MARGINALIA
Bulletin bibliographique des études sur les littératures et le film populaires n° 87
SCIENCE-FICTION - FANTASTIQUE - FANTASY - ROMAN POLICIER
WESTERN - RÉCIT DE GUERRE - ROMAN HISTORIQUE - BD - ÉROTICA
LITTÉRATURE DE JEUNESSE
décembre 2015
Marginalia est publié 4 fois par an par
NORBERT SPEHNER
565, rue de Provence, Longueuil, J4H 3R3 (Québec/Canada)
nspehner@sympatico.ca
1
généralités
Incontro con un viandante: Pino Cacucci, i suoi libri, le sue
storie, la sua scrittura; Claudia Mizzotti, Ritratti d’autore:
presentare uno scrittore per parlare di sé. Archivio:
Agostino Contò: L’abate Caliari, maestro di Emilio Salgari;
Frammenti dal diario di Viaggio in Francia e lettera di
Augusto Caperle. Studi: Nicola Neso, Casa Coloane.
Ritratto di un immenso cantore della condizione umana.
Nugae: Darwin Pastorin, Giovanni Arpino e Il carrozzone
di Sandokan; Elena Pigozzi, Matilde Serao: volitiva,
indipendente e, più ancora, senza peli sulla lingua;
Maurizio Sartor, I ghost-writers delle Pampas. L’oscura e
travagliata genesi de I Prigionieri delle Pampas. Profili biobibliografici degli autori. Notizie: Cavalcando l’avventura,
a cura di Gino Bedeschi, Giuseppe Cantarosa e Bartolo
Tondini. Segnalazioni bibliografiche.
Rappel : la rubrique intitulée « Généralités » présente des ouvrages dans
lesquels on mélange les genres, les
inclassables, les études sur le roman et le
film d’aventures, l’humour et le comique,
la culture populaire en général, ainsi que
certaines « curiosités » éditoriales...
LITTÉRATURE
BRAWLEY, Sean & Chris DIXON, The South
Seas : A Reception History from Daniel
Defoe to Dorothy Lamour, Lanham (MD),
Lexington Books, 2015, xvii, 301 pages.
Beginnings: Defoe, Dampier, and Discovery -- America's
South Seas -- Herman Melville's Pacific Imaginings -- San
Francisco, Art, and Robert Louis Stevenson -- Finding New
Guinea -- The Colonial Endeavor and Australia's South
Seas -- The Fair, the Stage, and the Song -- The Great War
and the Lost Generation -- A South Seas Education:
Platform Speakers, National Geographic, and Margaret
Mead -- South Seas Tourism -- Hollywood Encounters the
South Seas -- Cinematic Escapes: The South Seas
Adventure Film -- HMAV Bounty and the Great
Depression -- Pardon My Sarong: The Arrival of Dorothy
Lamour.
HECKEN, Thomas, Marcus S. KLEINER, André
MENKE, Popliteratur : eine Einführung,
Stuttgart, Metzler Verlag, (Lehrbuch), 2015,
vii, 218 pages.
Aus dem Inhalt: Einleitung - Popliteratur,
Literaturgeschichte, Literaturwissenschaft - Popkultur Popdiskurs, Poptheorie - Pop-Poetik - Popliteraten (Rolf
Dieter Brinkmann, Popautoren der 1960er, 1970er und
1980er Jahre, Rainald Goetz, Thomas Meinecke, Joachim
Lottmann, Benjamin von Stuckrad-Barre, Christian Kracht,
Sybille Berg, Popliteratur am Rande, Weitere Pop-Autoren
seit den 1990er Jahren) - Bilanz und Ausblick - Anhang
RANAIVOSON & Valentina LITVAN (dir.), Les
Héros culturels : récits et représentations,
Saint-Maur-des-Fossés, Sépia, 2014, 208
pages.
Les contributions de ce volume examinent comment la
littérature s'empare de personnages historiques ou
légendaires pour les transformer, au gré des sociétés, des
époques et des projets des écrivains, en héros voire en antihéros. Elles sont issues d'un colloque international qui s'est
déroulé à l'université de Lorraine, site de Metz.
FRANCIS, Andrew, Culture and Commerce
in Conrad’s Asian Fiction, New York,
Cambridge University Press, 2015, xvii, 228
pages.
GALLO, Claudio (ed.), Il Corsaronero : rivista
salgariania di letteratura popolare, no 22,
Verona, casa editrice Betelgeuse, 2015.
La monografica: S’avanza uno strano capitano:
felicemente, Salgari. Verona celebra con la statua di Sergio
Pasetto il suo scrittore più amato, a cura di Chiara Begnini e
Nicola Ruffo, comprende i seguenti scritti: Salgari nel
bronzo sorride alla vita, di Claudio Gallo&Giuseppe
Bonomi; La vena malinconica di Emilio Salgari Intervista
con Marzia Boldi, di Nicola Ruffo; L’eclettismo, la grazia
intellettuale e lo spirito sognatore. Colloquio con Nicola
Beber, di Chiara Begnini; «Lo volli che cammina, spavaldo,
tra la gente». Sergio Pasetto e la statua di Salgari, di Chiara
Begnini; Un viaggio nella Fonderia Artistica Fabris-F.lli
Folla: un’officina dove si uniscono creatività, artigianato e
modernità, di Nicola Ruffo.
Gli altri saggi del n. 22. Editoriale: L’editore, Una nuova
sfida per la casa editrice Betelgeuse. Testimonianze:
Simone Sarasso, Capitano… Il mio Salgari tra montagna,
barbieri, pirati e un mare che non arrivava più.
Laboratorio: Chiara Begnini, Combattere come Troiani,
pensare come Greci, morire come Romani; Luca Crovi,
Quando la fantasy si mescola con noir, western e action. La
letteratura avventurosa di Joe Abercrombie; Beppe Muraro,
SPECTOR, Scott, Sex, Crime, and Utopia in
Vienna and Berlin, 1860-194, Chicago, The
University of Chicago Press, mai 2016, 304
pages.
The book analyzes these sexual and criminal subjects on
three levels: first, the expertise of scientists, doctors,
lawyers, and scholars; second, the sensationalism of
newspaper scandal and pulp fiction; and, third, the
subjective ways that the figures themselves came to
understand who they were.
VERNAY, Virginie (dir.), Ça, c’est Choron,
Grenoble, Glénat, 2015, 380 pages.
Introduit par un texte de sa fille Michelle Bernier et de son
« fils spirituel » Jean-Marie Gourio (créateur des Brèves de
comptoir), ce livre abondamment illustré, raconte à travers
des textes inédits de Cavanna, Delfeil de Ton, Berroyer,
Lefred-Thouron, Bruno Gaccio, Henin-Lietard et des
dessins de l inénarrable Vuillemin, la vie et la carrière du
professeur Choron. On y découvre les multiples facettes
dont certaines méconnues de son talent, tour à tour écrivain,
2
journaliste, humoriste et même chanteur qui s est produit à l
Olympia ! On en apprend également un peu plus sur « l
homme » : qui était vraiment Choron ?
Des célèbres « Jeux de cons » et « Fiches bricolages » aux
nombreux photomontages et romans-photos, en passant par
les unes emblématiques de Hara Kiri et Charlie Hebdo ou
des anecdotes plus personnelles, découvrez tout de la vie de
cet homme, à la fois iconique et énigmatique.
Presence of Racial and Ethnic "Others" in Mad MenLinda
Beail ConclusionX. Tomorrowland: Contemporary Visions,
Past Indiscretions Rebecca Colton JosephsonAppendix I:
Products of Mad Men Appendix II: Episodes of Mad Men
Bibliography Author Biographies Index.
BLEITRACH, Danielle, Bertold Brecht & Fritz
Lang : le nazisme n’a jamais été éradiqué :
sociologie du cinéma, La Madeleine,
Lettmotif, 2015, 397 pages. En collaboration
avec Richard Gehrke, Nicole Amphoux & Julien
Riebel.
CINÉMA & TÉLÉVISION
ADAMS, Mike, The Radio Boys and Girls :
Radio, Telegraph, Telephone and Wireless
Adventures for Juvenile Readers, Jefferson,
McFarland, 2016, 240 pages.
Series fiction about wireless and radio was a popular genre
of young adult literature at the turn of the 20th century and
an early form of social media. Before television and the
Internet, books about plucky youths braving danger and
adventure with the help of wireless communication brought
young people together. They gathered in basements to build
crystal sets. They built transmitters and talked to each other
across neighborhoods, cities and states. By 1920, there was
music on the air and boys and girls tuned in on homemade
radios, often inspired by their favorite stories.__This book
analyzes more than 50 volumes of wireless and radio
themed fiction, offering a unique perspective on the world
presented to young readers of the day. The values, attitudes,
culture and technology of a century ago are discussed,
many of them still debated today, including immigration,
gun violence and guns on campus, race, bullying and
economic inequality.
COLLECTIF,
Trois grands du cinéma
burlesque, Paris, Éditions À Dos d’âne, (Des
graines et des guides), 2015, 3 volumes, 46,
45, 43 pages.
Jacques Tati : le funambule du cinéma
(Delphine Bertozzi et Demetra Nikolopoulo)
Georges Méliès, le magicien du cinéma (Zéno
Bianu, Julia Perrin)
Charlie Chaplin, l’enchanteur du cinéma
comique (Luc Baba, Pauline Sciot).
COLLECTIF, Sam Peckinpah, Paris, Capprici,
2015, 193 pages.
Three long critiques take a look back on his films, through
three periods: from The Deadly Companions to Major
Dundee (1961-1965) by Chris Fujiwara, from The Wild
Bunch to Pat Garrett and Billy the Kid (1969-1973) by
Emmanuel Burdeau, and from Bring Me the Head of
Alfredo Garcia to The Osterman Weekend (1974-1983) by
Christoph Huber. These texts are completed by a study of
his TV works (by Jean-François Rauger), some short stories
of the shootings and some interviews - including a brand
new one with Peckinpah himself.
BAILEY, Jason,
Tout ce que vous avez
toujours voulu savoir sur Woody Allen,
Paris, Éditions Carpentier, 2015, 194 pages.
Ed. or. : The Ultimate Woody Allen Companion.
COSTES, Jean-Philippe, Les Subversifs hollywoodiens : l’esprit critique du cinéma
grand public, Montréal & Paris, Liber, 2015,
490 pages.
Jean-Philippe Costes décrypte les oeuvres de ces metteurs
en scène qui ont refusé l'esprit de système. Howard Hawks
et George Cukor démythifient l'amour et ce sanctuaire des
bonnes moeurs qu'est le domicile conjugal ; Quentin
Tarantino souligne la totale absurdité de la vie, bousculant
ainsi une Amérique qui confie depuis toujours sa destinée à
Dieu ; David Fincher appelle à l'insurrection contre le
capitalisme exubérant qui écrase les plus modestes ; Sydney
Pollack dénonce les mensonges dont la collectivité abreuve
l'Individu ; Blake Edwards se moque de l'idéal égalitaire ;
Stanley Kubrick filme la longue agonie de l'Homme pour
mieux enterrer l'humanisme...
BEAIL. Linda & Lilly J. GOREN (eds.), Mad Men
and Politics : Nostalgia and the Remaking
of Modern America, New York, Bloomsbuy
Academic, xiv, 311 pages.
The American CenturyI. Mad Men and Politics: Nostalgia
and The Remaking of AmericaLilly J. Goren and Linda
BeailII. If You Don't Like What They Are Saying, Change
the Conversation: The Grifter, Don Draper, and the Iconic
American HeroLilly J. Goren III. The Power Elite and
Semi-Sovereign Selfhood in post-War AmericaLoren
GoldmanIV. Cash or Credit?: Sex and the Pursuit of
Happiness Laurie Naranch Business and IdentityV.
Appearances, Social Norms, and Life in Modern America:
Nationalism and Patriotism in Mad MenLawrence Heyman
VI. Going Groovy or Nostalgic: Mad Men and Advertising,
Business, and Social MovementsKate Edenborg Those Seen
and Not Seen, Heard and Not Heard VII. Masculinity and
Its Discontents: Myth, Memory and the Future on Mad Men
Denise WitzigVIII. "You Can't Be a Man. So Don't Even
Try": Femininity and Feminism in Mad Men Natalie
Fuehrer Taylor IX. Invisible Men: The Politics and
DJOUMI, Rafik, Georges Lucas, Paris, Huginn
& Muninn, (Fantastik), 2016, 224 pages.
ENGLE, John, Surfing in the Movies : A
Critical History, Jefferson (NC), McFarland,
2015, 260 pages.
3
Id e n t i t y, b y M arg ar et A . To t h _ 6 . M e n i n
C ri si s: C h ri st o p h er N o l an , U n -t ru t h s an d
F i c t i o n al i si n g M ascu l i n i t y, b y P et e r D eak i n _ 7 .
R ep resen t i n g Trau m a: G r i ef, A m n esi a an d
Trau m at i c M em o ry i n N o l an ' s N ew M i l l en n i al
F i l m s, b y F ran P h easa n t -K el l y _ 8 . ' T h e d ream
h as b eco m e t h ei r real i t y ' : In fi n i t e R eg ressi o n
i n C h ri st o p h er N o l an ' s M em en t o an d In c ep t i o n ,
b y L i sa K . P erd i g ao _ 9 . R ev i si t i n g t h e S cen e o f
t h e C ri m e : In so m n i a a n d t h e R et u r n o f t h e
R ep ressed , b y S t u art Jo y _ 1 0 . ' Yo u k eep t el l i n g
y o u rsel f w h at y o u k n o w, b u t w h a t d o y o u
b el i ev e?' : C u l t u ral S p i n , P u zzl e F i l m s an d
M i n d G am e s i n t h e C i n em a o f C h ri s t o p h er
N o l an , b y S o rch a N í F h l ai n n _ 11 . S t u m b l i n g
O v e r t h e S u p erh ero : C h ri st o p h er N o l an ' s
Vi ct o ri es
an d
C o m p ro m i ses,
by
To d d
M cG o w an _ 1 2 . In c ep t i o n ' s S i n g u l ar L ac k o f
U n i t y A m o n g C h r i st o p h er N o l an ' s P u zzl e
F i l m s, b y A n d re w K an i a_ 1 3 . In c ep t i o n ' s Vi d e o
G am e L o g i c, b y Warr en B u c k l an d _ 1 4 . O n t h e
Wo rk o f t h e D o u b l e i n C h ri st o p h er N o l an ' s T h e
P rest i g e, b y K w as u D av i d Tem b o _ 1 5 . N o E n d
i n S i g h t : T h e E x i st en t i al Tem p o ral i t y o f
F o l l o w i n g , b y E ri n K eal e y _ 1 6 . H eari n g M u si c
i n D ream s : To w a rd s t h e S em i o t i c R o l e o f
M u s i c i n N o l an ' s In c ep t i o n , b y F el i x E n g e l an d
Jan i n a Wi l d fe u er_ 1 7 . A b o u t Ti m e To o : F ro m
In t erst el l a r t o F o l l o w i n g , C h ri st o p h er N o l an ' s
C o n t i n u i n g P reo ccu p at i o n w i t h Ti m e -Trav el ,
b y Jacq u e l i n e F u rb y _ I n d ex
Surfing has fascinated filmmakers since Thomas Edison
shot footage of Waikiki beachboys in 1906. Before the
1950s surf craze, surfing showed up in travelogues or as
exotic background for studio features.__The arrival of
Gidget (1959) on the big screen swept the sport into popular
culture, but surfer-filmmakers were already featuring the
day’s best surfers in self-narrated two-reelers. Hollywood
and independent filmmakers have produced about three
dozen surf films in the last half-century, including the
frothy Beach Party movies, Point Break (1991) and
Chasing Mavericks (2012). From Bud Browne’s earliest
efforts to The Endless Summer (1966), Riding Giants
(2004) and today’s brilliant videos, over 1,000 surfing
movies have celebrated the stoke. This first full-length
study of surf movies gives critical attention to hundreds of
the most important films.
ERNST, Christoph & Paul HEIKE, (dir.),
Amerikanische Fernsehserien der Gegenwart : Perspektiven der American Studies
und der Media Studies, Bielefeld, Transcript
Verlag, 2015, 344 pages.
»Lost«, »The Wire«, »Mad Men«, »Breaking Bad«, »True
Blood« usw. - die amerikanischen Fernsehserien der
Gegenwart sind thematisch und formal-ästhetisch
facettenreich und haben z.T. geradezu ikonischen Status.
Doch was ist wirklich »neu« an den sogenannten »neuen
Serien«? Inwiefern sind sie spezifischen kulturellen
Schemata (cultural scripts) verpflichtet und welche
kulturelle Arbeit leisten sie bei der Bewältigung von
gesellschaftlichen Veränderungen und Krisenerfahrungen?
Dieser Band versammelt deutsch- und englischsprachige
Beiträge aus Medienwissenschaft und American Studies,
die das Format anhand ausgewählter Beispiele einer
medientheoretischen und kulturwissenschaftlichen
Reflexion unterziehen.
GARCIA, Alberto N. (ed.), Emotions in Contemporary TV Series, New York, Palgrave
Macmillan, 2016, 272 pages.
Introduction; Alberto N. García_PART I: THEORETICAL
AND GENERAL APPROACH_1. Emotional Culture and
TV Narrative; Alejandro García and Ana Marta
González_2. The Emergence of 'Affect' in Contemporary
TV Fictions; Robin Nelson_3. Moral Emotions, Antiheroes
and the Limits of Allegiance; Alberto N. García _4. Group
Empathy? A Conceptual Proposal, Apropos of Polseres
Vermelles; Héctor Pérez López_PART II: COLLECTIVE
IDENTITIES AND EMOTIONS_5. Women, Television
and Feelings: Theorizing Emotional Difference of Gender
in SouthLAnd and Mad Men; Elke Weismann_6. A
Revolution in Urban Lifestyle: Mad Men's Narrative
Revisited as a Social Lab; Lourdes Flamarique_7.
Performing Englishness: Postnational Nostalgia in Lark
Rise to Candleford and Parade's End; Rosalía Baena_8.
Nordic Noir - Location, Identity and Emotion; Gunhild
Agger_PART III: GENRE AND EMOTIONS_9. Loss is
Part of the Deal: Love, Fear and Mourning in TV Horror;
Stacey Abbott_10. Apocalyptic Psycotherapy: Emotion and
Identity in AMC's The Walking Dead; Kyle W. Bishop_11.
Homeland: Fear and Distrust as Key Elements of the Post9/11 Political-Spy Thriller; Pablo Echart and Pablo
Castrillo_12. Emotions in Star Trek and Battlestar
Galactica: What Makes us Human; Claudia Wassmann
FRAISSE, Philippe,
Un Jardin parmi les
flammes : le cinéma de Terence Malick,
Aix-en-Provence, Rouge Profond, (Raccords),
2015, 235 pages.
FURBY, Jacqueline et Stuart JOY (eds.), The
Cinema of Christopher Nolan : Imagining
the Impossible, London, Wallflower Press,
(Director’s Cuts Series), 2015, 274 pages.
A ck n o w l ed g em en t s_ N o t e s
on
C o n t ri b u t o rs
_ F o rew o rd : A re Yo u Wat c h i n g C l o sel y ?, b y
Wi l l B ro o k er_ In t ro d u ct i o n : D ream i n g a L i t t l e
B i g g er, D arl i n g , b y S t u art Jo y _ 1 . D ev el o p i n g
an A u t eu r T h ro u g h R ev i ew s: T h e C r i t i cal
S u r ro u n d o f C h r i st o p h er N o l an , b y E ri n H i l l P ar k s_ 2 . C i n ep h i l i a W ri t L arg e: IM A X i n
C h r i st o p h er N o l an ' s T h e D a rk K n i g h t an d T h e
D a r k K n i g h t R i s es, b y A l l i so n W h i t n ey _ 3 .
N o l an ' s I m m ersi v e A l l eg o ri e s o f F i l m m ak i n g
i n In c ep t i o n an d T h e P rest i g e, b y Jo n a t h an
O l s o n _ 4 . S ai n t s , S i n n ers an d Terr o ri st s : T h e
Wo m en o f C h ri st o p h er N o l an ' s G o t h am , b y
To sh a Tay l o r_ 5 . M em en t o ' s P o st m o d ern N o i r
F an t asy :
P l ace,
D o m es t i ci t y
an d
G en d er
4
173 pages.
"It's a problem of 'perception'": identifying the Coens'
constructivist sensibility -- "You don't want to be tried and
found wantin'": triggering the ongoing adaptation of the the
Ladykillers -- "I will destroy him": negotiating the image in
Barton Fink and Raising Arizona -- That gag's got whiskers
on it: achieving narrative coherence in the Hudsucker proxy
and The man who wasn't there -- "The coin don't have no
say": examining intertextuality in the Hudsucker proxy,
Intolerable cruelty, and No country for old men -- "A lotta
ins, a lotta outs": interweaving genres in the Big Lebowski
and O brother, where art thou? -- "Appearances can be
deceptive" : investigating sexuality in O brother, where art
thou?, Intolerable cruelty, and Burn after reading -- "I
haven't done anything funny": scrutinizing gender in the
Coens' arrangements of a bunch of men around one woman
-- "Accept the mystery": resisting final construction and A
serious man -- Conclusion.
MINI-DOSSIER
LES FRÈRES COEN
ADAMS, Jeffrey, The Cinema of the Coen
Brothers : Hard-Boiled Entertainments,
London, Wallflower Press, 2015, 216 pages.
