Vampirella (Publicness) album 6 (1976?) [#20-22]
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Vampirella (Publicness) #20, #21, #22

In French (France); price: 15.00 francs (France).

  • Cover art by Aslan (from Vampirella (Warren) 1972 annual) (color)
    • Inside front cover: [blank] (white)
    • Inside back cover: [blank] (white)
    • Back cover: colophon (blue & white)
  • Contents: (b&w, except covers)

Vampirella (Publicness) #20 (1975)

  • Cover (p.[1]) art by Enrich (from Vampirella (Warren) #35) (color)
    • Inside front cover (p.[2]): Advertisements: Vampirella (Publicness) back issues (blue & white)
    • Inside back cover (p.[83]): Advertisement: Collection fantastique dargaud éditeur (blue & white)
    • Back cover (p.[84]): Advertisement: Dimensions SF (color)
  • Contents (b&w, except as noted)
    • Table of contents; Masthead: Joël Laroche, publisher; Louis Trobert, adaptation; Jean-Paul Nail & François Joyeux & Alain Petit & Jean-Marie Sabatier & Alain Venisse, editors, p.[3]
    • Lettre de Londres (J.F. Pernal & Pascal Martinet, text; photograph), p.[4]-5, [28]
    • Musique (Dracula rode a Harlem; Leurs sataniques majestes; Bob Dylan meets the Marquis de Sade; Les portes interdites de Barbe-Bleue; La vengeance des reptiles) (Eric Vercuilghen, reviewer), p.6
    • “Vampirella: Le dieu du sang” (Jose Gonzalez, art; Flaxman Loew [aka, Mike Butterworth], story), p.7-18 (from “Vampirella: The god of blood!” in Vampirella (Warren) #30)
    • Cinema bis 12 (Jean-Paul Nail, coordinator; François Joyeux & Jean-Paul Nail & Alain Petit & Jean-Marie Sabatier & Alain Venisse, editors; Alain Venisse, photo editor; Jean-Pierre Bouyxou & Jean-Claude Romer & Stéphane Bourgoin & Jean-Claude Morlot, collaborators; Christian Guillon, layout), p.[19]-[27], 36-47, 57-66
      • Le spiritisme dans le cinéma fantastique (La casa sin fronteras; Chaque soir a 9 heures; Las flores del miedo; From beyond the grave; Juliette des esprits; Le livre des esprits; Le livre des mediums; Mabuse le joueur; Mystère de la vie et de la mort; Les orgies macabres; Photographing a ghost; Le portrait spirite; Quelque chose rampe dans la nuit; Rosalie fait du spiritisme; Le spectre du Professeur Hichcock; Seance spirite; Lo spettro; Spiriten [Les spirites]; Spiritisme abracadabrant; Le testament du Docteur Mabuse; etc.) (Alain Petit & Jean-Pierre Bouyxou, reviewers; photographs), p.[20]-[27]
      • Cannes 75, le marché du film (Beyond the valley of the dolls; Black Christmas; Blacksnake; Death race 2000; Flossie, Justine et les autres; French blue, or Penetration; L’impasse aux violences; Impulse; Justine et Juliette; Legend of Boggey Creek; The man from Hong Kong; Parasite murders; Le sang du vampire; Scream bloody murder; Screw on screen, or S.O.S.; Seeds; Sensations; Sexual ecstasy of the Macumba; Six femmes pour l’assassin; Super vixens; Texas chainsaw massacre; Vampyres; etc.) (Jean-Pierre Bouyxou & François Joyeux & Jean-Claude Morlot & Alain Petit, reviewers; photographs), p.36-47, 58
