]; Aldiss’ Frankenstein delivre ‘anti-mondes’, p.[82]

Vampirella (Publicness) #18 ([not before 1974 October])

  • Cover (p.[1]) art by Manuel Sanjulian (from Vampirella (Warren) #37) (color)
    • Inside front cover (p.[2]): Advertisement: Eerie magazine (orange & white)
    • Inside back cover (p.[91]): Advertisement: Creepy magazine (orange & white)
    • Back cover (p.[92): Advertisement: Vampirella (Publicness) back issues (color)
  • Contents (b&w, except as noted)
    • Table of contents; Masthead: Joël Laroche, publisher; Louis Trobert, adaptation; Jean-Paul Nail & François Joyeux & Alain Petit & Jean-Marie Sabatier & Alain Venisse, editors, p.[3]
    • “Vampirella: Le prix de l’amour” (Jose Gonzalez, art; Bill DuBay, story), p.4-15 (from “Vampirella: What price love” in Vampirella (Warren) #25)
    • Cinema bis 10 (Jean-Paul Nail, coordinator; François Joyeux & Jean-Paul Nail & Alain Petit & Jean-Marie Sabatier & Alain Venisse, editors; Alain Venisse, photo editor; Jean-Claude Romer & Stéphane Bourgoin & Jean-Claude Morlot, collaborators; Christian Guillon, paste-up), p.17-31, 42-[50], 59-73
      • Du 26 Mars au 1er Avril, premier festival du film fantastique et de science-fiction de la clef (Beware! the blob; Captain America; Curse of the devil [La torture]; Equinox; Ghost story; The last man on Earth [Je suis une légende]; Target Earth; Terror in the wax museum; W) (text; photographs), p.18-21
      • Captain Kronos vampire hunter; Brian Clemens (includes chronological list of 41 films, 13 television productions, & 4 theater productions, 1957-1974; The abominable Dr. Phibes [L’abominable Dr. Phibes]; Chapeau melon et bottes de cuir; Dr. Jekyll and sister Hyde; The golden voyage of Sinbad; An honourable murder; Jules Cesar; The invisible man; My wife next door; The tell-tale heart; Terreur aveugle; T.V. scene of the crime) (Stéphane Bourgoin, reviewer), p.[22]-31
      • A la découverte du thriller Italien (includes chronological list of 45 films, 1963-1973) (Alain Petit, reviewer), p.42-[50], 59-73
    • “Jenifer” (Berni Wrightson, art; Bruce Jones, story), p.32-41 (from “Jennifer” in Creepy (Warren) #63)
    • “Histoire du brave petit Lucien” (Richard Corben, art & color; Steve Skeates, story), p.[51]-[58] (color) (from “The hero within” in Creepy (Warren) #60)
    • Concerts (Hawkwind; Gong) (Alain Petit, reviewer), p.74-75
    • “Schreck: première nuit de terreur” (Vincente Alcazar & Neal Adams, art; Doug Moench, story), p.[76]-87 (from “Schreck: First night of terror!” in Eerie (Warren) #53)
    • Disques (Chats sauvages; Count Dracula; Delta France; Martin Gaye live; Tagger Lee; Toute une vie) (Sylvia Fels & Gilbert Deflez, text), p.[79]
    • Advertisements: Dimensions SF, p.[16]; Vampirella (Warren) back issues, p.[88]; Eerie (Warren) back issues, p.[89]; Famous monsters of filmland (Warren) back issues, p.[90]

Vampirella (Publicness) #19 ([not before 1975 January])