T h e fi l m s o f t h e C o en b ro t h ers h a v e b ec o m e a
co n t em p o r ary cu l t u ral p h en o m en o n . H i g h l y
acc l ai m ed an d c o m m erc i al l y su cces sfu l , o v er
the
y ears
t h ei r
movies
h av e
at t ra ct ed
i n c reasi n g l y l a rg er au d i e n ces a n d sp a w n ed a
su b cu l t u r e o f d ed i cat ed fan s. S h u n n i n g fam e
an d cel eb ri t y, E t h an a n d Jo e l C o en rem ai n
m av eri ck fi l m m a k ers, p ro d u c i n g an d d i re ct i n g
i n d ep en d e n t fi l m s o u t si d e t h e H o l l y w o o d
m ai n st rea m i n a u n i q u e st y l e co m b i n i n g cl assi c
g en res l i k e fi l m n o i r w i t h b l ack co m ed y t o t e l l
o ff-b eat st o ri es ab o u t A m eri c a an d
the
A m e ri can D ream . T h i s st u d y su rv ey s O sca rw i n n i n g f i l m s, su ch a s F a rg o (1 9 9 6 ) a n d N o
C o u n t ry f o r O l d M en (2 0 0 7 ), as w el l as c u l t
fav o ri t es , i n cl u d i n g O B ro t h er, W h ere A rt
T h o u ? (2 0 0 0 ) an d T h e B i g L eb o w sk i (1 9 9 8 ).
B eg i n n i n g w i t h B l o o d S i m p l e (1 9 8 4 ), i t
ex a m i n es m aj o r t h em es an d g en eri c co n st ru ct s
an d o ffer s d i v e rse ap p ro ach es t o t h e C o en s'
en i g m at i c fi l m s . P o i n t i n g t o t h e p u l p f i ct i o n o f
D as h i el l H am m et t , Jam es M . C ai n , an d
R ay m o n d C h an d l e r, t h e st u d y ap p reci at es t h e
p o s t m o d er n
aest h et i cs
of
th e
C o en s'
i n t ert ex t u al cr eat i v i t y.
HORBURY, Alison, Post-feminist Impasses
in Popular Heroine Television : The
Persephone Complex, New York, Palgrave
Macmillan, 2015, viii, 217 pages.
Alison Horbury investigates the reprisal of the myth of
Persephone - a mother-daughter plot of separation and
initiation - in post-feminist television cultures where, she
argues, it functions as a symptom expressing a complex
around the question of sexual difference - what Lacan calls
'sexuation', where this question has been otherwise
foreclosed. She takes four television heroines dramatizing
this Persephone symptom - Ally McBeal, Sydney Bristow,
Veronica Mars, and Meredith Grey - to show what is
unconscious in this symptom, and identifies an impasse in
feminist cultural criticisms as they respond to post-feminist
cultures on the topic of 'woman'.
ASSOULIE, Julie, L’Amérique des frères
Coen, Paris, CNRS éditions, (Biblis : cinéma),
2015, 484 pages.
Les frères Coen, "réalisateur à deux têtes", tandem
farouchement inclassable, paire prodigieuse révélée au
grand public par Arizona junior (1987), dressent un tableau
désopilant de l'Amérique profonde. Comédies, westerns,
films noirs : les frères Coen ont subverti les conventions du
film de genre pour créer un néo-cinéma ambitieux, nourri
de clins d'oeil rétro aux séries B, aux grandes productions
hollywoodiennes, au polar, et à la peinture réaliste
américaine... Julie Assouly nous invite à un voyage
passionnant au coeur de cet univers, cernant au plus près la
vision coenienne d'une Amérique conçue comme un
territoire où se confondent toujours l'histoire, le folklore et
la fable. Losers magnifiques, voyous déjantés, hystériques
au grand coeur, tueurs psychopathes, profs dépressifs : dans
cette comédie humaine où la satire sociale le dispute à
l'absurde et au tragique, les deux cinéastes racontent, film
après film, les laissés-pour-compte du rêve américain et la
perte d'innocence de la société contemporaine.
LEE, Julia Sun-Joo, Our Gang : A Racial
History of The Little Rascals, Minneapolis,
University of Minnesota Press, 2016, 328
pages.
LE GRAS, Gwénaëlle & Geneviève SELLIER
(dir.), Cinémas et Cinéphilie populaires
dans la France d’après-guerre : 19451 9 5 8 , Paris, Nouveau-Monde, 2015, 383
pages.
LEMONIER, Marc, Le Monde des Tontons
flingueurs et l’univers d’Audiard, Paris, City
éditions, 2015, 219 pages. [Petit dictionnaire
façon puzzle]
LEVER, James,
Moi Cheeta : Mémoires
recueillies par James Lever, Paris, Nouvel
Attila, 2015, 367 pages.
LOMBARD, Philippe, 101 voitures mythiques
du cinéma, Paris, les Éditions de l’Opportun,
2014, 219 pages.
MÜLLER, Jürgen, Die besten TV-Serien. Von
Twin Peaks bis House of Cards, Frankfurt,
et al., Taschen, 2015, 744 pages.
BERGAN, Ronald, The Coen Brothers, New
York, Arcade Publishing, 2016, 360 pages. [2e
édition].
REDMON, Allen, Constructing the Coens :
From Blood Simple to Inside Llewyn Davis,
New York, Rowman & Littlefield, 2015, xviii,
5
ROMANS ET FILMS
POLICIERS
PEETERS, Benoït & Guy SCARPETTA, Raoul
Ruiz : le magicien, Bruxelles, les Impressions
nouvelles, 2015, 284 pages.
SASSEN, Claudia, Larry Semon, Daredevil
Comedian of the Silent Screen, Jefferson
(NC), McFarland, 2015, 264 pages.
Prior to his premature death from tuberculosis in 1928,
Larry Semon was one of the most popular comics on the
silent screen. For a time he rivaled comedy legends Charlie
Chaplin, Harold Lloyd and Buster Keaton for fame and
fortune. The son of magician Professor Zera the Great,
Semon participated in many of his father’s early
performances. A talented youth, he worked as an illustrator
and cartoonist before going into motion pictures with the
Vitagraph Company. He soon became a Hollywood legend,
responsible for his own stories, gags, acting and direction.
The result of 30 years of research, this long overdue
biography recognizes one of Hollywood’s most overlooked
auteurs. The author draws on numerous articles and
contacts with Semon’s family and friends, and screens
many films previously believed to be lost.
LITTÉRATURE
ANDERSON, Jean, Caroline MIRANDA &
Barbara PEZZOTTI (eds.), Serial Crime
Fiction : Dying for More, New York, Palgrave
Macmillan, 2015, xii, 254 pages.
Introduction _PART I: THE SUM OF ITS PARTS: WHAT
MAKES A SERIES?_2. Stephen Burroughs, Serial
Offender; Jon Blandford_3. The Myth of the Gentleman
Burglar: Models of Serialization and Temporality in Early
Twentieth-Century Crime Fiction; Federico Pagello_4.
'More than the Sum of its Parts: Borges, Bioy Casares and
the Phenomenon of the Séptimo Círculo Collection';
Carolina Miranda_5. Serializing Sullivan: Vian/Sullivan,
the Série noire, and the effet de collection; Clara Sitbon,
Marie-Laure Vuaille-Barcan and Alistair Rolls_6. Armed
and Dangerous: Le Poulpe and the Formalization of French
Noir; Pim Higginson_7. Acts of Violence: The World War
II Veteran Private-Eye Movie as an Ideological Crime
Series; Nick Heffernan_8. The Structure of the Whole:
James Ellroy's LA Quartet Series; Steven Powell _PART II:
AS TIME GOES BY: PROGRESSING THE SERIES_9.
The Maturity of Lord Peter Wimsey and Authorial
Innovation Within a Series; Brittain Bright_10. Series
Fiction and the Challenge of Ideology: the Feminism of
Sara Paretsky; Sabine Vanacker_11. From Conflicted
Mother to Lone Avenger: Transformations of the Woman
Journalist Detective in Liza Marklund's Crime Series;
Kerstin Bergman_12. It's All One Book. It's All One World:
George Pelecanos's Washington DC; Eduardo Obradó_13.
Serializing Evil: David Peace and the Formulæ of Crime
Fiction; Nicoletta Vallorani_14. The Flavour of the Street:
The Factory Series by Derek Raymond; Anna Pasolini_15.
Andrea Camilleri's Imaginary Vigàta, Between Formula and
Innovation; Barbara Pezzotti_PART III: TRANPOSITION,
IMITATION, INNOVATION_16. Sherlock Holmes in
Hollywood: Film Series, Genre and Masculinities; Maysaa
Jaber_17. Murder, Mayhem and Clever Branding: the
Stunning Success of J.B. Fletcher; Rachel Franks and
Donna Lee Brien_18. From flâneur to traceur?: Léo Malet
and Cara Black Construct the PI's Paris; Jean Anderson_19.
SHAPIRO, Michell E. & Tom JICHA, The Top
100 American Situation Comedies,
Jefferson, (NC), McFarland, 2015, 292 pages.
This book attempts an objective ranking of the best 100
American sitcoms, based on a mathematical formula taking
into account four factors: ratings, longevity, peer
acceptance and spawning of other programs (spinoffs).__The authors considered a field of 377 series which
met at least one of four criteria: aired for at least three
seasons; rated among top 30 series in at least one season;
received at least one major Emmy nomination; or spawned
at least one other series. A critical essay is provided for
each series, along with air dates and cast listings.
SHERMAN, Dale, The Quentin Tarantino
FAQ : Eveything Left to Know about The
original Reservoir Dog, Milwaukee (WI),
Applause Theatre & Cinema Books, 2015, xiii,
385 pages.
SOLOMON, Matthew, The Gold Rush, London,
British Film Institute, 2015, 119 pages.
VANCHERI, Luc,
La Grande illusion : le
musée imaginaire de Jean Renoir : essai
d’iconologie politique, Villeneuve-d’Ascq,
Presses universitaires du Septentrion, (Arts du
spectacle. Images et sons), 2015, 130 pages.
6
The City Lives in Me: Connectivity and Embeddedness in
Australia's Peter Temple and Shane Maloney; Carolyn
Beasley_20. 'She's pretty hardboiled, huh?' Rewriting the
Classic Detective in Veronica Mars; Taryn Norman_21.
'Exspecta Inexspectata': The Rise of the Supernatural in
Hybrid; Detective Series for Young Readers; Lucy Andrew
oggetto, lo spionaggio, che è percepito come qualcosa di
“immorale”: al punto che anche i suoi estimatori inglesi e
americani spesso, invece di usare l’espressione spy fiction,
parlano di espionage literature, usando la versione inglese
della parola francese “espionnage” (pardon my French!). È
vero che larga parte della produzione che rientra nel genere
della spy story è priva di valore letterario – e non pretende
di averne. Ma è anche vero che nell’ambito di questo
popolarissimo genere molti sono i lavori che hanno piena
dignità letteraria e che alcuni di essi sono veri capolavori;
ed è vero che il genere merita comunque una qualche
attenzione critica. I saggi qui raccolti intervengono su un
piccolo numero di testi e autori di spy fiction, offrendo però
un essenziale panorama di alcuni dei suoi aspetti più
interessanti.
Saggi di Paolo Bertinetti, Paola Carmagnani, Andrea
Carosso, Irene De Angelis, Paola Della Valle, Sonia Di
Loreto, Letizia Exartière, Lucia Folena, Nadia Priotti,
Chiara Simonigh
ARISTODEMOU, Maria, Fiona MACMILLAN &
Patricia TUITT (eds.), Crime Fiction and the
L a w , New York & London, Routledge, &
Abingdon, Birbeck Law Press, mai 2016 [sous
presse]
This book opens up a range of important perspectives on
law and violence by considering the ways in which their
relationship is formulated in literature, television and film.
Employing critical legal theory to address the relationship
between crime fiction, law and justice, it considers a range
of topics, including: the relationship between crime fiction,
legal reasoning and critique; questions surrounding the
relationship between law and justice; gender issues; the
legal, political and social impacts of fictional
representations of crime and justice; post-colonial
perspectives on crime fiction; as well as the impact of law
itself on the crime fiction’s development.
BESNIER, Lionel, L’Argot du polar : cadavre
exquis de la Série Noire, Paris, Gallimard,
(Folio), 2015, 256 pages. Avec des illustrations
d’Adam Hayes.
«Quand elle vire au noir, la langue verte a des trouvailles de
génie. Un imaginaire sans cesse réinventé ancré dans le
réel, tantôt lyrique, tantôt cru, toujours imagé, souvent
pudique et bien plus poétique qu'on ne le dit jamais. Les
prostituées sont des chandelles au coin des rues. La
boustifaille tombe dans le cimetière à poulets et il arrive
que l'on paye en tendresse. Lire Auguste le Breton, Albert
Simonin ou Ange Bastiani, c'est se régaler de cette langue
verte bien pendue qui a fertilisé l'ordinaire, déjà si riche, du
français». Lionel Besnier.
ASCARI, Maurizio & Stephen KNIGHT (eds.),
From the Sublime to City Crime, Monaco,
LiberFaer, 2015, 297 pages.
Maurice Hindle, "Theatres of calamity: Godwin, Burke, and
the language of gothic": __Katie Garner, "Mary
Wollstonecraft's Sublime crimes": __Alessandra Calanchi,
"Tender is the wild: subliminal soundscapes and the aural
sublime in Charles Brockden Brown's proto-crime fiction":
__Matthew McGuire, "Crime fiction and the radical
Sublime: Godwin, Hogg and De Quincey": __Maurizio
Ascari, "In pursuit of the Sublime: De Quincey and the
Romantics' methaphysical conception of crime": Struan
Sinclair, "'An apartment so bedizzened': Edgar Allan Poe's
superperceivers": Giacomo Mannironi, "Criminal
ambitions: the young Balzac and the influence of British
Romanticism": Yvonne Leffler, "Early crime fiction in
Nordic literature": __David Levente Palatinus, "Primum
non nocere - Autopsy, 'bad medicine' and the body in the
Eighteenth and Nineteenth centuries": __Heather
Worthington, "Repression and transgression in Samuel
Warren's 'The Bracelets' and 'Passages from the Diary of a
Late Physician'": Stephen Knight, "The mysteries of the
cities and the myth of urban Gothic": __Anna Kay, "The
black ghost of Bermondsey: Maria Manning and the
popular Sublime":
CASTAGNINO, Angelo, The Intellectual as
Detective : from Leonardo Sciascia to
Roberto Saviano, New York, Frankfurt, et al.,
Peter Lang, 2015, 194 pages.
The Intellectual as a Detective: From Leonardo Sciascia to
Roberto Saviano offers a fresh perspective on both Italian
crime fiction and the role of the intellectual in Italian
society. By analyzing the characterization of men of culture
as investigators, this book addresses their social
commitment in a period that goes from the Sixties to today.
The connection it establishes between fiction and real life
makes this book an interesting addition to the debate on
crime literature and its social function in Italy. The
detectives created by Sciascia, Eco, Pasolini, Saviano and
other novelists foster a reflection on how the narrative
aspect of characterization has been used in connection with
a historical perspective.
BERTINETTI, Paolo (dir.), Spy Fiction : Un
generi per grandi autori, Torino (Turin) Casa
Editrice Nuova Trauben, 2014, 161 pages.
Gli articoli e i saggi raccolti in questo volume riguardano
un “genere” che con molta difficoltà e solo in tempi
relativamente recenti la critica accademica (che addirittura
fa fatica a riconoscere la dignità delle letterature
postcoloniali) è riuscita a considerare, per la produzione che
lo merita, come qualcosa di più che banale trivialliteratur.
Anche per l’imbarazzo puritano nei confronti del suo
DESNAIN, Véronique (dir.),
Le Polar en
Europe : réécritures du genre, dans
Itinéraires,(Littérature, texte, culture) n o
2014-3.
Véronique Desnain : Présentation
Natacha Levet : L’écrivain et le marginal : postures
d’auteurs de polar français
Élise Hugueny-Léger : Naissance et mort de l’auteur : les
7
investigations d’Amélie Nothomb
Simon Kemp : Le Nouveau Roman et le roman policier :
éloge ou parodie ?
Marc Lits : De la « Noire » à la « Blanche » : la position
mouvante du roman policier au sein de l’institution littéraire
Gill Plain : Structures of Authority: Post-war Masculinity
and the British Police
Andrea Hynynen : Corps déviants dans le roman policier
français : transgressions et/ou réitérations de normes
genrées
Véronique Desnain : Le polar, du fait divers au fait
d’histoire
Vincent Platini : « Je vous suis inaccessible » : lettres et
romans policiers sous le Troisième Reich (1933-1945)
David Platten : Partners in Crime: Readers, Translators,
Characters and the Promotion of a Genre.
ALIBIS 56
Polar, Noir & Mystère
L’ Anthologie permamente du polar
(la québécoise - à ne pas confondre avec la
revue Alibi, publiée en France)
Spécial : liberté d’expression
Au sommaire du numéro 56 (Automne 2015, vol. 14, no
4), des nouvelles de Geneviève Blouin, Martine Latulippe,
Hugues Morin, Jean-Jacques Pelletier et Richard Ste-Marie.
Des articles de Jean-Jacques Pelletier, Richard SteMarie.Une entrevue de Pascale Raud avec Emile Martel
Une revue des films par Christian Sauvé, un panorama des
publications récentes par Norbert Spehner et des critiques
de livres par Martine Latulippe, Morgane Marvier, Francine
Pelletier et Norbert Spehner.
GOULET, Andrea,
Legacies of the Rue
Morgue : Science, Space, and Crime Fiction
in France, Philadelphia, University of Pennsylvania Press, 2016, 304 pages.
Taking Edgar Allan Poe's 1841 "The Murders in the Rue
Morgue" as an inaugural frame, Andrea Goulet traces
shifting representations of violence, space, and nation in
French crime fiction from serial novels of the 1860s to
cyberpunk fictions today. She argues that the history of
spatial sciences —geology, paleontology, cartography
—helps elucidate the genre's fundamental tensions: between
brutal murder and pure reason; historical past and
reconstructive present; national identity and global
networks.
Alerte rouge : faute de financement adéquat, Alibis est
menacée de disparition. Elle a besoin de vos abonnements.
Ça peut se faire en ligne, sans douleur !
Site internet de la revue
www.revue-alibis.com
A SIGNALER
NYELA, Désiré, La Filière noire. Dynamique
du polar « made in Africa », Paris, Honoré
Champion, 2015, 280 pages.
Alors qu’il fait le bonheur de lecteurs amateurs de
littérature populaire en Europe et en Amérique depuis sa
naissance au dix-neuvième siècle, le roman policier
débarque en Afrique un siècle plus tard où il connaît
aujourd’hui un développement spectaculaire. Apanage de
quelques auteurs spécialisés au départ, il est désormais
pratiqué par tous, y compris par des auteurs issus de la
littérature majusculée, connus pour d’autres inspirations.
L’engouement pour ce genre – pourtant marginal mais qui a
désormais droit de cité – ne s’explique pas seulement par le
fait qu’il offre de singulières perspectives sur l’h o m o
africanus vu à travers le prisme d’une réalité criminelle ; il
marque tout aussi bien la volonté des polaristes africains de
s’investir dans le genre et de le renouveler tant par la mise
en exergue de problématiques culturelles inhérentes à la
sociologie de leur environnement que par l’exploitation du
potentiel illimité des ressources d’une narrativité orale.
Telle est ici dressée la cartographie d’un territoire jusque-là
inconnu, mais qu’arpentent sans complexe les auteurs de
cette filière noire, membres à part entière de la grande
famille du polar.
GOURDON, Michel,
Les
Espionnage,
Puteaux, Association des Amis de Michel
Gourdon, 2015, 240 pages. [Tirage limité à 300
exemplaires numérotés]
Michel Gourdon (1925-2011) fut le principal illustrateur
des couvertures aux éditions Fleuve Noir jusqu'en 1978. Il
reste une grande référence pour les amateurs de polar. Une
conférence sur Michel Gourdon et une exposition de
gouaches originales ont fait partie des animations du
festival Polar Cognac 2015, c'est dire qu'il est encore et
toujours d'actualité. L'Association des Amis de Michel
Gourdon continue à perpétuer sa mémoire et son œuvre.
Elle vient de publier en édition limitée à 300 exemplaires
numérotés "Les ESPIONNAGE de Michel Gourdon",
ouvrage de 240 pages consacré aux illustrations de Gourdon
pour la collection Espionnage du Fleuve Noir entre 1950 et
1978. Plus de 1400 romans de cette collection ont bénéficié
de couvertures signées M.Gourdon. Pour rendre compte de
cette mosaïque, le livre présente, parmi plus de 680
illustrations, des couvertures introuvables et des
reproductions de gouaches originales qui rendent
perceptibles jusqu’au tracé du pinceau, le talent de
Gourdon.Album quadri - Dos cousu collé - Format 210 x
297 mm - 240 pages - Impression offset sur papier couché
150 gr. - Couverture cartonnée. Comment commander le
livre ? Par courrier : Prix 30€ + frais de port 6€, soit un
chèque de 36 € à libeller à l'ordre de "Association des Amis
de Michel Gourdon" et adresser à :
Association des Amis de Michel Gourdon - 2 rue Rousselle
- 92800 PUTEAUX.
ROBINSON, Michelle,
Dreams to Dead
Bodies : Blackness, Labor, and the Corpus
of American Detective Fiction, Ann Arbor,
University of Michigan Press, (Class : Culture),
2016, 272 pages.
Dreams for Dead Bodies traces the lineage of the genre of
detective fiction back to unexpected texts: experimental
works on the margins of what we recognize as classical
8
detective fiction today. It shows that authors like Edgar
Allan Poe, Mark Twain, Pauline Hopkins, and Rudolph
Fisher drew on detective fiction’s puzzle-elements to
wrestle with complicated questions about race and labor in
the United States, such that the emergence of detective
fiction is itself bound to a history of interracial conflicts and
labor struggles.