      • Tableau de cotation des films fantastiques sortis a Paris (Abattoir humain; L’antechrist; Au coeur de la nuit; Les avaleuses, or, La comtesse noire; Les aventures de Pinocchio; La bete; La clepsydre; Le demon aux tripes; Doc Savage arrive; Dr. Jekyll & Sister Hyde; L’étrangleur de Vienne; Le futur aux trousses; Les gloutonnes; Je suis un karateka; Leonor; Levres de sang; Magdalena la sexorcisee; Le miroir obscene; Le mort vivant; La mouche noire; etc.) (Jean-Pierre Bouyxou & François Joyeux & Jean-Paul Nail & Alain Petit & Jean-Marie Sabatier & Alain Venisse, reviewers), p.57
      • Les films erotiques (Blood of Dracula’s castle; Censorship USA; Christy; Deep throat; Devil in Miss Jones; Dracula vs. Frankenstein; Girls for rent; Horror of the blood monsters; Linda Lovelace for president; Love, lust and violence; Marilyn and the senator; Never the twain; The newcomers; Panorama blue; Seven delicious wishes; Sex clinic girls; Summer session; Swinging barmaids; Swinging ski girls; Voyeur, the sexpert; etc.) (Robert Le Ray, reviewer; photographs), p.59-62
      • Ferdinando Baldi (Amarti e il mio destino [T’aimer est mon destin]; Assi alla ribalta; Blindman, le justicier aveugle; David et Golia [David et Goliath]; Le dernier des salauds; Django; Django prepare ton cercueil; Un dollar entre les dents; Due selvaggi a corte; Un homme, un cheval, un pistolet; El Kebir [El Kébir, fils de Cléopâtre]; Orazi e Curiaci [Les Horaces et les Curiaces]; Pedro el cruel; Ricordami; Rita nel West; Le salaire de la haine; Sfida al re di Castiglia [Les révoltés de Tolédo]; Taras Boulba, il Cosaco [Le fils de Taras Bulba]; I Tartari [Les Tartares]; Texas addio; etc.) (Alain Petit, reviewer; photographs), p.63-66
    • “Goutte a goutte” (Ramon Torrents, art; Martin Pasko, story), p.29-35 (from “Good to the last drop!” in Vampirella (Warren) #36)
    • “Mauvais oeil! (Ramon Torrents, art; W. Eaton, story), p.49-56 (from “The evil eye” in Vampirella (Warren) #29)
    • “Pardonnez nous non offenses” (Richard Corben, art; William DuBay, story), p.[67]-[74] (color) (from “The butcher: Forgive us our trespasses” in Eerie (Warren) #62)
    • “H.P. Lovecraft’s Air froid” (Bernie Wrightson, art & adaptation), p.75-81 (from “Cool air” in Eerie (Warren) #62)
    • Advertisements: Vampirella poster geant, Una ballata del Mare Salato, p.[28]; 3 nouvelles d’Edgar A. Poe, p.[48]; histoires fantastiques et de science-fiction, par Doremieux, p.[82]