  • Cover (p.[1]) art by Ken Kelly (from Vampirella (Warren) #39) (color)
    • Inside front cover (p.[2]): Advertisements: Corto Maltese, Adieu Corto (blue & white)
    • Inside back cover (p.[83]): Advertisement: Creepy magazine (blue & white)
    • Back cover (p.[84]): Advertisement: Vampirella (Publicness) back issues (color)
  • Contents (b&w, except as noted)
    • Table of contents; Masthead: Joël Laroche, publisher; Louis Trobert, adaptation; Jean-Paul Nail & François Joyeux & Alain Petit & Jean-Marie Sabatier & Alain Venisse, editors, p.[3]
    • “Vampirella: Demons dans la brume” (Escolano & Jose Gonzalez, art; Len Wein, story), p.5-16 (from “Vampirella: Demons in the fog!” in Vampirella (Warren) #26)
    • Cinema bis 11 (Jean-Paul Nail, coordinator; François Joyeux & Jean-Paul Nail & Alain Petit & Jean-Marie Sabatier & Alain Venisse, editors; Alain Venisse, photo editor; Jean-Claude Romer & Stéphane Bourgoin & Jean-Claude Morlot, collaborators), p.17-21, 29-42, 52-59, 72-81
      • IIIème Festival International du Film Fantastique et de Science-Fiction d’Avoriaz, 24-26 Janvier 1975 (Belladonna; Blood for Dracula [Du sang pour Dracula]; Cabaret; Chair pour Frankenstein [Andy Warhol’s Frankenstein]; David et Lisa; La diabolique Docteur Mabuse; Doc Holliday; Fantome de l’opera; Flesh Gordon; Gatsby; Ghost story; It’s alive [Le monstre est vivant]; Klute; Man on a swing [Enquête dans l’impossible]; Orange mecanique; The parallax view [A cause d’un assassinat]; Phantom of the paradise [Le fantome du paradis]; Psycho; Les sept vampires d’or; Sisters; etc.) (Gérard Lenne, text; photographs), p.18-21
      • Fantastique et television (La bete du Gevaudan; Classiques de l’étrange; Le colporteur; L’empire Celeste; L’eve future; Le force mysterieuse; Hugues le loup; Le main en chantee; Le navire-étoile; Le peril bleu; Le robot pensant; Le tribunal de l’impossible) (Michel Subiéla, interviewee; Jean-Paul Nail & Alain Venisse, interviewers; photographs), p.29-31
      • Entretien avec Jorge Grau (Acteon; La cena; Ceremonia sangrienta; Chicas de club [Les entraîneuses]; Countess Dracula; Diary of a madman; El espontáneo; Goliath contre les geants; The living dead at the Manchester morgue [No se deberá profanar el sueño de los muertos]; Noche de verano [Nuit d’été]; La nuit des morts-vivants [Night of the living dead]; Pena de muerte [Peine de mort]; Talent) (Jorge Grau, interviewee; Jean-Claude Morlot, interviewer; François Joyeux, text), p.32-37
      • In memoriam: Abbott et Costello (Abbott and Costello go to Mars; Abbott and Costello in Hollywood [Deux nigauds a Hollywood]; Abbott and Costello in the Foreign Legion; Abbott and Costello meet Captain Kidd; Abbott and Costello meet Dr. Jekyll and Mr. Hyde [Deux nigauds contre Dr. Jekyll et Mr. Hyde]; Abbott and Costello meet Frankenstein [Deux nigauds contre Frankenstein]; Abbott and Costello meet the invisible man [Deux nigauds contre l’homme invisible]; Abbott and Costello meet the killer; Abbott and Costello meet the mummy [Deux nigauds et la momie]; Africa screams; Curse of the mummy’s tomb; Dance with me Henry; Here come the coeds; House of Dracula; House of Frankenstein; King Kong; The mummy shroud; One night in the tropics; The 30-foot bride of Candy-Rock [Lou Costello et la blonde]; Time of their lives [Deux nigauds dans le manor hante]; Zinzin d’Hollywood; etc.) (Robert Belardinelli, text; photographs), p.38-42
      • Django (Abattez Django le premier; Bravo Django; Django cacciatore di taglie; Django défie Sartana; Django et Sartana; Django le proscrit; Django ne pardonne pas; Django nu; Django prepare ton cercueil; Django spara sempre il secondo; Django tire le premier; Il figlio di Django; Haut-les-mains, salauds!; La horde des salopards; Non aspettare Django… spara; Le retour de Django; Reverendo Colt; Sartana, si ton bras gauche te gene… coupe-le!; Les temps des vautours; Viva Django; etc.) (François Joyeux, text; photographs), p.52-59
      • Le voyage fantastique de Sinbad [The golden voyage of Sinbad] (photographs; text), p.72-81
    • “Pinball wizard!” (Richard Corben, art; Doug Moench, story), p.22-[28] (from “Pinball wizard!” in Creepy (Warren) #66)
    • “Le magicien d’os” (Richard Corben, art & color; Jack Butterworth, story), p.[43]-[50] (from “Wizard Wagstaff” in Eerie (Warren) #56) (color)
    • “Schreck: le regard blanc” (Vincente Alcazar & Neal Adams, art; Doug Moench, story), p.60-71 (from “Schreck: First night of terror!” in Eerie (Warren) #53)
    • Advertisements: Déboires d’Outre-Tombe, p.[4]; monster posters, Flash Gordon magazines, p.[51]; Vampirella poster, Dimensions SF, p.[82]