Dreams for Dead Bodies demonstrates that 19th - and early
20th-century American literature was broadly engaged with
detective fiction, and that authors rehearsed and refined its
formal elements in literary works typically relegated to the
margins of the genre. By looking at these margins, the book
argues, we can better understand the origins and cultural
functions of American detective fiction.
detective fiction as a distinct genre and leading to the
growth of the popular fiction magazine as an important
medium in the early 20th century.
CURRAN, Jon & Tom ADAMS, Tom Adams
Uncovered : The Art of Agatha Christie,
New York, HarperCollins, 2016, 240 pages.
The story of one of the world’s greatest cover artists told
through his iconic 1960s and 1970s Agatha Christie
paperback designs, which influenced a generation of
readers and artists. Includes a variety of other art and
illustration from his 50 year career.
The Agatha Christie covers painted by Tom Adams
constitutes probably the most famous body of paperback art
ever produced by a single artist. Between A Murder Is
Announced in 1962 and Miss Marple’s Final Cases in 1979,
Tom was commissioned by Fontana in the UK and Pocket
Books in the USA to paint covers for almost every Agatha
Christie book, most of them more than once, totalling
around 150 different paintings over two decades. They have
been reproduced in many languages all over the world,
defining the style of paperback artwork throughout the
sixties and seventies and influencing a generation of artists
and designers ever since.
A PROPOS DES AUTEURS
ALDOUS, Steve, The World of Shaft : A
Complete Guide to the Novels, Comic Strip,
Films and Television Series, Jefferson (NC),
McFarland, 2015, 268 pages.
Mention Shaft and most people think of Gordon Parks’
seminal 1971 film starring Richard Roundtree in a leather
coat, walking the streets of Manhattan to Isaac Hayes’
iconic theme music. But the black private dick who inspired
the blaxploitation film genre actually made his debut on the
printed page as the creation of a white novelist.__Ernest
Tidyman was a seasoned journalist down on his luck when
he decided to try his hand at fiction. Shaft was the result,
giving Tidyman the break he was looking for. He went on
to become an Academy Award winning screenwriter and
respected film producer.__Based on extensive research of
Tidyman’s personal papers, this book tells the story of Shaft
from the perspective of his creator. The author provides
new insight and analysis of the writing of the Shaft novels,
as well as the production of the films and TV series. Firstever coverage of the forgotten Shaft newspaper comic strip
includes previously unseen artwork. Also included is
Shaft’s recent reappearance on the printed page, in both
comic book and prose form.
GREEN, Julius, Curtain Up : Agatha Christie.
A Life in Theatre, New York & London,
Harper, 2015, 624 page.s
Published in celebration of Agatha Christie's 125th
birthday, Curtain Up! is an essential purchase for Agatha
Christie fans worldwide. Everyone knows that The
Mousetrap is the world’s longest-running play, but this first
ever book dedicated to Agatha Christie as a playwright tells
how Christie prevailed against the male-dominated
establishment to be the only woman to have three plays in
the West End at the same time and became the most popular
and successful female playwright in the world.
JAMESON, Fredric, Raymond Chandler : The
Detections of Totality, New York, Verso,
2016, 96 pages.
Fredric Jameson offers an interpretation of Chandler's work
based on reconstructing both the context in which it was
written and the social world or totality it projects.
Chandler's invariable setting, Los Angeles, appears both as
a microcosm of the United States and a prefiguration of its
future: a gigantic city built on deliberately ignoring nature,
broken into a multitude of private worlds. But this
essentially urban and spatial work seems also to be drawn
towards
ASHLEY, Mike, Aventures in The Strand :
Conan Doyle and The Strand Magazine,
London, British Library, 288 pages.
For almost forty years from 1891 until his death in 1930,
almost 300 contributions by Doyle were published in The
Strand, including 120 stories, 9 serialised novels, and
dozens of other items including poetry and interviews. This
was a considerable proportion of his total writing output,
and it is impossible fully to appreciate Conan Doyle s
artistic development without considering the context of The
Strand, as the magazine published almost all of his most
memorable and important stories.
This book charts his outlook and views, examines his
shifting reputation during his lifetime, and assesses how
Doyle s contributions to The Strand fit into his overall
output as a writer. Doyle and The Strand helped each other
to build a successful reputation, together establishing
MANKELL, Henning, Sable mouvant : fragments de ma vie, Paris, Seuil, 2015, 351
pages.
Quand en janvier 2014, Henning Mankell apprend qu'il est
atteint d'un cancer grave, il entame un "journal de bord"
qu'il tiendra durant les 5 mois de traitement jusqu'à
l'annonce d'une rémission. Le résultat : un texte hybride
foisonnant, constitué de 67 fragments qui fait souvent
référence - mais pas seulement - aux moments où sa vie a
9
basculé, ce qu'il appelle "le sable mouvant", et où
surmontant la tentation du gouffre, il a organisé sa
résistance, suivi de la chimiothérapie, jusqu'à l'annonce du
répit salvateur. Il s'agit plutôt d'un déferlement prolifique,
libre et ordonné à la fois, dont le fil conducteur est Mankell
lui-même - sa perception du monde, de la vie, de la mort, de
sa propre histoire et de celle de l'humanité, une perception
transformée par l'épreuve, au fil de ces quelques mois.
arcania, readers will be able to immerse themselves in the
great lady's world more completely than ever before.
Containing nearly 600 black-and-white photographs and
illustrations, and articles by numerous experts, Amelia
Peabody's Egypt sparkles with unforgettable glimpses of the
exotic and the bizarre, the unusual and the unfamiliar -- a
treasure trove that overflows with Egyptological riches,
along with wonderful insights into the culture and mores of
the Victorian era, including the prevalent attitudes on
empire, fashion, feminism, tourists, servants, and much
more.
MOLINARO, Nina L., Policing Gender and
Alicia Giménez Bartlett’s Crime Fiction,
Farnham (Surrey) 7 Burlington (VT), Ashgate,
(New Hispanism : Cultural and Literary Studies
2015, 175 pages.
Alicia Gimenez Bartlett's popular crime series, written in
Spanish and organized around the exploits of Police
Inspector Petra Delicado and Deputy Inspector Fermin
Garzon, is arguably the most successful detective series
published in Spain during the previous three decades. Nina
L. Molinaro examines the tensions between the rhetoric of
gender differences espoused by the woman detective and
the orthodox ideology of the police procedural. She argues
that even as the series incorporates gender differences into
the crime series formula, it does so in order to correct
women, naturalize men's authority, sanction social
hierarchies, and assuage collective anxieties.
RICHTER, Karin & Burkhard FUCHS, Eric
Kästners literarische Welten und ihre
Verfilmungen : Emil und die Detektive und
Die Konferenz der Tiere im historischen und
medialen Kontext ; Modelle und Materialen für
den Literarturunterricht, Baltmannsweiler,
Schneider Verlag Hohengehren, 2015, 147
pages.
ROEGIERS, Patrick, L’autre Simenon, Paris,
Grasset,
2015,
304
pages.
[roman
biographique]
Frère cadet de Georges Simenon, Christian fut élevé à ses
côtés par une mère bigote qui le chérissait et traitait son
aîné d'incapable._Proie idéale pour le rexisme, parti
d'extrême-droite fondé en Belgique par Léon Degrelle,
braillard intarissable, Christian s'égara dans la collaboration
et participa activement à une effroyable tuerie._De son côté,
Georges menait la vie de château en Vendée. Livres à
succès, femmes et films. Comment se défaire de ce frère
encombrant qui allait salir sa réputation? _Christian, se
sachant condamné à mort, s'engagea dans la Légion et
disparut sans laisser de traces ..._Portrait croisé de deux
êtres au destin opposé, L'autre Simenon est un roman à
double face, où la mise en lumière de l'un révèle la part
d'ombre de l'autre. C'est aussi le portrait d'une époque. Un
tableau de faits troublant, porté par une langue implacable,
qui parle du passé pour mieux dire le présent.
A SIGNALER :
NAUGRETTE, Jean-Pierre, Détections sur
Sherlock Holmes, Cadillon, le Visage vert,
2015, 310 pages.
Sous le regard admiratif du Dr Watson, Sherlock Holmes
apparaît souvent comme lecteur de manuscrits, de
cryptogrammes, de documents dans lesquels il déchiffre un
sens caché. Le célèbre détective de Conan Doyle examine à
la loupe les «_signes, traces, pistes_» (Carlo Ginzburg) que
recèle le grand livre du monde_: il incarne un type de
lecture attentive à la «_signature des choses_» (Giorgio
Agamben). De son côté, le lecteur de romans policiers est
selon Jorge Luis Borges soupçonneux, au sens où il traque
la véracité des récits et des énoncés qui lui sont proposés.
La version des faits qui clôt l’enquête est-elle parfaitement
fiable_? Certains indices ne sont-ils pas cachés, ou
trompeurs_? Ces Détections sur Sherlock Holmes, qui
couvrent tout le canon holmésien, transforment le lecteur en
détective capable d’enquêter, avec sa propre méthode
d’investigation, sur un univers où l’analyse logique le
dispute aux tours de passe-passe, au déguisement, à la
mystification. Si pour Borges «_la solution du mystère_»
est «_toujours inférieure au mystère lui-même_», le lecteur
peut à son tour se transformer en détective du mystère.
SIMENON, Pierre, De père à père, Paris,
Flammarion, 2015, 336 pages.
De père à père est un voyage dans l'espace et le temps, où
les paysages et sensations de la route alternent avec les
images, émotions et leçons du passé. Dans ce dialogue
posthume avec un père pas comme les autres, Pierre
Simenon livre son testament sentimental et familial.
WARD, Nathan,
The Lost Detective :
Becoming Dashiell Hammett, New York,
(NY), Bloombury, 2015, xxi, 214 pages.
Based on original research across the country, The Lost
Detective is the first book to illuminate Hammett's
transformation from real detective to great American
detective writer, throwing brilliant new light on one of
America's most celebrated and remembered novelists and
his world.
PETERS, Elizabeth & Kristen WHITBREAD,
Amelia Peabody’s Egypt, New York, William
Morrow, juillet 2016, 336 pages.
The Egypt that so enticed and enchanted intrepid
archaeologist-sleuth Amelia Peabody in the late nineteenth
and twentieth centuries was a place of wonder, mystery,
danger, and the lure of antiquity. Now, with this
monumental volume of Egyptian culture, history, and
10
CINÉMA & TÉLÉVISION
DECOBERT, Lydie,
La Corde musicale
d’Alfred Hitchcock, Paris, L’Harmattan, 2015,
214 pages.
Musique et crime ne se dissocient pas dans le cinéma
hitchcockien. La musique joue un rôle déterminant dans la
narration : elle déclenche le soupçon, trahit un meurtrier,
place une héroïne en danger de mort, révèle un repaire de
bandits ou attise la furie d oiseaux ravageurs. Elle se fait
métaphore de l innocence ou incarnation de l infini.
Comment "" la corde musicale "" d Alfred Hitchcock se
manifeste-t-elle ? La musique mise en scène scande la
montée de la tension, dynamise les images, découpe les
séquences ; elle inspire des processus de développement.
production. She considers the multifaceted interactions
between the histories, origins, and conventions of characters
and genres, and the way these interweave into
contemporary interpretations. In doing so, Lindop
compellingly engages with current critical debates about
dominant postfeminist discourse, particularly in relation to
sexuality, nostalgia, aging, race, girlhood, and the
postfeminist man. These themes are considered through
close readings of the films Mulholland Drive, Chloé,
Derailed, Sin City, Descent, Stoker, Hard Candy, Brick,
Taking Lives, Mr Brooks, and In the Cut.
FARGHALY, Nadine (ed.), Gender and the
Modern Sherlock Holmes : Essays on Film
and Television Adaptations Since 2009,
Jefferson (NC), McFarland, 2015, 260 pages.
Introduction (Nadine Farghaly) 1_The Evolution of
Sherlock Holmes: An Examination of a Timeless Figure
Amid Changing Times (Greg Freeman) 7_There’s a Name
Everyone Says: Irene Adler and Jim Moriarty in Sherlock
(Benedick Turner) 21_Return of "the woman": Irene Adler
in Contemporary Adaptations (Rhonda Lynette Harris
Taylor) 40_"Of dubious and questionable memory": The
Collision of Gender and Canon in Creating Sherlock’s
Postfeminist Femme Fatale (Maria Alberto) 66_"Feeling
Exposed?" Irene Adler and the _Self-Reflective Disguise
(Katharine McCain) 85_I Am Sherlocked: Adapting
Victorian Gender and Sexuality in "A Scandal in Belgravia"
(Lindsay Katzir) 98_The Woman and the Napoleon of
Crime: Moriarty, Adler, Elementary (Joseph S. Walker)
118_Joan for John: An Elementary Choice (Elizabeth
Welch) 133_Joan Watson: Mascot, Companion and
Investigator (Lucy Baker) 146_Conflations of "Queerness"
in 21st Century Adaptations (Ayaan Agane) 160_A
Questionable Bromance: Queer Subtext, Fan Service and
the Dangers of Queerbaiting in Guy Ritchie’s Sherlock
Holmes and A Game of Shadows (Hannah Mueller)
174_Sherlocked: Homosociality and (A)Sexuality (Karma
Waltonen) 192_The Veneration of Violation in Sherlock
(Zea Miller) 208_"Now, Watson, the fair sex is your
department": The BBC’s Sherlock and Interpersonal
Relationships (Kathryn E. Lane) 223
LORECK, Janice, Violent Women in Contemporary Cinema, New York, Palgrave
Macmillan, 2016, 200 pages.
Violent Women in Contemporary Cinema explores the
representation of homicidal women in six contemporary
films: Antichrist (Lars von Trier, 2009), Trouble Every Day
(Claire Denis, 2001), Baise-moi (Coralie Thinh Thi and
Virginie Despentes, 2000), Heavenly Creatures (Peter
Jackson, 1994), Monster (Patty Jenkins, 2003) and The
Reader (Stephen Daldry, 2008). Violent women in cinema
pose an exciting challenge to viewers—when women kill,
they overturn cultural ideas of 'typical' feminine behaviour.
Janice Loreck explores how cinema creatively depicts the
violent woman in response to this challenge.
McCARRON, Bernard, The Paradigm Case :
The Cinema of Hitchcock and the
Contemporary Visual Arts, Berlin, Bruxelles,
et al., Peter Lang, 2015, xii, 312 pages.
Contents: Mapping the Field of Hitchcockian Appropriation
– Found Footage in Flames: Matthias Müller and Christoph
Girardet’s Phoenix Tapes – The Essay-Film (Expanded):
Johan Grimonprez’s Double Take – Horror in Real-Time:
Douglas Gordon’s 24 Hour Psycho – Participatory
Remaking: Pierre Huyghe’s Remake – Screening Memory:
Atom Egoyan’s Evidence / Felicia’s Journey.
GONZALEZ DEL POZO, Jorge, Adicciones en
la gran pantalla : drogas ilegales en el cine
espanol desde el fin del franquismo hasta
los inicio del s. XXI, Madrid, Editorial
Fundamentos, 2015, 238 pages.
STAFFORD, Nikki, Investigating Sherlock :
The Unofficial Guide, Toronto, ECW Press,
2015, 229 pages.
LINDOP, Samantha, Postfeminism and the
Fatale Figure in Neo-Noir Cinema, London,
Palgrave Macmillan, 2015, 199 pages.
Lindop explores the earliest instances of noir, challenging
some of the assumptions attached to the figure of that era,
through to the most recent postmillennial phase of neo-noir
TAYLOR, Tadhg, Masters of the Shoot-EmUp : Conversations with Directors, Actors,
and Writers of Vintage Action Movies and
Television Shows, Jefferson (NC), McFarland,
2015, 240 pages.
11
BRUN, Frédéric, James Bond Cars, Vanves,
Hachette & Paris, EPA, (EPA Spectacle), 2015,
191 pages.
BRUN, Frédéric, Jmes Bond Girls, Vanves,
Hachette & EPA, (EPA Spectacle), 2015, 192
pages.
BUCKLAND, Damien M., James Bond : The
Evolution of Bond, CreateSpace, 2015, 132
pages.
COLLECTIF, Les Archives de Bond. Édition
SPECTRE, Paris, Taschen France, 2015, 624
pages.
COLLECTIF, Tout sur Bond, Paris, Huginn &
Muninn, 2015, 192 pages.
COLLECTIF, James Bond : la boîte de 100
cartes postales, Paris, Huginn & Munnin,
2015.
COLLECTIF, El libro de Bond, Planeta De
Agostini Comics, 2015, 160 pages.
COLLECTIF, Le Style 007, Paris, Huginn &
Muninn, 2015, 320 pages.
COLLECTIF, Bon, James Bond, New York,
Time Inc Specials (Life), 2015, 98 pages.
CORK, John & Collin STUTZ, James Bond :
l’encyclopédie, Paris, Gründ, (Reportages),
2015, 352 pages.
DOSSIER, Le Monde de James Bond, in Géo
Extra Spécial 007, 2015.
DUPRAT, Jean-Antoine, James Bond : 101
voitires de légende, Paris, Éditions de
l’Opportun, 2015, 222 pages.
DUPRAT, Jean-Antoine, James Bond dans le
spectre géopolitique ; de la guerre froide à
la guerre cybernétique, Paris, L’Esprit du
temps, 2015, 272 pages.
DURANT, Philippe, Le petit James Bond
illustré, Paris, Nouveau Monde, (Cinéma),
2015, 208 pages.
ELLIS, Robert, James Bond : secrets et
complots, Paris, Pages ouvertes, 2015, 120
pages.
EVIN, Guillaume, James Bond est éternel,
Paris, le Poche du moment, 2015, 215. Préface
de Roger Moore.
EVIN, Guillaume,
L’Encyclopédie James
Bond, Paris,Hugo Image, 2015, 224 pages.
GARCIA TEJERO, Juan, Su nombre es Bond
James Bond. Parte II : las peliculas de la
era Connery, Markham (ONT), Bookland Press
Editores, 2015, 320 pages.
JACKE, Andreas, Mein Name ist Bond –
James Bond : eine filmpsychoanalytische
Studie, Giessen, Lahn, Pzychosozial-Verlag,
2015, 250 pages.
JOSEPH, François, Les Cocktails de James
Bond, Paris, Télémaque, 2015, 72 pages.
LIEVAIN, Frédéric, James Bond, l’espion qui
aimait les montres, Paris, Le Cherche Midi,
2015, 175 pages.
This collection of interviews features American, British and
Australian writers, directors and actors recounting their
notable work in the action genre and the fun of blowing
things up. Action movies and television series from 1950s
to the mid–1980s are covered, with the main focus on the
1960s and 1970s—the era of Bullitt, Mannix and The
Professionals. Twenty-five interviewees discuss their career
highlights, including writers Richard Harris (The Saint) and
Leigh Chapman (The Octagon), directors Stewart Raffill
(High Risk), Michael Preese (T.J. Hooker) and Robert M.
Lewis (Kung-Fu), and actors Tony Russel (Peter Gunn) and
Peter Mark Richman (Combat!).
A SIGNALER : SOUTENANCE DE THÈSE
SIEJKA, Monika, Morphogenèse du héros
dans les séries policières américaines
( 1 9 6 8 - 2 0 0 8 ) , thèse présentée sous la
direction de Sylvie Dallet, Université de
Versailles, Saint-Quentin-en-Yvelines (lundi le
23 novembre 2015).
A l’instar de Shéhérazade qui devait tenir le Sultan en
haleine afin de survivre, les séries télévisées policières se
doivent de capter l’attention du téléspectateur afin de
connaître plusieurs saisons. Nous questionnons les
multiples morphogénèses des héros des séries policières
américaines qui ont rencontré un grand renouvellement
stylistique et un succès mondial entre 1968 et 2008 autour
de la promesse de justice du héros policier. Nous
interrogeons les transformations des modes de construction
et de réception interactives du héros provoquées par la
montée en puissance des réseaux sociaux. A la différence
du Sultan qui était assujetti à sa conteuse, le téléspectateur
ne participerait-il pas dorénavant à la construction de la
représentation du héros non sans projeter sa propre intimité
?_
DOSSIER : JAMES BOND 007
A l’occasion de la sortie de 007 Spectre, les
éditeurs nous inondent de produits dérivés,
plus ou moins intéressants dont de nombreux
livres-gadgets (les filles de Bond, les voitures
de Bond, les montres de Bond, et j’en passe...
12
film or television episode and uses it to explore
fundamental components of political science.
DERNIERE HEURE
LHOMEAU, Frank & Alban CERISIER (dir.),
C’est l’histoire de la Série noire (19452 0 1 5 ) , Paris, Gallimard, (Albums Beaux
Livres), 2015, 264 pages. Avec la collaboration
d'Aurelien Masson, Claude Mesplède, Patrick
Raynal et Benoît Tadié. Avant-propos d'Antoine
Gallimard.
Jamais un album n’avait été consacré à l’histoire éditoriale,
commerciale et littéraire de cette collection emblématique,
riche de quelque trois mille titres. L’anniversaire de ses
soixante-dix ans offre l’occasion d’y remédier, en retraçant
un parcours rythmé par la succession de quatre directeurs et
par les métamorphoses d’un genre, porté par plusieurs
générations d’auteurs - anglo-saxons, français puis du
monde entier -, tous porteurs d’une certaine conscience de
notre temps. Trois cents documents, issus notamment des
archives de la maison Gallimard, viennent ainsi illustrer des
contributions inédites sur l’histoire de la Série Noire, d’hier
à aujourd’hui.
ANDERSON, Jennifer Joline,
Writing
Fantastic Fiction, Minneapolis, Lerner
Publications, (Writing this Way), 2016, 56
pages.
ANIKO, Adam & François SOULAGES (dir.),
Les Frontières du rêve, Paris, L’Harmattan,
2015, 124 pages.
CARRINGTON, Andre M.,
Speculative
Blanckness : the Future of Race in Science
Fiction, Minneapolis, University of Minnesota
Press, 2016, 304 pages.