Vampirella (Publicness) #21 ([not before 1975 January])

  • Cover (p.[1]) art by Enrich (from Vampirella (Warren) #34) (color)
    • Inside front cover (p.[2]): “Esprit es-tu las?” [pt.1: beginning] (Paul Neary, art; Doug Moench, story) (b&w) (from “Curiosity killed the cat” in Creepy (Warren) #59)
    • Inside back cover (p.[83]): “Esprit es-tu las?” [pt.3: end] (Paul Neary, art; Doug Moench, story) (b&w) (from “Curiosity killed the cat” in Creepy (Warren) #59)
    • Back cover (p.[84]): Advertisement: Cinéma-bis 13 [upside down] (color)
  • Contents (b&w, except as noted)
    • Table of contents; Masthead: Joël Laroche, publisher; Louis Trobert, adaptation; Jean-Paul Nail & François Joyeux & Alain Petit & Jean-Marie Sabatier & Alain Venisse, editors, p.[3]
    • Courrier, p.4
    • “Vampirella: La fiancée du soleil” (Jose Gonzalez, art; Flaxman Loew, story), p.5-16 (from “Vampirella: The betrothed of the sun god” in Vampirella (Warren) #31)
    • Cinema bis 13 (Jean-Paul Nail, coordinator; François Joyeux & Jean-Paul Nail & Alain Petit & Jean-Marie Sabatier & Alain Venisse, editors; Alain Venisse, photo editor; Jean Pierre Bouyxou & Jean-Claude Romer & Stéphane Bourgoin & Jean-Claude Morlot, collaborators; Christian Guillon, paste-up), p.[17]-28, [43]-53, 64-76
      • Sitges 75 (Dead of night; Devil crows; El extraño amor de los vampiros; Fairy fox; Ghost story; House of the whipcord; In search of Dracula; Invention diabolique; Kau sang neiang; Levres de sang; La malédicion de la bestia; Metempsychosis; Parapsycho; Parasite murders; Persecution; Psycho; Psychopath; Reincarnation; Snake queen; Telepathie; etc.) (text; photographs), p.19-28
      • À propos de Paul Naschy (Loup garou contre le yeti) (Alain Petit, reviewer), p.[43]
      • Le cinéma fantastique espagnol (El asesino de muñecas; El asesino está entre los tres; La bal du vaudou; Bossu de la morgue; La diosa salvaje; L’empreinte de Dracula; La furia de Tarzan; Una libélula para cada muerto; Loa vudu; La maldición de la bestia [The werewolf and the yeti]; Exorcismo; L’exorciste; La mariée sanglante; El misterio de la selva; La noche de los brujos; El retorno de Walpurgis; La saga de los Dracula; Tarzan y el arco iris; La vengeance du zombi; Le viol et l’enfer; Vudu; etc.) (Jean-Paul Nail, reviewer), p.44-46
      • Profilmes SA (The blue eyes of the broken doll [Los ojos azules de la muñeca rota]; The devil’s possessed; A dragon-fly for each corpse [Una libélula para cada muerto]; El espanto surge de la tuba; Les griffes de Lorelei [Las garras de Lorelei]; The jungle goddess; Le marechal de l’enfer [El mariscal del infierno]; The night of the sea gulls; La nuit de la furie [La noche de la furia]; La nuit des sorciers [La noche de los brujos]; The mystery of the jungle; La rebellion de las muertas; Refuge of fear [El refugio del miedo]; Robin Hood ne meurt jamais [Robin Hood nunca muere]; La saga de los Dracula; The werewolf and the yeti) (text; photographs), p.47-53
      • Thomas Milian (includes chronological list of 41 films, 1959-1974) (text; photographs), p.64-69
      • Sergio Corbucci bis (I bestioni [Deux grandes gueules]; Il bianco, il giallo e il nero [Le blanc, le jaune et le noir]; Che c’entriamo noi con la rivoluzione? [Mais qu’est-ce que je viens foutre au milieu de cette revolution?]; Companeros; I crudeli, Bersaglio mobile; Django; Far west story [J. and S.: storia criminale del far west, or, Banda J. & S. cronaca criminale del west]; Le grand silence; L’homme qui rit; El mercenario; Richard III; Soleil rouge; Trinita) (François Joyeux, reviewer), p.70-76
    • “Un plat qui se mange froid!” (Berni Wrightson, art; Jeff Jones, story), p.29-34 (from “Cold cuts” in Vampirella (Warren) #34)
    • “La nuit de l’antéchrist” (Richard Corben, art & color; Gerry Boudreau, story), p.[35]-[42] (color) (from “Anti-Christmas” in Creepy (Warren) #68)
    • “Pantha” (Auraleon, art; Steve Skeates, story), p.55-63 (from “Pantha: Family ties” in Vampirella (Warren) #31)
    • “Esprit es-tu las?” [pt.2: middle] (Paul Neary, art; Doug Moench, story), p.77-82 (from “Curiosity killed the cat” in Creepy (Warren) #59)

Vampirella (Publicness) #22 (1976 2nd trimester)

