Items Similar to Paul Gattuso, (Young Woman)
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Paul Gattuso.Paul Gattuso, (Young Woman)1935, about
1935, about
About the Item
Paul Gattuso attended the Art Students League and worked primarily in New York City. There is an old address with a Bronx, Grand Concourse address.
Gattuso was a skilled painter and draughtsman. That kind of drawing confidence is need in making monotypes where the artist is working in reverse and sometimes quickly as well.
The young woman or girl in the work is glancing to us over her shoulder. Hard enough to do as a sketch or drawing but doubly difficult as a monotype.
The paper is tan and there is a pencil signature. The dimensions are for the entire sheet.
- Creator:Paul Gattuso. (American)
- Creation Year:1935, about
- Dimensions:Height: 19 in (48.26 cm)Width: 12.25 in (31.12 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:No problems. Sheet is fine and there are big margins.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU141028122582
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1988
1stDibs seller since 2020
89 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Louis Bouché, (Standing Woman)By Louis BouchéLocated in New York, NYLouis Bouché was based in New York and taught at the Art Students League. The figure was an important subject in his oeuvre. An ink drawing on tan paper, ...Category
Early 20th Century Ashcan School Figurative Drawings and Watercolors
MaterialsInk
- Fulton St. Fish Market, Crating (NYC)By Norman BarrLocated in New York, NYBorn in Czarist Russia Norman Barr (1908-1994) came to New York as a young boy and except for a few night classes at the school of the National Academy of ...Category
Mid-20th Century Ashcan School Figurative Drawings and Watercolors
MaterialsIndia Ink
- Dorothy Varian, WitnessLocated in New York, NYDorothy Varian (1895-1985) was based in New York City and Woodstock, NY. This is a courtroom scene that captures the intensity of the situation. It is s...Category
Mid-20th Century Ashcan School Figurative Drawings and Watercolors
MaterialsPencil
- (Wounded Soldiers)Located in New York, NYWhile this is a World War II drawing, the barbed wire recalls the tranches of the First World War. A menacing tank at the upper left dominates the scene. There is a black border and...Category
Mid-20th Century American Modern Figurative Drawings and Watercolors
MaterialsGouache
- Emil Ganso, (Reclining Nude)By Emil GansoLocated in New York, NYA classic Emil Ganso nude. Quite large, the sheet is 14 1/8 x 21 inches and the image goes all the way across the sheet from left to right. Very delicately drawn - especially for Ganso.Category
1930s American Modern Figurative Drawings and Watercolors
MaterialsPencil
- Paul Gattuso, (Italian Street Scene)By Paul Gattuso.Located in New York, NYPaul Gattuso attended the Art Students League and worked primarily in New York City. There is an old address with a Bronx, Grand Concourse address. Gattus...Category
1930s Ashcan School Figurative Drawings and Watercolors
MaterialsMonotype
You May Also Like
- Sleepwalking monochromatic, mysterious interior black/white w dramatic windowsBy Tom BennettLocated in Brooklyn, NYMonotype on paper Dramatic imagery from Tom Bennett’s series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...Category
2010s Neo-Expressionist Figurative Drawings and Watercolors
MaterialsMonotype, Paper
- Sleepwalking #23, earth tone, brown, gestural, abstract brushstrokesBy Tom BennettLocated in Brooklyn, NYMonotype on paper Dramatic disrupted realism imagery from Tom Bennett’s series of monochromatic monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...Category
Early 2000s American Impressionist Figurative Drawings and Watercolors
MaterialsMonotype, Paper
- William Glackens Watercolor on Paper, "Criticizing Ernest Lawson’s Art Class"By William GlackensLocated in New York, NYWilliam Glackens, 1870-1938 Criticizing Ernest Lawson’s Art Class, ca. 1907 Watercolor and pencil on paper Signed (at lower left): Glackens Inscribed ...Category
Early 1900s Figurative Drawings and Watercolors
MaterialsWatercolor
- "King & I" Orig 1951 Broadway Drawing Published NYT Tony Awards Mid 20th CenturyBy Albert Al HirschfeldLocated in New York, NY"King & I" Orig 1951 Broadway Drawing Published NYT Tony Awards Mid 20th Century Al Hirschfeld (1903 – 2003) "The King and I," 14 3/4 x 30 inches. Ink on board. Signed lower right. ...Category
1950s Performance Figurative Drawings and Watercolors
MaterialsInk, Board
- "Steel Factory" Cuban Mid 20th Century Modern Drawing WPA Latin Art IndustrialLocated in New York, NY"Steel Factory" Cuban Mid 20th Century Modern Drawing WPA Latin Art Industrial Ink on paper. 12 x 19 inches. Pogolotti lived in Paris in the 1930s. The drawing here comes from the collection of his Parisian ophthalmologist, Dr. Prokopenko . Unfortunately, the artist lost his eyesight in 1938. Marcelo Pogolotti (1902–1988) was a Cuban painter...Category
1930s Modern Figurative Drawings and Watercolors
MaterialsPaper, Ink
- Sleeping In, Saturday Evening Post CoverBy Richard SargentLocated in Fort Washington, PAMedium: Gouache on Illustration Board Signature: Signed Lower Left Cover of The Saturday Evening Post, June 19, 1954Category
1950s Interior Drawings and Watercolors
MaterialsIllustration Board, Gouache