André M. Carrington analyzes the highly racialized genre of
speculative fiction—including science fiction, fantasy, and
utopian works, along with their fan cultures—to illustrate
the relationship between genre conventions in media and
the meanings ascribed to blackness in the popular
imagination.
Introduction: The Whiteness of Science Fiction and the
Speculative Fiction of Blackness _1. Josh Brandon’s Blues:
Inventing the Black Fan _2. Space Race Woman:
Lieutenant Uhura beyond the Bridge _3. The Immortal
Storm: Permutations of Race in Marvel Comics _4.
Controversy and Crossover in Milestone Media’s Icon _5.
The Golden Ghetto and the Glittering Parentheses: The
Once and Future Benjamin Sisko _6. Dreaming in Color:
Racial Revisions in Fan Fiction
ÉCRITS SUR
L’IMAGINAIRE
CASTELLANO, Peter, Vampires, New York,
Gareth Stevens Pub., (Monstrs), 2016, 32
pages. [pour les jeunes]
CHASSAY, Jean-François,
Le Monstre au
b i s t o u r i , Neuilly-les Dijon, Le Murmure,
(Borderline), 2014, 69 pages.
La science, tablant sur son objectivité proverbiale, a voulu
échapper aux chimères et aux succubes pour définir la
monstruosité. Y est-elle parvenue? Des monstres onanistes
créés par Tissot ou Kellogg en passant par les dégénérés
produits par Morel jusqu’à la nouvelle race de « monstres
eugénistes » qu’inventeraient les biotechnologies, la science
ne manque pas d’imagination pour découvrir des monstres
au pas de chaque porte. Ce livre voudrait parcourir le
discours sur le monstre issu de la science au XIXe siècle,
sans s’interdire quelques réflexions sur l’époque
contemporaine et sur la fiction.
SCIENCE-FICTION
FANTASTIQUE & FANTASY
LITTÉRATURE
COLLECTIF, Littérature et imaginaire, in
Collections : la revue de la littérature d’ici
pour les bibliothèques d’ici , volume 2, no
6, catalogue thématique, Association nationale
des éditeurs de livres, 2015, 52 pages.
Avec la collaboration de Claude Janelle, Pierre-Alexandre
Bonin, Catherine Pion, Michelle Chanonat, Mathieu Arès,
Raymond Bertin et Alice Liénard. Consultable et
téléchargeable : http://anel.qc.ca/dossiers/COLLECTIONS/
ALLEN, Michael A. & Justin S. VAUGHN (ed.),
Poli Sci Fi ; An Introduction to Political
Science through Science Fiction, New York,
Routledge, 2016, 248 pages.
Poli Sci Fi: An Introduction to Political Science through
Science Fiction allows readers, students, and instructors to
explore the multiple worlds of science fiction while gaining
a firm grasp of core political science concepts. This
carefully composed text is comprised of sixteen brief
chapters, each of which takes a prominent science fiction
13
(Mirabilia), 2015, 758 pages.
L’auteur a choisi le secteur de la fiction scientifique qu’il
définit par "sa volonté démonstrative", volonté qui fait
"d’une fiction, un texte à vocation scientifique". L’auteur
appuie sa démonstration sur des auteurs connus, Cyrano,
Fontenelle, Diderot, et d’autres qui le sont moins, mettant
en évidence la diversité et la permanence de ce type de
textes qui s’élaborent à la frontière de plusieurs discours
(discours littéraire et discours scientifique) et de plusieurs
genres (traité, dialogue, fable, récit de voyage,…).
DAYAL, Samir, Dream Machine : Realism
and Fantasy in Hindi Cinema, Philadelphia,
Temple University Press, 2015, 318 pages.
EDWARDS, Justin D. & Sandra GUARDINI
VASCONSELOS (eds.), Tropical Gothic in
Literature and Culture : The Americas, New
York, Routledge, 192 pages.
Introduction Justin D. Edwards and Sandra G. T.
Vasconcelos. Section I: Tropical Undead 1. Mapping
Tropical Gothic in the Americas Justin D Edwards 2. The
Zombie Tropocalypse: Entropic (Digital) Disaster in the
Hot Zone Rune Graulund 3. ‘The Head-Quarters of Death’:
Nineteenth-Century New Orleans as Gothic Nexus Owen
Robinson 4. A ‘litany seeking a text’: The Specter of
Conjure in the Sub-tropical Southern Gothic Elizabeth
Rodriguez Fielder 5. ‘They are not Men, Monsieur… They
are zombies…’: The Construction of Haitian Identity and
the Work of the Left Hand Kelly Gardner 6. Consuming the
Tropics: The Tropical Zombie Re-eviscerated in Dead
Island Johan Höglund Section II: Tropical Chills 7.
Environmental Apocalypse and Uncanny Technology:
Gothic Visions of the Future in Three Mexican Literary
Dystopias Inés Ordiz Alonso-Collada 8. Gothic ReConstructions: Mayan Ruins and Tourist Horror in The
Ruins Enrique Ajuria Ibarra 9. Maps, History and Cooking:
Laura Esquivel’s Mexico David Punter 10. ‘I want to
escape these walls, but I can’t exist outside them’: Spaces
and Characters in Carlos Fuentes’s Gothic Fiction Antonio
Alcalá 11. Casas Tomadas: Haunting and Homes in Latin
American Stories Ilse Büssing Section III: Social and
Political Landscapes of the Tropical Gothic 12.
Sepulchral Beauty in Brazilian Romanticism Cilaine Alves
Cunha 13. Tropical Gothic: José de Alencar and the
Foundation of the Brazilian Novel Sandra Guardini
Vasconcelos 14. Difference and Subversion: Gothic
Migrations in Nineteenth-Century Latin American Novels
Rita Terezinha Schmidt 15. The Strange Case of Brazilian
Gothic CinemaDaniel Serravalle de Sá. Contributors.
Index.
HALEY, Guy, Dictionnaire de la sciencefiction, Montréal, Hurtubise, (Beaux Livres)
2015, 576 pages.
Qu’est-ce qui a inspiré la forme du Faucon Millenium dans
La guerre des étoiles? Quel écrivain tchèque a inventé le
mot «robot»? Qui était Pierre Boulle et comment a-t-il
engendré l’une des plus importantes franchises
d’Hollywood? Vous trouverez la réponse à ces questions et
plus encore dans le Dictionnaire de la science-fiction.
À l’aide de textes clairs et concis, de tableaux
chronologiques codés par couleurs et de superbes
photographies, voyez comment 200 oeuvres de sciencefiction ayant conquis le monde sont nées et ont évolué.
Guide international, le Dictionnaire de la science-fiction
aborde tous les genres, des superproductions
hollywoodiennes aux bandes dessinées japonaises, en
passant par les séries télévisées, les livres et les jeux vidéo,
le tout selon un classement par dates facile à consulter.
HERMANN, Martin,
A History of Fear ;
British Apocalyptic Fiction, 1895-2011,
Berlin, epubli, 2015, xiv, 216 pages.
Applying ideas from Michel Foucault’s The Archaeology of
Knowledge and analyzing works by H. G. Wells, John
Wyndham, John Brunner, Stephen Baxter and other, less
remembered authors of speculative fiction, Hermann traces
a history of fear in British culture, identifying the discursive
formations that have shaped the apocalyptic discourse in
Britain over the last 120 years. He contends that these
formations run alongside the great historical divides of the
20th and 21st century.
GLYER, Diana Pavlac & James A. OWEN (ill.),
Bandersnatch : C.S. Lewis, J.R.R. Tolkien,
and the Creative Collaboration of the
Inklings, Kent (OH), the Kent State University
Press, 2016, 192 pages.
Featuring original illustrations by James A. Owen,
Bandersnatch offers an inside look at the Inklings of
Oxford, and a seat at their table at the Eagle and Child pub.
It shows how encouragement and criticism made all the
difference in The Lord of the Rings, The Chronicles of
Narnia, and dozens of other books written by the members
of their circle. You'll learn what made these writers tick,
and more: inspired by their example, you'll discover how
collaboration can help your own creative process and lead
to genius breakthroughs in whatever work you do.
JOHANSEN, Ib,
Walking Shadows :
Reflections on the American Fantastic and
the American Grotesque from Washington
Irving to the Postmordern Era, Leiden &
Amsterdam, Brill Rodopi, 2015, xiv, 498 pages.
Walking Shadows focuses on the American fantastic and
the American grotesque, attempting in this manner for the
first time to establish an overview of and a theoretical
approach to two literary modes that have often been
regarded as essential to an understanding of the American
cultural canon.
KLEIN, David, Medienphantastik : phantastische Literatur im Zeichen medialer
Selbstreflexion bei Jorge Luis Borges und
Julio Cortazar, Tübingen, Narr, 2015, 209 p.
GUILHELM, Armand, Les Fictions à vocation
scientifique de Cyrano de Bergerac à
Diderot : vers une poétique hybride,
Pessac, Press universitaires de Bordeaux,
14
LÖTSCHER, Christine, Petra SCHRACKMANN
Ingrid, TOMKOWIAK & Aleta-Amirée von
HOLZEN (dirs.),Transitions and Dissolving
Boundaries in The Fantastic, Lit Verlag
2014, 216 pages.
With regard to fantastic fiction in literature and different
media representations the articles explore crossings into
other worlds, time travel, metamorphoses, hybrid creatures
and a variety of other transitions and transgressions. They
analyse hybrid genres, inter-media adaptations,
transpositions into new media, as well as various forms of
crossover as exemplified in the increasing trend of
generation-spanning all-age literature.
KLEPEIS, Alicia, Vampires : The Truth
behind History Creepiest Bloodsuckers,
Mankato, Capstone Press, 2016, 32 pages.
[pour les jeunes].
KRENNER, Walther G. von & Jeremiah KEN
(eds.), Creatures Real & Imaginary in
Chinese and Japanese Art : An
Identification Guide, Jefferson (NC),
McFarland, 2015, 180 pages.
LARA, Eva & Alberto MONTANER (dir.)
Senales, portentos y demonios : la magia
en la literatura y la cultura espanolas del
rencimiento, Salamanca, Semyr, 2014, 948
pages.
Presentación / por Fernando Baños en nombre de la Semyr - Conspectus siglorum -- Introducción / por Eva Lara y
Alberto Montaner -- Magia, hechicería, brujería : deslinde
de conceptos / por Alberto Montaner y Eva Lara -- Tratados
reprobatorios y discursos anti-supersticiosos en la España
del renacimiento / por M. Jesús Zamora Calvo -- Letras del
encanto : la influencia de los tratados antisupersticiosos en
la literatura Hispánica del siglo XVI / por Alberto Ortiz -El pacto con el diablo en la literatura hispanica del
renacimiento / por Natalia Fernández -- "Ojos ayrados" :
poética y retórica de la brujería / por Alberto Montaner y
María Tausiet -- Magos y magia, de las adaptaciones
artúricas castellanas a los libros de caballerías / por
Luzdivina Cuesta -- Hechiceras celestinescas y nigromantes
en la literatura del siglo XVI : ¿De la hechicera venida a
más al mago venido a menos? / por Eva Lara -- El universo
mágico de las novelas pastoriles / por Pilar Alonson -- "Han
escrito cosas prodigiosas fuera de toda verdad" : magia y
maravilla en la épica Española del renacimiento / por Lara
Vilá -- De la noticia al relato novelesco : la magia en el
diálogo y la miscelánea renacentistas / por Asunción Rallo - Las artes adivinatorias en la literatura Española durante el
renacimiento : los libros de suertes / por Alberto Alonson
Guardo -- Los grimorios y recetarios mágicos : del mítico
salomón al clérigo nigromante / por Roberto Morales -Recetarios mágicos moriscos : brebajes, talismanes y
conjuros aljamiados / por Pablo Roza -- La cueva y el mago
: santuarios ctónicos en el teatro del siglo de oro / Robert
Lima -- Del brazo escribidor al libro escrito por Santa
Teresa, o la letra como talismán terapéutico / por José
Manuel Pedrosa -- Sobre el alcance del "Ocultismo"
renacentista / por Alberto Montaner -- Magic in the Spanish
literature of the Renaissance : a summary / by Alberto
Montaner & Eva Lara -- Bibliografía
LUSETTI, Olivier, Comment mieux écrire,
raconter une histoire et réussir sa
fantasy : méthodes, conseils, Perpignan,
Fantasy éditions, 2015 ( 2e édition
augmentée), 314 pages.
PARTENSKY, Vérane (dir.), A la croisée des
genres : intergénéricité du merveilleux au
XIXe siècle, dans Fééries, no 12, 2015.
Le numéro 12 de Féeries (2015) rassemble huit articles de
spécialistes du romantisme, du naturalisme et de la fin de
siècle, qui envisagent d’un point de vue générique la
confrontation du merveilleux et du moderne et explorent
l’interaction entre le modèle du conte de fées et les
poétiques de la modernité. L’article de Vérane Partensky
propose d’abord une mise en perspective du recours au
merveilleux à l’échelle du siècle : la conversion du conte de
fées, ressenti comme anachronique, en roman s’inscrit dans
un processus de subjectivisation qui déplace le merveilleux
vers la représentation poétique elle-même. Paule Petitier,
questionnant les pôles contradictoires de l’Histoire et du
conte, analyse l’historicisation du merveilleux chez Nodier,
Michelet et Sand et montre que l’émergence du fantastique
répond au refoulement de l’Histoire récente. Pierre
Laforgue étudie à son tour la question de l’Histoire dans
Sylvie en lisant le détour nervalien par la féerie comme une
critique politique et un dépassement des crises
contemporaines. Le lien entre tradition du conte et
modernité romanesque pose ainsi la question de leur
compatibilité, que Julie Anselmini examine dans un article
sur les réemplois du conte chez Sand et Barbey. À partir
d’une relecture des Contes féeriques et de Minette, JeanLouis Cabanès met en évidence la dialectique de l’idéal et
de l’illusion qui sous-tend l’œuvre de Banville. Chantal
Pierre s’attaque frontalement aux avatars du conte dans le
roman naturaliste et expose le recours inattendu à la
tradition merveilleuse chez Zola et chez Goncourt. Les deux
derniers articles sont consacrés aux genres scéniques.
Olivier Bara retrace la fortune du Petit Chaperon rouge et
de Cendrillon à l’opéra-comique au début du XIXe siècle en
dégageant l’appropriation de Perrault par la scène néoclassique et romantique. Centrée sur la fin de siècle, la
contribution de Sophie Lucet montre comment la Belle au
bois dormant, se trouve prise entre une tentation
spectaculaire et l’ambition poétique du pessimisme fin-desiècle qui, de Régnier à Maeterlinck, opte pour l’illusion et
le sommeil et rendort la Belle.
LÖTSCHER, Christine, Petra SCHRACKMANN
Ingrid, TOMKOWIAK & Aleta-Amirée von
HOLZEN (dirs.), Übergänge und Entgrenzungen in der Fantastik, Wien, Zürich, Berlin
& Münster, Lit Verlag, 2014, iv, 575 pages.
Untersucht werden fantastische Erzählungen in all ihren
historischen und gegenwärtigen sowie sämtlichen medialen
Erscheinungsformen, vom Roman über den Film bis zum
Computerspiel. Weltenwechsel, Zeitreisen, Verwandlungen,
Mischwesen sowie Grenzübertritte aller Art stehen ebenso
im Fokus wie Genrehybridisierung und Intermedialität.
15
illustré de la Fantasy et du Merveilleux,
Montélimar, Les Moutons électriques, 2015,
640 pages.[nvle édition, 2006]
L'époque est à la magie, aux fées et aux sortilèges : ouvrez
donc les portes des vastes territoires de la fantasy. En plus
d'une centaine essais, de Charles Perrault à GRR Martin, en
passant par Les Mille et une nuits, William Shakespeare,
Hans Christian Andersen, JRR Tolkien, Lewis Carroll,
Arthur Rackham, J. M. Barrie, Robert E. Howard, Fritz
Leiber, Mervyn Peake, Michael Moorcock, Robert
Holdstock, Terry Pratchett, David Eddings, Neil Gaiman,
JK Rowling, Hayao Miyazaki et Robin Hobb, et avec près
de 500 illustrations, ce Panorama vous plonge au coeur du
légendaire, du féerique, de l'épique et du merveilleux.
SOLARIS
L’anthologie permanente des littératures
de l’imaginaire
no 196, automne 2015, 160 pages.
Des textes de fiction de Pierre-Alexandre
Bonin, Dave côté, Enola Deil, Jean-Pierre
L’Aigle, Eve Patenaude, Ghislain St-GermainForcier, Dominic Tardif, Mario Tessier.
Un article de Mario Tessier dans son excellente
série Les Carnets du Futurible : Lovecraft,
gentleman stronome, ou quand les étoiles
seront de nouveau alignées.... un autre de
Pierre-Alexandre Bonin : Je me souviens :
modalités de la mémoire artificielle chez Isaac
Asimov et Philip K. Dick.
+ les rubriques habituelles : Sci-néma, de
Christian Sauvé, les Littéranautes, avec Valrie
Bédard et Geneviève Blouin, et les lectures de
M.Arès, P.-A. Bonin, N. Faure, J.P. Laigle, J.
Lepire et F. pelletier
NETZLEY, Patricia D., Do Vampire Exist ?,
San Diego, Reference Point Press, 2016, 80
pages.
ROAS, David & Ana CASAS (dir.), Visiones de
lo fantastico en la cultura espanola (19702012), Benalmadena, Costa Malaga : E.D.A
Libros, 2014, 296 pages.
SABATINO, Michael, The Legend of Dracula,
New York, Gareth Stevens Publishing, 2016, 32
pages. [pour jeunes lecteurs]
SCHNEIDER, Susan (ed.), Science Fiction
and Philosophy : from Time Travel to
Superintelligence, Hoboken (NJ), Wiley &
Sons, 2016, 360 pages.[2e edition]
!In t ro d u c t i o n
T h o u g h t E x p e r i m e n t s : S c i e n c e F i c t i o n a s a W i n d o w i n t o
P h i l o s o p h i c a l P u z z l e s (S
u sa n S c h n e i d e r)
P a r t I : C o u l d I b e i n a M a t r i x o r C o m p u t e r S i m u l a t i o n ?
( R e l a t e d W o r k s : T h e M a t r i x , A v a t a r , E n d e r’ s G a m e , T h e
H u n g e r G a m e s , S i m u l a c r o n - 3 , U b i k , T r o n , P e r m u t a t i o n
C i t y , V a n i l l a S k y , T o t a l R e c a l l , a n d m o re . )
1 . R e i n s t a l l i n g E d e n ( E r i c S c h w i t z g e b e l a n d R . S c o t t
B a k k e r
2 . A re Y o u In a C o m p u t e r S i m u l a t i o n ? ( N i c k B o st ro m )
3 . P l a t o’ s C a v e . E x c e rp t fr o m T h e R e p u b l i c ( P l a t o )
4 . S o m e C a r t e s i a n T h o u g h t E x p e r i m e n t s . E x c e r p t f r o m T h e
M e d i t a t i o n s o n F i rs t P h i l o so p h y ( R e n é D e sc a rt e s)
5 . T h e M a t ri x a s M e t a p h y si c s ( D a v i d J. C h a l m e rs )
P a r t I I : W h a t A m I ? F r e e W i l l a n d t h e N a t u r e o f P e r s o n s .
( R e l a t e d W o r k s : M o o n , S o f t w a r e ; S t a r T r e k , T h e N e x t
G e n e r a t i o n : S e c o n d C h a n c e s ; M i n d s c a n ; T h e M a t r i x ;
D i a s p o r a , B l i n d s i g h t , P e r m u t a t i o n C i t y , K i l n P e o p l e , T h e
G o d s T h e m s e l v e s , J e r r y W a s a M a n , N i n e L i v e s , M i n o r i t y
R e p o rt )
6 . W h e re A m I? ( D a n i e l C . D e n n e t t )
7 . P e rs o n a l Id e n t i t y ( E ri c O l so n )
8 . D i v i d e d M i n d s a n d t h e N a t u re o f P e rs o n s ( D e re k P a rf i t )
9 . W h o A m I? W h a t A m I ( R a y K u rz w e i l )
1 0 . F r e e W i l l a n d D e t e r m i n i s m i n t h e W o r l d o f M i n o r i t y
R e p o rt ( M i c h a e l H u e m e r)
1 1 . E x c e r p t f r o m T h e B o o k o f L i f e : A T h o u g h t E x p e r i m e n t
( A l v i n I. G o l d m a n )
P a r t I I I : M i n d : N a t u r a l , A r t i f i c i a l , H y b r i d , a n d
S u p e r i n t e l l i g e n t ( R e l a t e d W o r k s : T r a n s c e n d e n c e ; 2 0 0 1 : a
S p a c e O d y s s e y ; B l a d e R u n n e r ; A I ; F r a n k e n s t e i n ;
Avec des illustrations de Tomislav Tikulin
(couverture), Emilie Léger, Laurine Spehner et
Suzanne Morel.
http://www.revue-solaris.com/
PAUL, Claude,
Les Métamorphoses du
diable. Méphistophélès dans les oeuvres
faustiennes de Goethe, lenau, Delacroix et
Berlioz,
Paris,
Honoré
Champion,
« Bibliothèque de littérature générale et
comparée », 2015, 312 pages.
A SIGNALER
PRINCE, Nathalie, La Littérature fantastique, Paris, Armand Colin, (128), 2015, 128
pages. 2e édition.
La littérature fantastique est variée et ses sujets d’effroi
multiples. Pour bien la comprendre, il faut rappeler son
évolution, relire ses textes marquants, considérer les motifs
et les thèmes qui la composent, réfléchir au surnaturel qui la
gagne, saisir la menace qu’elle suscite et analyser les
émotions qu’elle produit : peur, effroi, angoisse, dégoût...