  • Cover (p.[1]) art by Aslan (from Vampirella (Warren) 1972 annual) (color)
    • Inside front cover (p.[2]): Advertisement: Frankenstein & Vampirella posters (b&w)
    • Inside back cover (p.99]): Advertisement: Vampirella (Publicness) back issues (b&w)
    • Back cover (p.[100]): Advertisement: B. Diffusion catalog (color)
  • Contents (b&w, except as noted)
    • Table of contents; Masthead: Joël Laroche, publisher; Jacques Ascher, commercial director; Serges Debeketch & Louis Trobert, adaptation; Jean-Paul Nail & François Joyeux & Alain Petit & Jean-Marie Sabatier & Alain Venisse, editors, p.[3]
    • Bestiaire répugnant de Vampy! (Frank Frazetta, art), p.4
    • “Vampirella: Le carnaval des revenants” (Jose Gonzalez, art; Flaxman Loew, story), p.5-16 (from “Vampirella: The carnival of death!” in Vampirella (Warren) #34)
    • “Trop seul” (Neal Adams, art; Jim Stenstrum, story), p.17-24 (from “Thrillkill” in Creepy (Warren) #75)
    • “Moi un monstre” (Luis Garcia, art; Donald F. McGregor, story), p.25-38 (from “The men who called him monster” in Creepy (Warren) #43)
    • Cinema bis 14: Dossier Jean Boullet (Jean-Paul Nail, coordinator; François Joyeux & Jean-Paul Nail & Alain Petit & Jean-Marie Sabatier & Alain Venisse, editors; Alain Venisse, photo editor; Jean-Pierre Bouyxou & Jean-Claude Romer & Stéphane Bourgoin & Jean-Claude Morlot, collaborators; Christian Guillon, paste-up; Jean Boullet & Roland Lacourbe, text), p.39-46, 55-66
      • Dossier Jean Boullet (Cauchemar de Dracula [Horror of Dracula]; Dracula; Freaks; L’île du Docteur Moreau; The mask of Fu Manchu; White zombie) (Alain Petit, text; photograph), p.39-40
      • Le musée Jean Boullet (L’age d’or; Bride of Frankenstein; Cauchemar de Dracula [Horror of Dracula]; Les chasses du Comte Zaroff; Citizen Kane; Docteur [sic] Jekyll and Mister Hyde; Dracula; Dracula’s daughter; Le fantôme de la Rue Morgue; Freaks; L’histoire d’O; L’île du Docteur Moreau; Island of lost souls; King Kong; Le loup-garou; Mad love; Mark of the vampire; The mask of Fu Manchu; Songe d’une nuit d’été; Les trois diables rouges; White zombie; etc.) (Alain Petit, text; photographs), p.41-46, 55-62
      • Les trois diables rouges (De 39-013 il ne reste que zero!; The face behind the mask; G men contre dragon noir [G men vs. the black dragon]; Marienbad; Shanghai gesture) (Jean Boullet [sic], text; photographs), p.63-65
      • Les trois morts de Jean Boulet (Roland Lacourbe, text; art), p.66
    • “Haut en bas” (Richard Corben, art & color; Mike Butterworth, story), p.[47]-[54] (color) (from “Top to bottom” in Vampirella (Warren) #33)
    • “Adieu, Mr. Lincoln” (José Ortiz, art; Bill DuBay, story), p.67-78 (from “Goodbye, Mr. Lincoln” in Creepy (Warren) #76)
    • “Le piège” (Alex Toth, art; Rich Margopoulos, story), p.79-85 (from “Ensnared” in Creepy (Warren) #76)
    • “Midnight cow-boy” (John Severin, art; Gerry Boudreau, story), p.87-94 (from (Warren))
    • Advertisements: 3 t-shirts, p.[95]; L’art fantastique de Frank Frazetta, p.[96]; Dimensions SF, p.[97], La revue du merveilleux no. 1, p.[98]