C’est pourquoi cet ouvrage propose successivement une
approche théorique, une présentation historique et un
exposé critique des grands thèmes fantastiques (les espaces,
le double, les amours, les objets, etc.).
RUAUD, André-François (dir.), Panorama
16
Jefferson (NC), McFarland, 2015, 300 pages.
Acknowledgments ix_Foreword (Wade Davis)
1_Introduction (Amy L. Thompson and Antonio S.
Thompson) 7_The Rise of the Zombie in Popular Culture
(James F. Thompson) 11_Other Apocalypses: Historical
Perspectives on Mass Destruction (Nick Proctor)
26_Looking to the CDC and WHO for Answers (Amy L.
Thompson) 42_A Matter of Timing: The U.S. Army
Response to a Zombie Invasion (Jason W. Warren)
59_Neurobiology of a Zombie (Steven Schlozman)
75_Communications in a Zombie Apocalypse: Usage,
Control and Collapse of Mass Media (Diem-My T. Bui)
88_Reaction of Health Care Providers to the Zombie
Apocalypse (Linda W. Thompson) 105_Day of the
Engineer: Engineering and the Zombie Apocalypse (Jeff
Moehlis) 122_Homeland Security, FEMA and Securing the
Masses Against the Zombie Horde (Jeremy Youde) 138_A
Particularly "nasty, brutish, and short" Life: Individuals,
Groups and Government in the Zombie Apocalypse
(Antonio S. Thompson) 156_The Law and the Living Dead
(Jennifer M. Lankford) 174_A Sociologist Responds to
Zombies (David F. Steele) 192_The Psychology of
Surviving the Zombie Apocalypse (Scott Mirabile)
209_"Three men, and the place is surrounded": Reel
Women in the Zombie Apocalypse (LuAnne Roth and Kate
Shoults) 227_Postmortem Ethics: Personhood at the
Margins of Death (Cory Andrew Labrecque) 246_Zombies
in the Sunshine State: An Economic and Historical Analysis
of the Zombie Apocalypse (Christopher M. Esing) 261
A c c e l e r a n d o , T e r m i n a t o r ; I , R o b o t ; N e u r o m a n c e r ; L a s t a n d
F i r s t M e n ; H i s M a s t e ’s V o i c e ; T h e F i r e U p o n t h e D e e p ;
S o l a r i s ; S t o r i e s o f y o u r L i f e a n d O t h e rs , a n d m o re . )
1 2 . R o b o t D r e a m s ( I s a a c A s i m o v )
1 3 . A B r a i n S p e a k s ( A n d y C l a r k )
1 4 . C y b o r g s U n p l u g g e d ( A n d y C l a r k )
1 5 . S u p e r i n t e l l i g e n c e a n d S i n g u l a r i t y ( R a y K u rz w e i l )
1 6 . A l i e n M i n d s ( S u s a n S c h n e i d e r )
1 7 . T h e S i n g u l a r i t y : a P h i l o s o p h i c a l A n a l y s i s ( D a v i d
C h a l m e r s )
P a r t I V : E t h i c a l a n d P o l i t i c a l I s s u e s ( R e l a t e d W o r k s : B r a v e
N e w W o r l d ; E n d e r’s G a m e ; J o h n n y M n e m o n i c ; G a t t a c a ;
I , R o b o t ; T e r m i n a t o r ; 2 0 0 1 : a S p a c e O d y s s e y ; M i n d s c a n ;
A u t o f a c ; N e u r o m a n c e r ; P l a n e t o f t h e A p e s ; C h i l d r e n o f
M e n ; 1 9 8 4 ; P l a y e r P i a n o ; F o r a B r e a t h I T a r r y , D i a m o n d
A g e , e t c . )
1 8 . M a n o n t h e M o o n ( G e o r g e A n n i s )
1 9 . M i n d s c a n : T r a n s c e n d i n g a n d E n h a n c i n g t h e H u m a n
B r a i n ( S u s a n S c h n e i d e r
2 0 . T h e D o o m s d a y A r g u m e n t ( J o h n L e s l i e)
2 1 . T h e L a s t Q u e s t i o n ( I s a a c A s i m o v )
2 2 . A s i m o v’s T h r e e L a w s o f R o b o t i c s a n d M a c h i n e
M e t a e t h i c s ( S u s a n L e i g h A n d e r s o n )
2 3 . E x c e r p t s f r o m S u p e r i n t e l l i g e n c e : P a t h s , D a n g e r s ,
S t r a t e g i e s ( N i c k B o s t r o m )
P a r t V : S p a c e a n d T i m e ( R e l a t e d W o r k s : I n t e r s t e l l a r ;
T w e l v e M o n k e y s ; S l a u g h t e r h o u s e F i v e ; A l l y o u Z o m b i e s ,
T h e T i m e M a c h i n e ; B a c k t o t h e F u t u r e ; F l a t l a n d : A
R o m a n c e i n M a n y D i m e n s i o n s , A n a t h e m )
2 4 . A S o u n d o f T h u n d e r ( R a y B r a d b u ry )
2 5 . T i m e ( T h e o d o r e S i d e r
2 6 . T h e P a r a d o x e s o f T i m e T r a v e l ( D a v i d L e w i s
2 7 . T h e Q u a n t u m P h y s i c s o f T i m e T r a v e l ( D a v i d D e u t s c h
a n d M i c h a e l L o c k w o o d )
2 8 . M i r a c l e s a n d W o n d e r s : S c i e n c e F i c t i o n a s
E p i s t e m o l o g y ( R i c h a r d H a n l e y )
A p p e n d i x : P h i l o s o p h e r s R e c o m m e n d S c i e n c e F i c t i o n ( E r i c
S c h w i t z g e b e l
TIECK, Sarah, Vampires, Minneapolis, ABDO
Publishing, 2016, 32 pages. [pour jeunes
lecteurs]
TIECK, Sarah, W e r e w o l v e s, Minneapolis,
ABDO Publishing, 2016, 32 pages. [pour jeunes
lecteurs].
VINT, Sherryl, Science Fiction and Cultural
Theory : A Reader, New York, Routledge,
(Routledge Literature Readers), 2015, 368
pages.
Science Fiction and Cultural Theory: A Reader is an
essential resource for literature students studying science
fiction, science and popular culture, and contemporary
theory. This book combines key theories that have become
touchstones for work in the field with more recent thinking
to showcase how theoretical paradigms central to science
fiction such as posthumanism and mediation have become
central to critical theory overall in the twenty-first century.
In this volume Sherryl Vint brings together the most
important critical essays and approaches to the study
science fiction over the last 40 years to create an ideal
resource for classrooms.
SOLTYSIK MONNET, Agnieska & Stefen
HANTKE (eds.), War Gothic in Literature
and Culture, New York, Routledge, 2016, 296
pages.
In the context of the current explosion of interest in Gothic
literature and popular culture, this interdisciplinary
collection of essays explores for the first time the rich and
long-standing relationship between war and the Gothic.
Critics have described the global Seven Year’s War as the
"crucible" from which the Gothic genre emerged in the
eighteenth century. Since then, the Gothic has been a
privileged mode for representing violence and extreme
emotions and situations. Covering the period from the
American Civil War to the War on Terror, this collection
examines how the Gothic has provided writers an
indispensable toolbox for narrating, critiquing, and
representing real and fictional wars.
NOTER...
Un article de notre fidèle correspondante
Natacha Vas-Deyres : «
Regis Messac.
L’imaginaire et la raison » dans
Contre
l’oubli. Vingt écrivains français du Xxe
siècle à redécouvrir, (François Ouellet, dir.),
Québec, Nota Bene, 2015.
THOMPSON, Amy L. & Antonio S (eds.), ...But
if a Zombie Apocalypse Did Occur : Essays
on Medical, Military, Governmental,
Ethical, Ecomomic and Other Implications,
17
DERNIÈRE HEURE
SCIENCE FICTION STUDIES
EVERETT, Justine & Jeffrey H. SHANKS (eds.),
The Unique Legacy of Weird Tales : The
Evolution of Modern Fantasy and Horror,
New York, Rowman & Littlefiels Publishers,
(Studies in Supernatural Literature), 2015, 266
pages.
When the pulp magazine Weird Tales appeared on
newsstands in 1923, it proved to be a pivotal moment in the
evolution of speculative fiction. Living up to its nickname,
“The Unique Magazine,” Weird Tales provided the first real
venue for authors writing in the nascent genres of fantasy,
horror, and science fiction. Weird fiction pioneers such as
H. P. Lovecraft, Robert E. Howard, Clark Ashton Smith,
Robert Bloch, Catherine L. Moore, and many others honed
their craft in the pages of Weird Tales in the 1920s and
1930s, and their work had a tremendous influence on later
generations of genre authors.
Vol. 42, no 3, no. 127
november 2015
http://www.depauw.edu/sfs/
!A
! !R!T!I!C!L!E!S!
J.P. Telotte. Animation, Modernism, and the Science
Fiction Imagination.
Adam Stock. The Blind Logic of Plants: Enlightenment and
Evolution in John Wyndham’s The Day of the Triffids.
Slavomir Koziol. “Those Clunky Things You Have to Carry
Around”: Textual Materiality in Vernor Vinge’s Rainbows
End.
Chuck Robinson. Minority and Becoming-Minor in Octavia
Butler’s Fledgling.
Scott Selisker. “Stutter-Stop Flash-Bulb Strange”: GMOs
and the Aesthetics of Scale in Paolo Bacigalupi’s The
Windup Girl.
Hua Li. The Political Imagination in Liu Cixin’s Critical
Utopia: China 2185.
Ian Campbell. Prefiguring Egypt’s Arab Spring: Allegory
and Allusion in Amad Khalid Tawfiq’s Utopia.
GRANTHAM, Michael,
The Transhuman
Antihero : Paradoxical Protagonists of
Speculative Fiction from Mary Shelley to
Richard Morgan, Jefferson (NC), McFarland,
2015, 189 pages.
This study explores the antihero of speculative fiction as a
paradoxical blend of human and transhuman. These
protagonists illustrate the dynamics of individual, technoscientific and societal norms, and blur distinctions between
human and machine, biology and technology, right and
wrong.__Fictional works covered include Mary Shelley’s
Frankenstein (1818), Olaf Stapledon’s Odd John (1935),
Alfred Bester’s The Stars My Destination (1956), William
Gibson’s Neuromancer (1986), Alan Moore and Dave
Gibbons’ Watchmen (1986–1987), Richard Morgan’s
trilogy (Altered Carbon, 2001, Broken Angels, 2003 and
Woken Furies 2005) and Black Man (2007).
REVIEW-ESSAYS
Arthur B. Evans. Culminating a Decade of Scholarship on
Jules Verne: Noiset’s New Translation of The SelfPropelled Island, Taves’s Hollywood Presents Jules Verne,
andButcher’s Jules Verne inédit: les manuscrits déchiffrés.
John Rieder. Utopia, SF, and the Ideology of Form:
Moylan’s Demand the Impossible (2nd ed.), Tally Jr.’s
Utopia in the Age of Globalization, and Wegner’s Essays
on Science Fiction, Globalization, and Utopia.
David M. Higgins. The Cutting Edges of SF Scholarship:
Bould/Williams’s SF Now.
A PROPOS DES AUTEURS
A PROPOS DE SF CANADIENNE &
QUÉBÉCOISE
ABOUT CANADIAN SF & FANTASY
ARNOLD, Kyle,
The Divine Madness of
Philip K. Dick, New York, Oxford University
Press, (Inner Lives), 2016, 240 pages.
BARNABÉ, Jean-Philippe (dir.),
Julio
Cortazar : nuevas ediciones, nuevas
lecturas, Paris, Indigo & Côté-femmes éd., &
Amiens, Université de Picardie Jules Verne,
2015, 255 pages.
BEAHM, George,
The Stephen King
Companion : Four Decades of Fear from
the Master of Horror, New York, St. Martin’s
Press Griffin, 2015, 589 pages.
BURGER, Alissa, Teaching Stephen King ;
Horror, the Supernatural and New
Approaches to Literature, New York,
Palgrave Macmillan, 2016, 224 pages.
Notre estimé collègue David Skene Melvin,
auteur de Canadian Crime Fiction fait des
infidélités à son genre favori pour se lancer
dans un nouveau défi d’envergure :
Literature of the Imagination : A
Biographical Dictionary of English- and
French Languages Authors of Science
Fiction/Fantasy/Weird/SpeculativeCounterfactual and a Biblography of Their
Novels and Collections of Short Stories in
the Genres and Anthologies thereof. A
suivre, avec intérêt...
18
BRINKER-von der HEYDE, Claudia (dir.),
Märchen, Mythe und Moderne : 200 Jahre
Kinder – und Hausmärchen der Brüder
Grimm, Frankfurt am Main, Peter Lang, 2015,
1207 pages.
CLAUDE-PHALIPPOU, Laurence, L’Imaginaire
de la parole dans l’oeuvre romanesque de
Barbey d’Aurevilly, Genève, Droz, 2015, 355
pages.
also began writing scripts for television, notably for The
Twilight Zone, The Alfred Hitchcock Hour, and Star Trek,
which explored similar themes found in his stories and
novels.
In Richard Matheson’s Monsters: Gender in the Stories,
Scripts, Novels and Twilight Zone Episodes, June Pulliam
and Anthony J. Fonseca examine how this groundbreaking
author’s writings shed light on society’s ever-shifting
attitudes on masculinity and domesticity. In this first fulllength critical study of Mathson’s entire literary output, the
authors discuss how I Am Legend,The Shrinking Man, and
other works question traditional male roles. In addition, the
authors examine how Matheson’s scripts for The Twilight
Zone represented changing expectations in male behavior
with the onset of the sexual and feminist revolutions,
industrialization and globalization, and other issues.
Other thought-provoking novels, including Hell House
(1971), Bid Time Return (1975), What Dreams May Come
(1978)—as well as short stories and screenplays—convey
the ambiguous status of masculinity—how men should
behave vis-à-vis women and what role they should occupy
in the family dynamic and in society at large. Richard
Matheson’s Monsters demonstrates how the author’s work
asks profound questions about the status of men and women
in a society where gender roles are becoming increasingly
ambiguous. This significant study will be of interest to
scholars of literature, film, and television, as well those
interested in gender and masculinity studies.
COMBALLOT, Richard (dir.), Philip K. Dick,
simulacres et illusions, Chambéry, Actusf,
2015, 392 pages.
Dirigée par Richard Comballot, grand spécialiste dickien,
cette monographie cherche à approcher autant l'homme que
l'œuvre, les deux étant parfaitement indissociables. Fruit
d'un travail de plusieurs années, Philip K. Dick,
Simulacres et illusions propose, à travers des interviews
rares et inédites, des documents provenant du monde entier
et des articles écrits par de nombreux spécialistes français,
un portrait fragmenté et néanmoins complet de l'auteur. Et
nous prouve que, trois décennies après sa mort, il est
toujours vivant...
CROUZET, Michel (dir.), Théophile Gautier :
L’Oeuvre fantastique : édition critique par
Michel Crouzet, Paris, Classiques Garnier,
(Bibliothèques du XIXe siècle), 2 volumes de
551 et 558 pages.
FERRO MILONE, Giulia,
E.T.A. Hoffmans
Spätwerk : Queer Readings, Würtzburg,
Ergon verl., 2015, 199 pages.
GABALDON, Diane,
The O u t l a n d i s h
Companion : volume 2, New York, Delacorte
Press, 2015, 656 pages.
HUTCHINSON, Hazel, Henry James : Biographie, Parthas Verlag, 2015, 224 pages.
JORDAN, Robert, Harriet McDOUGAL, Alan
ROMANCZUK & Maria SIMONS, The Wheel of
Time Companion : The People, Places and
History of the Bestselling Series, New York,
Tor Books, 2015, 816 pages.
LUBKOLL, Christine & Harald NEUMEYER,
E.T.A. Hoffmann-Handbuch : Leben – Werk
–Wirkung, Suttgart, Metzler, 2015, x, 453
pages.
SCHELLY, William, Otto Binder : The Life and
Work of a Comic Book and Science Fiction
V i s i o n a r y , Berkeley (CA), North Atlantic
Books, 2016, 264 pages.
SMALL, Cathleen, Frankenstein’s Monster,
New York, Cavendish Square Publishing,
(Creatures of Fantasy), 2016, 64 pages. [pour
jeunes lecteurs]
TOLKIEN, J. R. R., The Art of The Lord of
the Ring, New York, Houghton Mifflin
Harcourt, 2015, 240 pages.
A SIGNALER
VAS-DEYRES, Natacha & Richard COMBALLOT
(dir.),
Carnets chronolytiques. Michel
J e u r y , Pessac, Presses Universitaires de
Bordeaux, 212 pages.
Michel Jeury est aujourd'hui considéré comme un des plus
grands écrivains français de science-fiction et de littérature
régionaliste. Entre 2009 et 2015, il s'est laissé tenter par
l'écriture de ses souvenirs littéraires, réalisant ainsi une
ambition autobiographique laissée en friche durant sa
longue carrière d'auteur. Ces Carnets chronolytiques inédits,
réunis et présentés par Natacha Vas-Deyres et Richard
Comballot, offrent une vision plurielle d'un écrivain qui a
révolutionné la science-fiction des années 1970. Cet
ouvrage entend apporter un éclairage précis pour deux
lectorats différents sur "l'énigme Jeury", c'est-à-dire la
coexistence de deux carrières littéraires, constituées par la
science-fiction dans les années 1970 - 1980 et la littérature
générale à partir des années 1990. Témoignages précieux
PULLIAM, June Michele & Anthony J. FONSECA,
Richard Matheson’s Monsters : Gender in
the Stories, Scripts, Novels, and Twilight
Zone Stories, Lanham (MD), Rowman &
Littlefield, (Studies in Supernatural Literature),
2016, 256 pages.
The author of dozens of novels, hundreds of short stories,
and many screenplays, Richard Matheson was one of the
leading writers of science fiction, fantasy, and horror in the
twentieth century. Matheson’s most famous early works,
the novels I Am Legend (1954) and The Shrinking Man
(1956), both depict traditionally masculine figures thrust
into extraordinary situations. In the late 1950s, Matheson
19
sur les milieux littéraires et médiatiques fréquentés par
Michel Jeury, ces fragments autobiographiques sont à
l'image de l'auteur qu'il était, hanté par le temps, partagé
entre sa nature d'homme de la terre et d'étonnantes visions
des sociétés du futur.
into books, television, video games, theatre productions,
phone apps, collectibles and toys. Zombies have become
allegorical figures embodying cultural anxieties, but they
also serve as models for concepts in economics, political
theory, neuroscience, psychology, computer science and
astronomy. They are powerful, multifarious metaphors
representing fears of contagion and doom but also isolation
and abandonment, as well as troubling aspects of human
cruelty, public spectacle and abusive relationships. This
critical examination of the 21st-century zombie
phenomenon explores how and why the public imagination
has been overrun by the undead horde.
VINAS PIQUER, David, Sin miedo a Borges,
Barcelona, Elba, 2015, 173 pages.
WEBER, David & BuNine, La Maison d’acier :
guide de l’univers d’Honor Harrington,
Nantes, l’Atalante, 2015, 618 pages.
WITWER, Michael, Empire of Imagination :
Gary Gygax and the Birth of Dungeons and
Dragons, New York, Bloomsbury, 2015, 302
pages.
BIZONY, Piers,
The Making of Stanley
Kubrick’s 2001 ; A Space Odyssey, Köln, et
al., Taschen, 2015, 561 pages.
CLARK, Mark, Star Wars FAQ : Everything
left to Know About the Trilogy that
Changed the Movies, Milwaukee, Applause,
2015, xviii, 402 pages.
CINÉMA & TÉLÉVISION
CURTI, Roberto,
Italian Gothic Horror,
1957-1969, Jefferson (NC), McFarland, 2015,
v, 213 pages. Foreword by Ernesto Gastaldi.
The “Gothic” style was a key trend in Italian cinema of the
1950s and 1960s because of its peculiar, often strikingly
original approach to the horror genre. These films portrayed
Gothic staples in a stylish and idiosyncratic way, and took a
daring approach to the supernatural and to eroticism, with
the presence of menacing yet seductive female witches,
vampires and ghosts. Thanks to such filmmakers as Mario
Bava (Black Sunday), Riccardo Freda (The Horrible Dr.
Hichcock), and Antonio Margheriti (Castle of Blood), as
well the iconic presence of actress Barbara Steele, Italian
Gothic horror went overseas and reached cult status.__The
book examines the Italian Gothic horror of the period, with
an abundance of previously unpublished production
information drawn from official papers and original scripts.
Entries include a complete cast and crew list, home video
releases, plot summary and the author’s analysis. Excerpts
from interviews with filmmakers, scriptwriters and actors
are included. The foreword is by film director and
scriptwriter Ernesto Gastaldi.
ALDANA REYES, Xavier, Horror Film and
Affect : Towards a Corporeal Model of
Viewership, New York, Routledge, 2016, 240
pages.
This book brings together various horror theories that have
received consistent academic attention since the 1990s –
abjection, disgust, cognition, phenomenology, pain studies
– to make a significant contribution to the study of moving
images of mutilation and the ways in which human bodies
are affected by those on the screen on three levels:
representationally, emotionally and somatically. Aldana
Reyes reads horror viewership as eminently carnal, and
seeks to articulate an alternative model that understands the
experience of feeling under corporeal threat as the genre’s
main descriptor. Using recent, post-millennial examples
throughout, the book also offers case studies of key films
such as Hostel, [REC], Martyrs or Ginger Snaps, and
considers contemporary horror strands such as found
footage or 3D horror.
AKNIN, Laurent, Star Wars : une saga, un
mythe, Paris, Vendémiaire, 2015, 217 pages +
16p.
Star Wars s'est patiemment constitué au fil des uvres : un
univers extraordinairement complexe, qui invite à d'infinies
lectures, analyses et rêveries. Avec ses personnages
archétypaux - la Princesse, le Chevalier, l'Empereur -, sa
quête métaphysique - le combat de l'Ombre et de la
Lumière -, ses péripéties...
Déchiffrer ce conte des temps modernes, comprendre son
esthétique, suivre les grands mythes qui le structurent, c'est
toucher au plus vieux fonds légendaire de notre humanité.
ESCOLANO, Gérard,
150 thèmes du
fantastique mythologique et sciencefictionnel, Fos-sur-Mer, Gérard Escolano,
2015, 1 volume non paginé
FAHY, Thomas Richard, The Writing Dead ;
Talking Terror with TV’s Top Horror
W r i t e r s , Jackson, University Press of
Mississippi, 2015, xv, 168 pages.
Hannibal: an interview / with Bryan Fuller -- Bates motel
and Lost: an interview / with Carlton Cruse -- Dexter: an
interview / with Scott Buck -- True blood: an interview /
with Alexander Woo -- Buffy the vampire slayer and
Battlestar galactica: an interview / with Jane Espenson -Supernatural, The dead zone, Miracles, The gates, and The
mothman prophecies: an interview / with Richard Hatem -Grimm, Buffy the vampire slayer, and Angel: an interview /
BISHOP, Kyle William, H o w
Zombies
Conquered Popular Culture : The
Multifarious Walking Dead in the 21st
Century, Jefferson (NC), McFarland, 2015, 236
pages.
Since the early 2000s, popular culture has experienced a
“Zombie Renaissance,” beginning in film and expanding
20
with David Greenwalt -- The walking dead: an interview /
David Hurd -- Hemlock Grove: an interview / with Brian
McGreevy -- Being human: an interview / with Anna Fricke
-- American horror story, The X-files, Millennium, and The
final destination: an interview / with James Wong -- Haven:
an interview / with James Dunn -- The X-files and
Millennium: an interview / with Frank Spotnitz.
filmischer Inszenierung von geisterhafter Technologie die
aktuellsten "Gespenster der Technokratie" vor. Er
untersucht, in welcher Weise – und weshalb – der
Horrorfilm des 21. Jahrhunderts technische Medien als
zentrales Thema aufgreift. Video, Mobiltelefon und Internet
– drei Medien, die dem User im Alltag allerorts auflauern –
werden in Einzelfallanalysen amerikanischer und
japanischer Filme in den Fokus gerückt.
GREENBERGER, Robert, Star Trek : The
Complete Unauthorized History, Minneapolis, Voyageur Press, 2015, 256 pages.
LANGLEY, Travis (ed.),
Star
Wars
Psychology : Dark Side of the Mind, New
York, Sterling Publishing, 2015, 320 pages.
Foreword by Carrie Goldman.
This essay collection offers a fascinating and unauthorized
psychological analysis of every aspect of George Lucas's
richly rendered galaxy. Expert contributors led by Travis
Langley (Batman and Psychology: A Dark and Stormy
Knight; The Walking Dead Psychology: Psych of the Living
Dead) examine such topics as family ties, gender, values,
villainy, and heroism itself. They shine a light into the
hidden part of the psyche and reveal the ultimate lesson of
Star Wars.
Contributors include:
Colt J. Blunt * Jenna Busch * Jim Davies * Frank Gaskill *
Donald F. Glut (The Empire Strikes Back) * Jennifer
Golbeck * Carrie Goldman * Jonathan Hetterly * Dana
Klisanin * Joe Kraemer * Elizabeth A. Kus * Alex Langley
* Travis Langley * Craig Pohlman * Clay Routledge * Billy
San Juan * Jay Scarlet * Janina Scarlet * Laura Vecchiolla
* Mara Wood * Bryan Young * E. Paul Zehr
HANS, Anjeana K., Gender and the Uncanny
in Films of the Weimar Republic,Detroit,
Wayne State Republic Press, 2014, viii, 302
pages.
Hans focuses on so-called uncanny films, in which terror
lies just under the surface and the emancipated female body
becomes the embodiment of a threat repressed. In six
chapters she provides a detailed analysis of each film and
traces how filmmakers simultaneously celebrate and punish
the transgressive women that populate them. Films
discussed include The Eyes of the Mummy (Die Augen der
Mumie Mâ, Ernst Lubitsch, 1918), Uncanny Tales
(Unheimliche Geschichten, Richard Oswald, 1919),
Warning Shadows
(Schatten: Eine nächtliche
Halluzination, Artur Robison, 1923), The Hands of Orlac
(Orlacs Hände, Robert Wiene, 1924), A Daughter of
Destiny (Alraune, Henrik Galeen,1928), and Daughter of
Evil (Alraune, Richard Oswald, 1930). An introduction
contextualizes Weimar cinema within its unique and
volatile social setting.
MONTFORT, Geoffrey, Blade Runner : le film
décrypté, Paris, Geoffrey Montfort, 2015, 74
pages.
MUIR, John Kenneth, The X-Files FAQ : All
that’s Left to Know about Global
Conspiracy, Aliens, Lazarus Species, and
Monsters of the Week, Milwaukee (WI),
Applause Books, xxvii, 368 pages.
NICHOLAS, Stephen, Mike Tucker, Doctor
Who : Impossible Words, New York, Harper
Design, 2015, 288 pages.
OSBORNE, Mark, A la recherche du Petit
Prince : le making of du film, Grenoble,
Glénat, 2015, 193 pages. [Avec des entretiens
réalisés avec Mark Osborne à Montréal en mars
2015].
HARPER, Benjamin, Star Wars en 2500
questions : explorez une galaxie lointaine,
Paris, Hors Collection, 2015, 319 pages.
KIMBER, Shaun, Neil JACKSON, Johnny
WALKER, & Thomas Joseph WALTON (eds.),
Snuff : Real Death and Screen Media, New
York, Bloomsbury Academic, 2016, 344 pages.
Snuff: Real Death and Screen Media brings together
scholars from film and media studies to assess the longevity
of one of screen media's most enduring cultural myths.
Thorough, provocative, and well argued, the contributions
to this volume address areas ranging from exploitation
movies, the video industry, trends in contemporary horror
cinema, pornography and Web 2.0.
ROBNIK, Drehli, Kontrolhorrorkino. Gegenwartsfilme zum prekären Regieren, Wien,
Turia + Kant, 2015, 195 pages.
'Man braucht keine Science Fiction, um sich einen
Kontrollmechanismus vorzustellen, der in jedem Moment
die Position eines Elements in einem offenen Milieu angibt',
schreibt Gilles Deleuze. Wohl aber – und darum geht es
dem Autor – sind heutige Horrorfilme hilfreich dabei,
Erscheinungen kontrollgesellschaftlicher Macht kritisch
wahrzunehmen. Unter dem Label Kontrollhorrorkino geht
es um Formbildungen der Politik, um Denkbilder der
Theorie und um Filmbilder von gesellschaftlicher
Tragweite. Wie vermitteln sich die Zumutungen des
KRAUTSCHICK, Lars Robert, Gespenter der
Technokratie ; Medienreflexionen im
Horrofilm, Berlin, Bertz + Fischer, 2015, 314
pages.
Technische Medien öffnen ein Portal zu gespenstischen
Sphären: Zumindest im Horrorfilm benutzen Geister und
Dämonen zunehmend Neue Medien, um das Diesseits zu
kontaktieren. Was sagen derartige Konstellationen über
unser Verhältnis zu den Neuen Medien aus? Spiegeln sich
im Horrorfilm unsere Ängste angesichts einer
"übermediatisierten Realität" wider? Der Autor stellt
anhand von Korrespondenzen zwischen Medientheorie und
21
Études sur la
BANDE DESSINÉE
et les
DESSINS ANIMÉS
Postfordismus, der heute die Bevölkerungen optimiert und
kontrolliert? Diese Frage richtet sich einerseits an Film- und
Sozialtheorie bei Gilles Deleuze und an die Diskussionen
mit ihm und gegen ihn; und sie richtet sich anderseits an
aktuelles Horrorkino, etwa an Zombiefilme oder an
Gruselsatiren wie Hostel, Shaun of the Dead und The
World’s End.
RUDITIS, Paul, Battlestar Galactica : les
origines, les coulisses, la mythologie, Paris,
Huginn & Muginn, 2014, 171 pages.
SMITHKA, Paula & Courtland LEWIS, More
Doctor Who and Philosophy : Regeneration Time, Chicago, Open Court, (popular
Culture and Philosophy, 93),2015, 288 pages.
THOMPSON, Dave, The Rocky Horror Picture
Show FAQ : Everything Left to Know About
the Campy Cult Classic, Milwaukee (WI),
Applause Theatre & Cinema Books, 2016, 400
pages.
AHMED, Maheen, Openness of Comics :
Generating Meaning within Flexible
S t r u c t u r e s , Jackson, University Press of
Mississippi, 2016, 224 pages.
Ahmed analyzes a diverse group of British, American, and
European (Franco-Belgian, German, Finnish) comics. She
treats examples from the key genre categories of
fictionalized memoirs and biographies, adventure and
superhero, noir, black comedy and crime, science fiction
and fantasy. Her analyses demonstrate the ways in which
comics generate openness by concentrating on the gaps
essential to the very medium of comics, the range of
meaning ensconced within words and images as well as
their interaction with each other.The analyzed comics,
extending from famous to lesser known works, include Will
Eisner's The Contract with God Trilogy, Jacques Tardi's It
Was the War of the Trenches, Hugo Pratt's The Ballad of
the Salty Sea, Edmond Baudoin's The Voyage, Grant
Morrison and Dave McKean's Arkham Asylum, Neil
Gaiman's S a n d m a n series, Alan Moore and Eddie
Campbell's From Hell, Moebius's Arzach, Yslaire's Cloud
99 series, and Jarmo Mäkilä's Taxi Ride to Van Gogh's Ear.
VERVISCH, Gilles, Star Wars, la philo
contre-attaque : la saga décryptée, Paris, le
Passeur éditeur, (Open Philo), 2015, 250
pages.
Aimer Star Wars, est-ce aussi se montrer philosophe ? La
saga de George Lucas a tout du mythe contemporain. Les
répliques les plus célèbres émaillent le langage courant et
les personnages eux-mêmes sont devenus des figures
emblématiques sur toute la planète.Loin de la simple
épopée pour adolescents, Star Wars se révèle sansdoute plus
philosophique qu on pourrait le croire. La question du bien
etdu mal, mais aussi celles de la religion, de la politique, de
la technique,de l'identité ou de la liberté, y sont abordées.
Animé d une verve caustique et décalée, et avec le concours
des grandsphilosophes, Gilles Vervisch débusque les
thèmes que recèle ce mythe fondateur de la pop culture.
BAYLES, Scott, Holy Heroes ; The Gospel
According to DC & Marvel, Valley Forge (PA),
Judson Press, 2016, 160 pages.
Likening the legends of superheroes to modern-day
parables, Bayles connects the stories of comic book heroes
such as Batman, Wonder Woman, Cyborg, Spider-Man,
Green Lantern, the X-Men, and others with the timeless
truths of God’s Word. So, if you’re a fan of DC and Marvel
and a follower of Jesus—or if you’d like to know more
about one or the other—then this book is for you! Includes
questions for small-group discussion and features photos of
actual cosplayers to introduce each character.
WIMMLER, Jutta, Religious Science Fiction
in Battle Star Galactica and C a p r i c a ,
Jefferson (NC), McFarland, 2015, 224 pages.
Why did it seem strange when Battlestar Galactica ended
its narrative on a religious note instead of providing a
scientific explanation? And what does this have to do with
gender? This book explores the connection between the
triumph of religion and the dominance of femininity in
Battlestar Galactica and its prequel series Caprica. Both
series breached science fiction’s convention of representing
the “irrationality” of femininity and religion. Analyzing the
connections (and disconnections) between women and men,
and theology and technology, the author argues that the
“Battlestarverse” depicts women as zones of contact
between the seemingly contradictory spheres of science and
religion by simultaneously employing and breaking gender
stereotypes.
BLANK, Juliane,
Literaturadaptionen im
Comic : ein modulare Analysemodell,
Berlin, Bachmann, 2015, 404 pages.
BUKATMAN, Scott, Hellboy’s World : Comics
and Monsters on the Margins, Oakland (Ca),
University of California Press, 2016, 280 pages.
Drawing upon other media—including children’s books,
sculpture, pulp fiction, cinema, graphic design, painting,
and illuminated manuscripts—Bukatman reveals the
mechanics of creating a world on the page. He also
22
chanceux (3 articles)* Six personnalités parlent de XIII, Ils
en sont fans avec Laurent Wauquiez, Fleur Pellerin, Marc
Levy, Michel-Edouard Leclerc, Pierre Arditi, Pouria
Amirshahi_* Jean Van Hamme raconte XIII (14 articles)_*
Génération XIII, XIII Mystery, OPA sur une génération
d’auteurs_* Les secrets de XIII (10 articles)_* Une
nouvelle de Jean Van Hamme, Traquenards et sentiments.
demonstrates the pleasurable and multiple complexities of
the reader’s experience, invoking the riotous colors of
comics that elude rationality and control and delving into
shared fictional universes and occult detection, the horror
genre and the evocation of the sublime, and the place of
abstraction in Mignola’s art. Monsters populate the world of
Hellboy comics, but Bukatman argues that comics are
themselves little monsters, unruly sites of sensory and
cognitive pleasures that exist, happily, on the margins. The
book is not only a treat for Hellboy fans, but it will entice
anyone interested in the medium of comics and the art of
reading.
MINI-DOSSIER ASTÉRIX
CHUTE, Hillary L., Disaster Drawn : Visual
Witness, Comics, and Documentary Form,
Cambridge (Mass.), The Belknap Press of
Harvard University Press, 2016, 376 pages.
In hard-hitting accounts of Auschwitz, Bosnia, Palestine,
and Hiroshima’s Ground Zero, comics display a stunning
capacity to bear witness to trauma. Investigating how handdrawn comics has come of age as a serious medium for
engaging history, Disaster Drawn explores the ways
graphic narratives by diverse artists, including Jacques
Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman,
and Joe Sacco, document the disasters of war.
DOSSIER : Un héros, une oeuvre : Astérix
l’irréductible, dans Le Monde Hors Série,
novembre-décembre 2015,122 pages.
Par Toutatis, ils sont de retour ! La 36e aventure d’Astérix
et Obélix, Le papyrus de César, sort le 22 octobre, avec un
tirage prévu de 5 millions d’exemplaires… A cette
occasion, Le Monde consacre un volume de sa collection à
l’irréductible Gaulois qui appartient désormais au
patrimoine national. Albert Uderzo et Anne Goscinny y
racontent la genèse et l’histoire de ce personnage culte.
Cabu et Franquin expliquent en quoi le héros gaulois a
révolutionné la bande dessinée… Astérix est apparu pour la
première fois dans Le Monde en 1974. Quarante ans plus
tard, il y est à nouveau. Alea jacta est.
COHN, Neil (ed.),
The Visual Narrative
R e a d e r , London & New York, Bloomsbury
Academic, 2016, 376 pages.
COTTE, Olivier,
100 ans de cinéma
d’animation : la fabuleuse aventure du
film d’animation à travers le monde, Paris,
Dunod, 2015, 405 pages.
De Félix le chat à Shaun le mouton, en passant par Fantasia,
Mon voisin Totoro ou encore Le roi et l’oiseau, cet ouvrage
raconte la fabuleuse histoire du cinéma d’animation, de ses
origines à nos jours. À travers plus de 500 illustrations et le
récit de l’auteur, spécialiste et historien du 7e art, parcourez
près de 100 ans de création sur les cinq continents, partez à
la rencontre des artistes et maîtres du dessin animé (Disney,
Miyazaki, Grimault…), arpentez les allées et plongez dans
les coulisses des studios emblématiques. Avec cet ouvrage
unique et passionnant, laissez-vous séduire par la poésie,
l’énergie et la richesse du cinéma d’animation.
DOSSIER : Astérix : l’histoire de la Gaule
vue par nos héros, dans Géo Hors-série,
octobre, novembre 2015, 132 pages.
A l’occasion de la parution du 36e album d’Astérix, «Le
Papyrus de César», GEO revient sur les aventures
incroyables de nos héros et celles de l’Imperator romain, en
les confrontant aux travaux les plus sérieux des historiens.
L'occasion de découvrir, entre deux deux gags, le monde
fascinant des premiers occupants de la Gaule. Qu’ils sont
drôles, et instructifs, nos Gaulois !
DOSSIER, XIII. Dans les coulisses d’une
oeuvre mythique, dans
L’Express BD,
2015.
Plus de 100 pages de dossiers, d’interviews, d’infos
exclusives… un numéro indispensable pour tous les fans de
la série culte de Jean Van Hamme et William Vance.
L’Express revient avec ses créateurs dans les coulisses de
leur œuvre mythique. Avec une multitude de documents
curieux et inédits, dont une nouvelle de XIII signée Jean
Van Hamme, redécouvrez l’un des héros les plus
envoûtants de la bande dessinée d’aujourd’hui.Au
sommaire :_* Actualités de XIII_* Exclusif, le nouveau
XIII, L’héritage de Jason McLane_* Les mémoires de
l’amnésique, les deux lettres qui ont changé XIII_* Un duo
FLANAGAN, Martin,
The Marvel Studio
Phenomenon : Inside a Transmedia
Universe, New York, Bloomsbury Academic,
2016, 256 pages.
Marvel Studios has provided some of the biggest worldwide
cinematic hits of the last eight years, from Iron Man (2008)
to the record-breaking The Avengers (2012), and beyond.
Having announced plans to extend its production of
connected texts in cinema, network and online television
23
seventy-plus comic strips, many editorial cartoons, and
illustrations for articles. The volume covers the mid-1880s,
the early years of the self-proclaimed black press, to 1968,
when African American cartoon artists were accepted in the
so-called mainstream.
until at least 2028, the new aesthetic patterns brought about
by Marvel's 'shared' media universe demand analysis and
understanding. The Marvel Studios Phenomenon evaluates
the studio's identity, as well as its status within the
structures of parent Disney. In a new set of readings of key
texts such as Captain America: The Winter Soldier,
Guardians of the Galaxy and Agents of S.H.I.E.L.D., the
thematics of superhero fiction and the role of fandom are
considered.
LEE, Stan, Peter DAVID & Colleen DORAN,
Amazing, Fantastic, Incredible : A
Marvelous Memoir, New York, Touchstone,
2015, 192 pages.
In this gorgeously illustrated, full-color graphic memoir,
Stan Lee—comic book legend and cocreator of SpiderMan, the X-Men, the Avengers, the Incredible Hulk, and a
legion of other Marvel superheroes—shares his iconic
legacy and the story of how modern comics came to be.
FOSS, Chris, Jonathan W. GRAY, John CAY, &
Zac WHALEN (eds.), Disability in Comic
Books and Graphic Narratives, New York,
Palgrave Macmillan, (Literary Disability
Studies), 2015, 240 pages.
Foreword; Rosemarie Garland-Thomson_1. Introduction:
From Feats of Clay to Narrative Prose/thesis; Zach Whalen,
Chris Foss, and Jonathan W. Gray_2. Mutable
Articulations: Disability Rhetorics and the Comics
Medium; Jay Dolmage and Dale Jacobs_3. 'when you have
no voice, you don't exist'? Envisioning Disability in David
Small's Stitches; Christina Maria Koch_4. The Hidden
Architecture of Disability: Chris Ware's Building Stories;
Todd A. Comer_5. Standing Orders: Oracle, Disability, and
Retconning; José Alaniz_6. Drawing Disability: Superman,
Huntington's, and the Comic Form in It's a Bird…; Mariah
Crilley_7. Reading in Pictures: Re-Visioning Autism and
Literature through the Medium of Manga; Chris Foss_8.
Graphic Violence in Word and Image: Re-Imagining
Closure in The Ride Together; Shannon Walters_9. 'Why
Couldn't You Let Me Die?': Cyborg, Social Death, and
Narratives of Disability; Jonathan W. Gray_10. 'You Only
Need Three Senses for This': The Disruptive Potentiality of
Cyborg Helen Keller; Laurie Ann Carlson_11. Cripping the
Bat: Troubling Images of Batman; Daniel Preston_12.
Breaking Up [at/with] Illness Narratives; Kristen Gay_13.
Thinking through Thea: Alison Bechdel's Representations
of Disability; Margaret Galvan
LIEW, Sonny, The Art of Charlie Chan Hock
Chye, New York, Pantheon Books, 2016, 320
pages.
Now in his early 70s, Chan has been making comics in his
native Singapore since 1954, when he was a boy of 16. As
he looks back on his career over five decades, we see his
stories unfold before us in a dazzling array of art styles and
forms, their development mirroring the evolution in the
political and social landscape of his homeland and of the
comic book medium itself.
LUIS ALDAMA, Frederick & Christopher
GONZALEZ (eds.), Graphic Borders : Latino
Comics Books Past Present, and Future,
Austin, University of Texas Press, 2016, 324
pages.
Graphic Borders presents the most thorough exploration of
comics by and about Latinos currently available. Thirteen
essays and one interview by eminent and rising scholars of
comics bring to life this exciting graphic genre that conveys
the distinctive and wide-ranging experiences of Latinos in
the United States. The contributors' exhilarating excavations
delve into the following areas: comics created by Latinos
that push the boundaries of generic conventions; Latino
comic book author-artists who complicate issues of race
and gender through their careful reconfigurations of the
body; comic strips; Latino superheroes in mainstream
comics; and the complex ways that Latino superheroes are
created and consumed within larger popular cultural trends.
Taken as a whole, the book unveils the resplendent riches of
comics by and about Latinos and proves that there are no
limits to the ways in which Latinos can be represented and
imagined in the world of comics.
HANLEY, Tim, Investigating Lois Lane : The
Turbulent History of the Daily Planet’s Ace
Reporter, Chicago, Chicago Review Press,
2016, 288 pages.
In a universe full of superheroes, Lois Lane has fought for
truth and justice for over 75 years on page and screen
without a cape or tights. From her creation by Jerry Siegel
and Joe Shuster in 1938 to her forthcoming appearance
in Batman v Superman: Dawn of Justice in 2016, from
helming her own comic book for twenty-six years to
appearing in animated serials, live-action TV shows, and
full-length movies, Lois Lane has been a paragon of
journalistic integrity and the paramour of the world's
strongest superhero.
LOVE, Comfort, The Complete Guide to
Self-Publishing Comics : How to Create
and Sell Comic Books, Manga and
Webcomics, Berkeley, Watson-Guptill Publications, 2015, 232 pages.
MÉRAND, Patrick, Les Langues étrangères
dans l’oeuvre d’Hergé, Paris, éditions Sépia,
2013, 64 pages.
MÉRAND, Patrick, La Géographie et l’histoire dans l’oeuvre d’Hergé, Paris, Sépia, 2015,
JACKSON, Jim, Pioneering Cartoonists of
Color, Jackson, University of Mississippi Press,
2016, 128 pages.
Syndicated cartoonist and illustrator Tim Jackson offers an
unprecedented look at the rich yet largely untold story of
African American cartoon artists. This book provides a
historical record of the men and women who created
24
112 pages.
Musée Hergé à Louvain-la-Neuve en Belgique. Il nous
présente l'évolution du travail de l'artiste, de la simplicité de
ses premiers crayonnés à l'aboutissement de sa ligne claire,
des essais de mise en couleur à la maîtrise parfaite des
dernières planches. Il nous donne aussi à voir les peintres
anciens et modernes qui inspirèrent son ouvre. Dévoilant
une facette méconnue d'Hergé, il nous fait enfin découvrir
pour la première fois certains des artistes contemporains tels
Fontana, Poliakoff, Warhol ou Lichtenstein, qu'il
collectionna avec passion.
SCOTT, Kevin Michael (ed.), Marvel Comics’
Civil War and the Age of Terror : Critical
Essays on the Comic Saga, Jefferson (NC),
McFarland, 2015, 240 pages.
Foreword (Robert G. Weiner) 1_Introduction (Kevin
Michael Scott) 3_-- Part I --The SHRA: What the Marvel
Universe Tells Us About American Legal Culture_The
Superhuman Registration Act, the Constitution, and the
Patient Protection and Affordable Care Act (Ryan M.
Davidson) 11_Whose Side Is the Law On? Living with
Legalistic Absurdity in Marvel’s Civil War (Daniel Davis
Wood) 26_-- Part II --Superheroics and the American
Response to 9/11_Marvel’s Illuminati: Who Watches the
Watchmen? (Mark Bousquet) 37_"You wish to know of
war, old man?" Generational Conflict, Moral Compromise
and Youth Rebellion in Civil War: Young Avengers &
Runaways (David Sweeney) 48_Whither Alpha Flight? The
Nationalistic Response to Canada During the War on Terror
(Brenna Clarke Gray) 58_Freedom versus Security: The
Basic Human Dilemma from 9/11 to Marvel’s Civil War
(Travis Langley) 69_-- Part III --Political Philosophy and
Civil War_Political (In)Visibility in the Marvel Universe
and the Real World (Anthony Petros Spanakos) 77_The
Language of Common Sense: Thomas Paine and Civil War
(Scott Cleary) 90_Competing Authorities in the Nation
State of Marvel (Karl E. Martin) 98_Iron Curtain Man
versus Captain American Exceptionalism: World War II
and Cold War Nostalgia in the Age of Terror (Kathleen
McClancy) 108_-- Part IV --Super-Powered, American and
Marginalized: Triple Consciousness in the Marvel
Universe_Battles of Family, Freedom and Femininity:
Portrayals of Gender in Marvel’s Civil War (Brandi Hodo)
121_Superdad: Luke Cage and the Heroic Fatherhood Ideal
in the Contemporary Marvel Universe (Jeffrey A. Brown)
130_-- Part V --Character(s) Revealed Through
Trauma_Between Two Towers: The Struggle for the Soul
of _Spider-Man (Daniel J. _O’Rourke) 143_Captain
America in the 21st Century: The Battle for the Ideology _
of the American Dream_
John McGuire 150_-- Part
VI --_Graphic Narrative and Cultural Resonance_Visual
Form and Meaning Making in Marvel’s Civil War (Joseph
J. Darowski) 165_When Flaw Meets Form Meets Function:
Narratology, Crossover Comic Events and a New Art
Experience (Kevin Michael Scott) 174_-- Part VII -Teaching the Trouble: Pedagogy and Civil War_Teaching
Ethics When Hero Battles Hero (Mark D. White)
189_Illustrating Pedagogy of the Oppressed: A Freirian
Approach to Teaching Marvel’s Civil War (Seneca Vaught)
200_Afterword: Why Civil War Matters, Why This Book
Matters (Marc DiPaolo) 213
SWEET, Derek, Star Wars in the Public
Square : The Clone Wars as Political
Dialogue, Jefferson (NC), McFarland, 2016,
277 pages.
Speculative science fiction, with its underlying sociopolitical dialogue, represents an important intersection of
popular culture and public discourse. As a pop culture text,
the animated series Star Wars: The Clone Wars offers
critical commentary on contemporary issues, marking a
moment of interplay whereby author and audience come
together in what Russian philosopher Mikhail Bakhtin
called collaborative meaning making. This book critically
examines the series as a voice in the political dialogues
concerning human cloning, torture, just war theory, peace
and drone warfare.
WHALEY, Deborah Elizabeth, Black Women
in Sequence : Re-Inking Comics, Graphic
Novels and Anime, Seattle, University of
Washington Press, 2016, 288 pages.
Black Women in Sequence takes readers on a search for
women of African descent in comics subculture. From the
1971 appearance of the Skywald Publications character "the
Butterfly" - the first Black female superheroine in a comic
book - to contemporary comic books, graphic novels, film,
manga, and video gaming, a growing number of Black
women are becoming producers, viewers, and subjects of
sequential art.
SMITH, Philip, Reading Art Spiegelman,
New York, Routledge, (Routledge Advances in
Comic Studies), 2016, 168 pages.
STERCKX, Pierre, L’Art d’Hergé ; Hergé et
l’art, Paris, Gallimard/ Éditions Moulinsart,
2015, 240 pages. 250 illustrations.
Pierre Sterckx a conçu cet ouvrage à partir des archives du
25
récits de guerre
WESTERNS
CHANOINAT, Philippe, En compagnie de la
7ème, Grenoble, Glénat, 2015, 47 pages.
Illustrations : Da Costa.
Après Les Tontons flingueurs et Les Barbouzes, le duo
Chanoinat - Da Costa rend un hommage sincère à ce
monument du cinéma populaire français et son casting
impeccable : le trio Lefebvre, Maccione et Mondy. Un
nouveau recueil de textes et de caricatures de scènes cultes
qui fera un cadeau idéal pour tout bon cinéphile qui se
respecte !
DUVAL, Marie, D’un salaud à l’autre. Nazis
et collaborateurs dans le roman français,
Tours, Presses universitaires François Rabelais
de Tours, (Perspectives ittéraires), 2015, 220
pages.
MATHESON, Sue, The Westerns and War
Films of John Ford, Lanham (MD), Rowman &
Littlefield, (Film and History), 2016, 320 pages.
In The Westerns and War Films of John Ford S u e
Matheson offers an engaging look at one of America’s
greatest directors and the two genres of films that solidified
his reputation. Drawing on previously unreleased material,
this volume explores the man, the filmmaker, the veteran,
and the legend—and the ways in which all of those roles
shaped Ford’s view of America, national character, and his
creative output. Among the films discussed here in depth
are Ford’s early productions, such as The Iron Horse and
Drums along the Mohawk, his military films, such as
Submarine Patrol, The Battle of Midway, and They Were
Expendable, and his Westerns, including Fort Apache, She
Wore a Yellow Ribbon, The Searchers, and Cheyenne
Autumn.
DONALD, Ralph & Karen MACDONALD,
Women in War Films : from Helpless
Heroine to G.I. Jane, Lanham (MD), Rowman
& Littlefield , 2014, 344 pages.
In Women in War Films: From Helpless Heroine to G.I.
Jane, Ralph Donald and Karen MacDonald examine the
representations of females in war throughout the history of
film. They identify various types of women portrayed in
these films, from home-front wives and daughters
supporting their loved ones from afar to nurses and doctors
stationed near the front lines of combat. The authors also
look at depictions of foreign females who comfort
homesick soldiers, ordinary women who unexpectedly
encounter the enemy, female spies, and modern enlistees
taking on roles traditionally reserved for men.
The book covers an array of war films distributed in the
United States, including Hearts of the World, Wings, Mata
Hari, Mrs. Miniver, Casablanca, Cry “Havoc,”Since You
Went Away, The Best Years of Our Lives, From Here to
Eternity, The Americanization of Emily, M*A*S*H, Coming
Home, Courage under Fire, G.I. Jane, and Zero Dark
Thirty. Featuring an extensive filmography, Women in War
Films will appeal to scholars of gender studies, history, and
film, as well as to readers interested in the evolving
portrayals of females in military-related cinema.
NELSON, Andrew Patrick, Still in the Saddle :
The Hollywood Western, 1969-1980,
Norman, University of Oklahoma Press, 2015,
xi, 249 pages.
Introduction: born game and going out that way -- Revision
and regeneration -- The scattered formula in western movie
criticism -- A conflict of visions, or what if they staged a
revision and nobody came? -- Critique and convention -Hugger of trees, scalper of whites: opposing stereotypes in
the "pro-Indian" western -- Legends in changing times:
cowboys, lawmen, outlaws, and fools -- Popularity and
preponderance -- The Duke & co -- To the 80s, and beyond!
-- Conclusion: old westerns, new frontiers.
GONSHAK, Henry,
Hollywood and the
H o l o c a u s t , Lanham (MD), Rowman &
Littlefield, (Film and History).
2015, 368
pages.
In Hollywood and the Holocaust, Henry Gonshak explores
portrayals of the Holocaust from the World War II era to
the present. In chapters devoted to films ranging from The
Great Dictator to InglouriousBasterds, this volume looks at
how these films have shaped perceptions of the Shoah. The
author also questions if Hollywood, given its
commercialism, is capable of conveying the Holocaust in
ways that do justice to its historical trauma. Through a
careful consideration of over twenty-five films across
PETIT, Alain, 20 ans de western européen,
Alignan-du-Vent, Artus Film, 2015, 211-80
pages.
26
genres—including Life Is Beautiful, Cabaret, The Reader,
The Boys from Brazil, and Schindler’s List—this book
provides an important look at the social, political, and
cultural contexts in which these movies were produced.
SHERMAN, Dale, M.A.S.H. FAQ : Everything
Left to Know about the Best Care
Anywhere, Milwaukee (WI), Applause Theatre
& Cinema Books, 2016, 400 pages.
MAAZOUZI, Djemaa,
Le Partage des
mémoires. La guerre d’Algérie en
littérature, au cinéma, sur le web, Paris,
Classiques Garnier, (Littérature, histoire,
politique), 2015, 487 pages.
Ecrivains, cinéastes, quidams du Web, les auteurs issus de
groupes de mémoire différents (harkis, immigration
algérienne, pieds-noirs) vivent leur rapport au passé à partir
du présent et font mémoire, (tout) contre l'histoire. De leur
médium d'énonciation, un lieu de mémoire de la colonie
s'érige.
SEIDLER, Miriam & Johannes WASSMER (dir.),
Narrative des Ersten Weltkrieges, Frankfurt
am Main, et al., Peter Lang, 2015, 237 pages.
Inhalt: Lars Koch: Der Erste Weltkrieg als kulturelle
Katharsis und literarisches Ereignis – Christian Meierhofer:
Feldgraues Dichten. Mobilität und Popularität der Lyrik im
Ersten Weltkrieg – Johannes Wassmer: Erzählungen des
Ersten Weltkriegs in Ostpreußen und die Utopie der
«Volksgemeinschaft» – Manuel Köppen: Von Wikingern
und Werwölfen. Erlebnisse deutscher U-Boot-Helden im
Ersten Weltkrieg – Jan Süselbeck: Verbotene Gefühle.
Echos der Shell-Shock-Traumatisierung in Ludwig Renns
frühen Romanen Krieg und Nachkrieg sowie in Lewis
Milestones Film All Quiet on the Western Front – Jennifer
Tharr/Carl Freytag: Chimärisch, kitschig, merkwürdig,
eigenwillig? Die pazifistischen Romane Die Katrin wird
Soldat von Adrienne Thomas und Die Waffen nieder! von
Bertha von Suttner im Spannungsfeld von Gender und
Genre. Mit einem Ausblick auf ihre filmischen
Umsetzungen – Erhard Schütz: Die junge Generation an der
Heimatfront. Romane von Wolfgang Koeppen, Klaus
Mann, Ernst Glaeser und Georg Fink – Gerd Krumeich:
Zwischen soldatischem Nationalismus und NS-Ideologie.
Werner Beumelburg und die Erzählung des Ersten
Weltkriegs.
MARRS, Cody, Nineteenth-Century Literature and the Long Civil War, New York,
Cambridge University Press, (Cambridge
Studies in American Literature and Studies),
2015, xii, 192 pages.
American literature in the nineteenth century is often
divided into two halves, neatly separated by the Civil War.
In Nineteenth-Century American Literature and the Long
Civil War, Cody Marrs argues that the war is a far more
elastic boundary for literary history than has frequently
been assumed. Focusing on the later writings of Walt
Whitman, Frederick Douglass, Herman Melville, and Emily
Dickinson, this book shows how the war took imaginative
shape across, and even beyond, the nineteenth century,
inflecting literary forms and expressions for decades after
1865.
TAM, King-Fai (ed.), Chinese and Japanese
Films of the Second World War, London,
Routledge, 2015, viii, 185 pages.
This book examines representations of the Second World
War in postwar Chinese and Japanese cinema. Drawing on
a wide range of scholarly disciplines, and analysing a wide
range of films, it demonstrates the potential of war movies
for understanding contemporary China and Japan. It shows
how the war is remembered in both countries, including the
demonisation of Japanese soldiers in postwar socialist-era
Chinese movies, and the pervasive sense of victimhood in
Japanese memories of the war. However, it also shows how
some Chinese directors were experimenting with
alternatives interpretations of the war from as early as the
1950s, and how, despite the "resurgence of nationalism" in
japan since the 1980s, the production of Japanese movies
critical of the war has continued.
MASON, Richards & Jaroslaw SUCHOPLES
(eds.), Representations of War in Films
and Novels, New York, Frankfurt, et al., Peter
Lang, 2015, 257 pages.
The book is organized along chronological and
geographical lines, looking first at the First and Second
World Wars in Europe; then the Pacific War; the Vietnam
War; and espionage and propaganda in the Cold War and
Post-Cold War.
Contents: Richard Mason/Jaros_aw Suchoples: Introduction
– Eberhard Demm: Barbusse and His Fire: The Last Card
of French War Propaganda – Jaros_aw Suchoples: The
Beginning of World War II in Polish Narrative Films: From
the Collapse of the Communist System to the Present
(1989–2013) – Torsten Schaar/Nicole Ogasa: The
Holocaust in Selected European Feature Films, 2010–2013
– Torsten Schaar/Bernd Schäfer/Raimond Selke: World
War II in Europe in Selected European Feature Films,
2010–2013 – Richard Mason/Rashila Haji Ramli: Images of
the Asia-Pacific War in Selected Feature Films – Zawiah
Yahya: Rising Sun, Setting Sun: British and Malayan
Perspectives on the Japanese Occupation of Malaya in
Fiction – Paul Cornelius: Hollywood and Vietnam: The
Fading Vietnam War Narrative – Roy Anthony Rogers:
Political Propaganda in its Subtleties in James Bond 007
Movies.
WERBER, Niels & Christian J. GROTHAUS (dir.),
Die Literatur des Ersten Weltkrieges,
Stuttgart, Metzler Verlag, 2015, 164 pages.
Note : notre collègue Paul Bleton a publié
l’article suivant : « La guerre telle qu’elle
pourrait être », dans L u b l i n Studies in
Modern Language & Literature, vol. 39, no
1. 2015, pp. 64-75. Dossier : la France en
guerre. http://www.lsmll.umcs.lublin.pl
27
EROTICA
dem Hintergrund der seit je vorherrschenden Doppelmoral
im Umgang mit Sexualität, Erotik und Pornografie, mit dem
Erscheinen des Erotiktitels Shades of Grey im Jahr 2011 zu
einem Skandal im Buchhandel.
Im hier vorgelegten Sammelband werden Einzelaspekte im
Geschäft mit Erotik und Pornografie über einen Zeitraum
vom 18. Jahrhundert bis zur Gegenwart aufgegriffen. Im
Bereich der interdisziplinär ausgerichteten Buch- und
Verlagsgeschichtsschreibung liegt damit eine Pionierarbeit
vor, die Forschungsimpulse geben soll und sich als Auftakt
für die systematische Erforschung dieses facettenreichen
Themas versteht.
KELLY, Casey Ryan, Abstinence Cinema :
Virginity and the Rhetoric of Sexual Purity
in Contemporary Film, New Brunswick (NJ),
Rutgers University Press, 2016, 224 pages.
Casey Ryan Kelly tracks the surprising sex-negative turn
that Hollywood films have taken, associating premarital sex
with shame and degradation, while romanticizing traditional
nuclear families, courtship rituals, and gender roles. As he
demonstrates, these movies are particularly disempowering
for young women, concocting plots in which the decision to
refrain from sex until marriage is the young woman’s
primary source of agency and arbiter of moral worth.
Locating these regressive sexual politics not only in
expected sites, like the Twilight films, but surprising ones,
like the raunchy comedies of Judd Apatow, Kelly makes a
compelling case that Hollywood films have taken a
significant step backward in recent years.
BLASCO, javier (dir.), Lasciva est nobis
pagina : erotismo y literatura espanoal en
los Siglos de Oro, Vigo, Editorial Acaemia del
Hispanismo, 2015, 179 pages.
CUKAR, Alejandra & Daniela PASIK, Prono
nuestro : cronicas de sexo y cine, Buenos
Aires, Editorial Marea, 2014, 140 pages.
DUMONT, Paula, Entre femmes : trois cents
oeuvres
lesbiennes
résumées
et
commentées, Paris, L’Harmattan, 2015, 274
pages.
La plupart des gens ignorent que de nombreux ouvrages
mettent en scène des lesbiennes. Afin de pallier cette
carence, Entre femmes recense des romans, des oeuvres
dramatiques, des recueils de poèmes, des bandes dessinées,
des témoignages et des biographies qui mettent au premier
plan lamour d’une femme pour une autre. Ces livres, qui
constituent le noyau dune bibliothèque lesbienne idéale, ont
des femmes pour autrices. Seuls figurent dans ce
recensement les biographes masculins de lesbiennes et
bisexuelles célèbres.
LANSER, Susan S.,
The Sexuality of
History : Modernity and the Sapphic,
1 5 6 5 - 1 8 3 0 , Chicago, The University of
Chicago Press, 2014, 345 pages.
The period of reform, revolution, and reaction that
characterized seventeenth- and eighteenth-century Europe
also witnessed an intensified interest in lesbians. In
scientific treatises and orientalist travelogues, in French
court gossip and Dutch court records, in passionate verse, in
the rising novel, and in cross-dressed flirtations on the
English and Spanish stage, poets, playwrights,
philosophers, and physicians were placing sapphic relations
before the public eye.
HAUG, Christine (dir.), Erotisch-Pornographische Lesestoffe : das Geschäft mit
Erotik und Pornografie im deutsche
Sprachraum vom 18. Jahrhundert bis zur
Gegenwart, Wiesbaden, Harassowitz, 2015,
vi, 253 pages.
Die Diskurse um Erotik und Pornografie zwischen Moral
und Kommerz haben eine lange Vorgeschichte. Spätestens
im Zeitalter der Industrialisierung war Pornografie zu einem
bürgerlichen Phänomen avanciert, und die subversive
Komponente, die noch den philosophischen Roman des
Aufklärungszeitalters auszeichnete, verblasste allmählich.
Mittlerweile zählt die Erotika- und Pornoindustrie zu den
Marktführern im internationalen Handel. Mit der
Jahrtausendwende und der fortschreitenden Verbreitung des
Internets erlebte der Erotikhandel einen neuerlichen
Entwicklungsschub - das Onlineangebot vermochte diese
Branche noch weiter zu dynamisieren. Dennoch kam es, vor
PETERS, Karin (dir.),
Allegorien des
Liebens : Liebe – Literatur – Lesen,
Würzburg, Königshausen & Neumann, 2015,
263 pages.
PHILIPPE-MEDEN (dir.), Érotisme & Sexualité dans les arts du spectacle, Montpellier,
L’Entretemps, 2015, 250 pages.
Introduction _ Pierre PHILIPPE-MEDEN_Éros, au
fondement du spectacle vivant -_ Jean-Marie
PRADIER_L’actrice comme objet de spectacle dans les
théâtres parisiens (1851-1914) -_ Lola GONZALEZQUIJANO_Éros, héros du music-hall, de la Belle Époque
aux Années folles -_ Nathalie COUTELET_Des filles à
poils. Construction esthétique des danseuses de revues
parisiennes (1890-1990) -_ Sylvie PERAULT_Le tourisme
28
sexuel à Berlin sous la république de Weimar et à Paris
dans l'entre-deux-guerres - Mel GORDON_Incarner le
sentiment érotique dans la danse de Môhini l’ensorceleuse _ Corinne MATHOU_Érotisme ou vertu morale ? Le cas
des représentations de la danse Odissi à Bhubaneswar en
Inde -_ Barbara _URDA_Les « Lotus d’or » en scène : de
l’érotisme dans le Jingju en Chine -_ Éléonore
MARTIN_Sexualité et spiritualité : phallus, poésie grivoise
et folle sagesse du bouddhisme tibétain -_ Nathalie
GAUTHARD_Les cheikhate du Maroc : sensualité,
séduction et esthétique du regard -_ Rachid
MOUNTASAR_Les imaginaires de l’homosexualité dans
les arts du spectacle au prisme du genre et du camp -_ JeanYves LE TALEC_La post-pornographie dans le spectacle
vivant. Un objet de recherche corporel, politique et
scientifique - Émilie LANDAIS_Le spectacle de son
orgasme : un agenrement en soi -_ Bernard
ANDRIEU_L’érotisation des corps jugés « hors normes »
dans les arts du spectacle -_ Charlotte RICCI_Fantasmes
d'incarnation et imaginaire érotique dans le cinéma
d'animation - Inès JERRAY_Prenez, ceci est mon corps.
L’Érotisme comme don dans l’œuvre de Jan Fabre _ Sophie RIEU_Mise en scène d’une vie sportive au
Théâtre des deux sources : Psyché peut-elle rencontrer Eros
sans rencontrer Thanatos ? -_ Gilles LECOCQ_Questions
sur la « formation » en ethnoscénologie -_ Jean-Marie
PRADIER_Lettre inédite de Jean Duvignaud _
-- Delicate reports: prostitution in Sergio Martino's Mondo
film wages of sin (Mille Peccati Nessuna virtù, 1969) /
Andreas Ehrenreich -- Cha ching!: getting paid in Breakfast
at Tiffany's and Showtime's Gigolos / Janet Robinson -Machines, mirrors, martyrs, and money: prostitutes and
promiscuity in Steve McQueen's Shame (2011) and Stanley
Kubrick's Eyes wide shut / Catriona McAvoy and Karen A.
Ritzenhoff -- "They're selling an image": "hookers cut to
look like movie stars" in L.A. confidential / Rochelle Sara
Miller -- Selling sex, along with everything else: "darla" as
mark(et)ed woman in Joss Whedon's Buffy, the vampire
slayer / Wendy Sterba -- Whatever happens to the money
shot? why zombie porn can't get the audience to bite /
James J. Ward.
THOMAS, Chantal, Sade, la dissertation et
l ’ o r g i e , Paris, Éditions Payot & Rivages,
(Rivages poche, Petite bibliothèque), 2015, 202
pages. Nvle ed. revue et corrigée.
ZIV, Amalia, Explicit Utopias ; Rewriting
the Sexual in Women’s Pornography,
Albany, State University of New York, Press,
2015, 312 pages.
Provides an incisive account of women’s porn and queer
porn of the 1980s and 1990s.
Explicit Utopias explores a problem that has long haunted
feminist, lesbian, and queer critics: the obstacles to
imagining women’s desire and sexual agency. Pornography
is one arena in which women have actively sought to
imaginatively overcome this problem, yet pornography has
also been an object of passionate feminist contention.
Revisiting the feminist sex wars of the 1980s, Amalia Ziv
offers a comprehensive and thoughtful reassessment of the
arguments and concerns of both camps, tying these early
debates to the contemporary surge of concern over the
pornification of culture. She also sets out to rectify the lack
of critical attention to marginal sexual representations by
examining the feminist, queer, and psychoanalytic literature
on several key issues, including fantasy, the phallus,
identification, and gender performativity.
RICHARD, Jacques, Le Cinéma libertaire &
libertin, Orléans, les Temps modernes, 2015,
411 pages.
Le présent ouvrage est le fruit d’une année d entretiens avec
des personnalités du cinéman contemporain, toutes
""éprises de liberté"" dans leur façon d aborder le Septième
Art, soit de manière ""libertaire"", soit de manière
""libertine"". En tout, 25 entretiens avec des personnalités
comme Jean-Pierre Mocky, Catherine Robbe-Grillet ou
Jean-Claude Dreyfus. On découvrira, au fil de ces
révélations, quelques-uns des morceaux de bravoure de ces
cinéastes qui n’ont pas eu peur de provoquer, au risque
parfois de croiser la censure d’une société souvent trop
conformiste.
RITZENHOFF, Karen A. & Catriona McAVOY
(eds.),
Selling Sex on Screen : from
Weimar Cinema to Zombie Porn, Lanham
(MD), Rowman & Littlefield, 2015, 282 pages.
Introduction / Karen A. Ritzenhoff and Catriona McAvoy -The sexual economy and the new woman: images of
prostitution in Weimar cinema / Tom Saunders -- Early
representations of female prostitution in Pandora's box /
Clémentine Tholas-Disset -- How the production code
tapped out the mother lode: women, sex, and Busby
Berkeley's Gold diggers films / Tiel Lundy -- "Birdie, don't
I get something for my dollar?" the "tutor-code" of sex
trade in the golden age of television westerns / Gaylyn
Studlar -- Economics, empathy, and expectation: history
and representation of rape and prostitution in late 1980s
Vietnam War films / Amanda Boczar -- She wolves: the
monstrous women of nazisploitation cinema / Brian E. Crim
29
récits
historiques
of the Roman Empire and America since the Second World
War: Some Cinematic Parallels, Kevin J. Harty; There’s
Nothing So Wrong with a Hollywood Script that a Bunch of
Giant CGI Scorpions Can’t Solve: Politics, Computer
Generated Images and Camp in the Critical Reception of
the Post-Gladiator Historical Epics: Mark Jancovich;
Popcorn and Circus: An Audience Expects, Robert Stow;
Part II: Epic Aesthetics and Genre; Colour in the Epic Film:
Alexander and Hero, Robert Burgoyne; Defining the Epic:
Medieval and Fantasy Epics, Paul Sturtevant; Special
Effects, Reality, and the New Epic, Andrew B.R. Elliott;
Part III: Epic Films and the Canon; Pass the Ammunition:
A Short Etymology of Blockbuster, Sheldon Hall; Epic
Stumbling Blocks, Saër Maty Bâ; The Greatest Epic of the
21st Century?, Deborah Bridge; Ramayana and Sita in
Films and Popular Media: The Repositioning of a
Globalised Version, Aarttee Kaul Dhar.
BERTHEVAS, Christelle et Arnaud des
PALLIÈRES, Michael Kohlhaas : scénario,
Lormont, Bord de l’eau, 2015, 176 pages.
DALLEY, Hamish,
The Postcolonial
Historical Novel : Realism, Allegory, and
The Representation of Contested Pasts,
New York, Palgrave Macmillan, 2014, 226
pages.
The Postcolonial Historical Novel is the first systematic
work to explore how the historical novel shapes
understandings of the past in former colonies, and how it
has been transformed by its appropriation in these settings.
Focusing on contemporary writing from Africa and
Australasia, this book challenges conventional
understandings of literary realism. It shows how plausibility
and verifiability are fundamental to fiction-writing in places
where the past is contested, and suggests new ways for
thinking about the relations between historical truth and
creative imagination.
HAFFEMAYER, Stéphan (dir.), Révoltes et
révolutions à l’écran : Europe moderne,
XVIe-XVIII
s i è c l e , Rennes, Presses
universitaires de Rennes, 2015, 188 pages.
Stéphane Haffemayer,
Le passé révolutionnaire à l’écran : enjeux de la question .
Brian Sandberg,
Les révoltes nobiliaires et les histoires confessionnelles :
représentations de la violence nobiliaire dans les films sur
les guerres de Religion
James Ward,
« Seulement le passé » : la Révolution anglaise à l’écran au
xxie siècle
Erin Bell, Guerre et mémoire : la « Glorieuse Révolution »
(1688) à la télévision britannique
Hélène Duccini,
Un pari risqué : montrer les révoltes du xviie siècle à la
télévision (1968-2011)
Pierre Sorlin, : Communautés rurales en dissidence : Les
Camisards (René Allio, 1972) et Winstanley (Kevin
Brownlow, Andrew Mollo, 1975)
Aurore Renaut, : Polichinelle de Jean Gruault, : un scénario
non tourné sur la révolte de Masaniello
David A. Shafer, : À travers le miroir du cinéma nazi : : Le
Juif Süss, construction d’une communauté organique et
d’une juste révolte
Laurent Bihl, : « Le discours aux insurgés » rituel : de la
révolte à l’écran : du lyrisme au pastiche
Annie Duprat, : Révoltes suggérées et annonce de la
Révolution française : Que la fête commence de Bertrand
Tavernier
Bernard Papin, : De l’art de tenir (ou non) sa « promesse » :
les révoltes paysannes de 1788… et demi dans la fiction
télévisuelle
Bibliographie générale - Filmographie des révoltes Synopsis des films analysés
DELUERMOZ, Quentin & Anthony GLINOER
(dir.), L’Insurrection entre histoire et
littérature (1789-1914), Paris, Publications
de la Sorbonne, 2015,
Ce livre se propose de reprendre à nouveaux frais une
double question dont les enjeux sont profonds : ce que
l'insurrection, temps d'ouverture des possibles, espérés ou
craints, fait à l'écriture et à la littérature ; ce que la
littérature, ses auteurs, ses topiques, fait dans le temps
insurrectionnel. Comment les moments insurrectionnels
ont-ils redéfini la fonction et le statut d'écrivains comme
Jules Vallès, Eugène Sue et Louise Michel, d'un genre
comme les mémoires de protagonistes de l'insurrection, d'un
médium comme le journal ? Comment les discours littéraire
et historien travaillent-ils l'insurrection, au moyen de
quelles mises en intrigue, de quelles mises en forme
particulières et avec quelle efficacité ? Quelles rencontres
peut-on observer, par exemple, entre le Dumas des journaux
de 1848, le Hugo des Misérables et le Michelet de l'Histoire
de la Révolution française ? Quel sens, enfin, donner aux
prises d'écriture anonymes, par lesquelles les acteurs tentent
de s'inscrire dans l'histoire ?
ELLIOTT, Andrew B. R. (ed.), The Return of
the Epic Film : Genre, Aesthetics and
History in the Twenty-First Century,
Edinburgh, Edinburgh University Press, 2015,
x, 224 pages.
Introduction: The Return of the Epic, Andrew B.R. Elliott;
Part I: Epics and Ancient History; Sir Ridley Scott and the
Rebirth of the Epic, Jeffrey Richards; The Decline and Fall
HAMMETT, Brian, The Historical Novel in
Nineteeth-Century Europe ; Representations of Reality in History and Fiction,
Oxford, Oxford University Press, 2015, 252
pages.
30
"romantic" duel. Nature's aristocrats vs. Darwinian
imperatives; Pushkin, Eugene Onegin (1823/31); Mérimée,
Le vase Étrusque (1830) -- The duel and self-realization.
Smollett, The adventures of Roderick Random (1748);
Casanova, Il duello, ovvero saggio della vita di G. C.
Veneziano (1780); Hugo, Marion de Lorme (1829);
Thackeray, The memoirs of Barry Lyndon, Esq. (1844);
Dumas pére, Les trois mousquetaires (1844) -- The
grotesque duel. Twain, A tramp abroad (1878) and
Pudd'nhead Wilson (1894); Maupassant, Un duel (1883)
and Un lâche (1884); Conrad, A duel (1908); Schnitzler,
Casanovas Heimfahrt (1918); Pirandello, Il giuoco delle
parti (1918) -- Paradoxes of the duel. A tragicomedy; The
savage noble; The cult of style; Laws and rules; The duel
over women -- Epilogue: 1918.
Even at the height of its popularity in the early nineteenth
century the historical novel faced criticism at many levels.
After its predominance in the 1810s and 1820s writers and
historians shunned it as a travesty of their respective
disciplines. Even so, the historical novel has frequently
attracted a wide-ranging public right up to the present day.
Brian Hamnett examines key novels, by authors including
Scott, Balzac, Manzoni, Dickens, Eliot, Flaubert, Fontane,
Galdos, and Tolstoy, revealing the contradictions inherent
in this form of fiction and exposing the challenges writers
faced in attempting to represent a reality that linked past
and present.
LA BRETÈQUE, François Amy de, Le Moyen
Age au cinéma : panorama historique et
artistique, Paris, Armand Colin, (Cinéma –
Arts visuels), 2015, 223 pages.
De Jeanne d’Arc de Georges Méliès au Nom de la Rose de
Jean-Jacques Annaud, en passant par Robin des Bois de
Alan Dwan et Kingdom of heaven de Ridley Scott, cet
ouvrage dresse un vaste panorama du cinéma d’inspiration
médiévale ou dont l’action se situe explicitement au Moyen
Âge : un Moyen Âge vulgarisé, revisité, hérité et transmis
par une longue chaîne d’œuvres et de représentations qui
ont évolué tout au long du vingtième siècle. Plus de 100 ans
de cinéma qui nous renseignent moins sur cette période
phare de notre histoire que sur notre propre identité.
PAGÈS, Meriem & Karolyn KINANE (eds.), The
Middle Ages on Television : Critical Essays,
jefferson (NC), McFarland, 2015, vi, 219 pages.
Introduction: Television Medievalisms (Meriem Pages and
Karolyn Kinane) 1_Part 1. Personal and Political
Desires_The Most Dangerous Sport in History Is About to
Be Reborn: Medievalism and Violence in Full Metal
Jousting (Angela Jane Weisl) 15_Joan of Arcadia: A
Modern Maiden on Trial (Stephanie L. Coker) 31_William
Webbe’s Wench: Henry VIII, History and Popular Culture
(Shannon McSheffrey) 53_Nature and Adventure in Die
Jagd nach dem Schatz der Nibelungen (Evan Torner)
78_Part 2. Narrative and Genre_Episodic Arthur: Merlin,
Camelot and the Visual Modernization of the Medieval
Literary Romance Tradition (Melissa Ridley Elmes)
99_Are You Kidding? King Arthur and the Knights of
Justice (Sandy Feinstein) 122_Part 3. Gender and
Sexuality_Television’s Male Gaze: The Male Perspective in
TNT’s Mists of Avalon (Michael W. George)
141_Gendering Morals, Magic and Medievalism in the
BBC’s Merlin (Elysse T. Meredith) 158_Ne cherchez pas la
f e m m e : The Women of Kaamelott (Tara Foster)
174_Homosexuality in Television Medievalism (Torben R.
Gebhardt) 197
LEIGH, John,
Touché : The Duel in
L i t e r a t u r e , Cambridge (Mass.), Harvard
University Press, 2015, viii, 334 pages.
RAMIREZ, Bruno, Inside the Historical Film,
Montréal, McGill-Queens University Press,
2014, ix, 236 pages.
Bruno Ramirez discusses a wide range of films, from
various historical and national contexts, pointing to the role
that film-crafts play in translating historical events into
cinematic language. He takes the reader through the process
of conception, research, design, and production of several
films that he researched and co-wrote, explaining the
decisions that were made to best convey historical
knowledge. The practice-based quality at the core of
Ramirez's analysis is further enhanced by conversations
with world-renowned film directors, including Denys
Arcand, Constantin Costa-Gavras, Deepa Mehta, Renzo
Rossellini, Paolo and Vittorio Taviani, and Margarethe von
Trotta.
Introduction -- Honored in the breach. The edicts of Louis
XIV; "A barbarous custom"; Abbé de Saint-Pierre;
Corneille, Le Cid (1637) -- The comical duel. Deterring the
duellist; Duel and ridicule; Molière, Le bourgeois
gentilhomme (1670); More wretches and cowards; Sedaine,
Le philosophe sans le savoir (1765); Sheridan, The rivals
(1775); Dickens, The Pickwick papers (1836) -- The
poignant duel. Richardson, Clarissa; or, the history of a
young lady (1747/48); Rousseau, Julie; ou, la nouvelle
Héloïse (1761); Laclos, Les liaisons dangereuses (1782) -The judicial duel. Kleist, Der Zweikampf (1811) -- The
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REUFELS, Delia Gonzalez de & Rasmus
GREINER (dir.), Film und Geschichte/Film
and History, Berlin, Bertz & Fischer, 2015,
160 pages.
(Espaces littéraires), 2015, 218 pages.
L’ouvrage interroge le paradoxe du roman historique,
l’histoire étant la vérité sur un passé et le roman une fiction,
un mensonge. Au-delà de cette opposition apparente,
l’auteur sattache à instruire les structures discursives et
narratives pour mettre en évidence les processus de
production du sens. En refusant de s’enfermer dans
l’idéologie du texte, l’analyse convoque les contextes en
tant qu’environnements formels et informationnels qui
participent de l’institution de l’oeuvre et de la littérature.
ROUSSELOT, Elodie (ed.), Exoticizing the
Past in Contemporary Neo-Historical
Fiction, New York, Palgrave Macmillan, 2014,
197 pages.
Introduction: Exoticizing the Past in Contemporary NeoHistorical Fiction; Elodie Rousselot _PART I:
EXOTICIZING THE HISTORICAL OTHER_1.
Exoticizing the Tudors: Hilary Mantel's Re-Appropriation
of the Past in Wolf Hall and Bring Up the Bodies; Rosario
Arias_2. Exoticizing Colonial History: British Authors'
Australian Convict Novels; Therese-M. Meyer_3.
Exoticism and Consumption in Anne Enright's T h e
Pleasure of Eliza Lynch; Maeve Tynan _4. 'We were again
on the trail of cannibals': Consuming Trauma and
Frustrating Exoticism in Robert Edric's The Book of the
Heathen; Emily Scott _5. 'It's like gold leaf, and now it's
rising, peeling away': Britishness and Exoticism in Sarah
Waters's The Night Watch; Elsa Cavalié _PART II:
EXOTIC FASCINATION / NEO-HISTORICAL
SUBVERSION _6. Cannibalising the Other: David
Mitchell's The Thousand Autumns of Jacob de Zoet and the
Incorporation of 'Exotic' Pasts; Gerd Bayer _7. NeoVictorian Experiments with (Natural) History in Harry
Karlinsky's The Evolution of Inanimate Objects; Elodie
Rousselot_8. 'Who Do You Think You Are Kidding?': The
Retrieval of the Second World War in Kazuo Ishiguro's The
Remains of the Day and Ian McEwan's Atonement; Nick
Bentley_9. Beasts of Burdened Memories: Exotic Figures
in Michael Chabon's Neo- Historical Holocaust Fiction;
Mia Spiro_10. 'A History of Darkness': Exoticizing
Strategies and the Nigerian Civil War in Half of a Yellow
Sun by Chimamanda Ngozi Adichie; Amy S. Rushton
TIMBAL-DUCLAUX, Louis, Écrire un roman
historique ou régionaliste, Beaucouzé,
Éditions Écrire aujourd’hui, 2015, 184 pages.
VÉNUAT, Monique, BERTON-CHARRIÈRE,
Danièle
&
Sophie
JORRAND
(dir.),
Témoigner : flibuste, piraterie et autres
courses – De la Renaissance aux
L u m i è r e s , Clermont-Ferrand, Presses
universitaires Blaise Pascal, (Cahiers Réforme
et Contre-Réforme), 2015, 224 page.
Au fil des siècles la figure du pirate, du flibustier ou du
corsaire a imprimé sa marque dans l'imaginaire, au point
d’exercer une sorte de fascination, offrant ainsi un modèle
de choix aux auteurs de fiction. Les romans qui s’inspirent
de ces brigands, de leurs péripéties pleines de hasards,
fortunes ou périls, de leur chasse à l’or et aux trésors, font
rêver et vibrer lecteurs et spectateurs depuis des siècles. De
leur côté, les historiens attestent du caractère cruel et
sauvage de ces « pirates »; ils démontrent à quel point leur
quotidien était infâme, insalubre et honteux.
Ce cahier tend à rendre compte de ces amalgames
paradoxaux qui n’ont cessé d’exister, en se fondant sur des
études de littéraires et d’historiens des idées ainsi que sur
des expériences d’aventuriers, dans la période historique du
XVIe au XVIIIe siècle, âge d’or de la flibuste.
SUMPF, Alexandre, Révolutions russes au
cinéma : naissance d’une nation, U.R.S.S,
1917-1985, Paris, Armand Colin, 2015, 239
pages.
Avant même d’avoir accompli leur conquête du pouvoir, les
acteurs des révolutions russes de Février et Octobre 1917
ont compris la nécessité d’expliquer et de justifier, d’écrire
et de réécrire l’histoire récente en usant de tous les moyens
médiatiques. Cet ouvrage étudie le processus d’engagement
de l’industrie cinématographique au service de cette
entreprise fondamentale pour la survie du régime
communiste. Du documentaire didactique au cinéma
d’animation, en passant par les actualités et surtout la
fiction, il revient sur près de 70 ans de production de films
de propagande censés convaincre le public, mais aussi
l’émouvoir, le charmer, répondre à ses goûts esthétiques. Il
étudie 19 œuvres conçues dès l’époque de la Révolution
jusqu’aux dernières heures de l’URSS, clés de voûte de la
représentation à l’écran des processus révolutionnaires des
années 1910.
WATSON, Robert, Throne of Blood, London,
British Film Institute, (BFI Film Classics), 2014,
96 pages.
This is a fascinating interpretation of Akira Kurosawa's
highly acclaimed adaptation of Shakespeare's 'Macbeth'.
Littérature de
jeunesse
CHELEBOURG, Christian & Francis MARCOIN
(dir.), Civiliser la jeunesse, dans Cahiers
R o b i n s o n , no 38, 2015. Ensemble de 19
articles.
SY, Kalidou, Structures et signifiation dans
le roman historique, Paris, L’Harmattan,
That,s All, Folks !
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Norbert Spehner