LE ROMAN NOIR Écrits sur LE ROMAN NOIR : Numéro Hors Série de Marginalia 4 Une publication de Norbert Spehner Éditeur de Marginalia © 2009 Marginalia, 565 Rue de Provence, Longueuil (P.Q.) Canada nspehner@sympaticao.ca ÉCRITS SUR LE ROMAN NOIR (HARD-BOILED FICTION) cerner de manière précise et définitive. Quels écrivains inclure ? Quels textes retenir ? Casse-tête de bibliographe... Comme les autres publications de cette collection, ce quatrième hors-série de Marginalia n’a donc d’autre prétention que d’être une bibliographie « de base » sur le sujet. Dont acte... ABBOTT, Megan Elizabeth, The Street was Mine : White Masculinities and Urban Space in Hardboiled Fiction and Film, New York, Palgrave/Macmillan, 2003, 256 pages.. !I!n!t!r!o!d!u!c!t!i!o!n (!'!I! !C!a!n! !F!e!e!l! !H!e!r!'!:! !T!h!e! !W!h!i!t!e! !M!a!l!e! !a!s! !H!y!s!t!e!r!i!c! !i!n! !J!a!m!e!s! !M!.! !C!a!i!n! !a!n!d! !R!a!y!m!o!n!d! !C!h!a!n!d!l!e!r (!'!A!n!o!t!h!e!r! !S!o!f!t!-!V!o!i!c!e!d! !B!i!g! !M!a!n! !I! !H!a!d! !S!t!r!a!n!g!e!l!y! !L!i!k!e!d!'!:! !C!o!n!t!a!i!n!i!n!g! !W!h!i!t!e! !M!a!l!e! !D!e!s!i!r!e (!T!h!e! !W!o!m!a!n! !i!n! !W!h!i!t!e!:! !R!a!c!e!-!i!n!g! !a!n!d! !E!r!a!c!e!-!i!n!g! !i!n! !C!a!i!n! !a!n!d! !C!h!a!n!d!l!e!r (!'!N!o!t!h!i!n!g! !Y!o!u! !C!a!n!'!t! !F!i!x!'!:! !H!a!r!d!b!o!i!l!e!d! !F!i!c!t!i!o!n!'!s! !H!o!l!l!y!w!o!o!d! !M!a!k!e!o!v!e!r (!'!T!h!e! !S!t!r!i!c!t! !D!o!m!a!i!n! !o!f! !W!h!i!t!e!y!'!:! !C!h!e!s!t!e!r! !H!i!m!e!s!'!s! !C!o!u!p (!E!p!i!l!o!g!u!e (!A!p!p!e!n!d!i!x (!B!i!b!l!i!o!g!r!a!p!h!y ANDERSON, George Parker & Julie B. ANDERSON (dirs.), American Hard-Boiled Crime Writers, San Francisco, The Gale Group, (Dictionary of Literary Biography, vol. 226), 2000, xviii, 437 pages. Cette bibligraphie se divise en deux parties. La première est une liste d’ouvrages généraux ou de référence français, anglais, allemands, italiens et espagnols traitant du roman noir. Je n’ai pas co m p i l é les t hè s e s i né d i t e s (innombrables). On y trouve aussi les études qui concernent plus d’un auteur. La deuxième partie est un ensemble d’études sur des auteurs spécifiques. Le roman noir (et néo-noir) dit « hardboiled », issu des pages de Black Mask a d’abord été rendu populaire par les maîtres « classiques » comme Carroll John Daly, Raymond Chandler, Dashiell Hammett, James M. Cain, Jim Thompson et compagnie, puis par d’autres comme James Lee Burke, Robert E. Parker, Elmore Leonard, James Ellroy. Nous avons inclus quelques études sur le roman noir autre qu’américain, notamment le « néo-polar » français. De nos jours, l’expression « roman noir » est trop souvent galvaudée, son sens s’est élargi au point d’inclure parfois l’ensemble de la littérature policière. Cette bibliographie est le complément logique de celle sur le « film noir ». Elle vise donc un objet culturel spécifique, parfois difficile à BERGER, Jürgen & Bettina THIENHAUS, Dashiell Hammett, Raymond Chandler, Berlin, Freunde der deutsche Kinemathek, (Materialen zur Filmgeschichet), 1979, 95 pages. BLANC Jean Noël, Polarville : images de la ville dans le roman policier, Lyon, Presses Universitaires de Lyon, 1991, 287 pages. La ville du roman noir est une ville de mort. Qui donc y a assassiné l'urbanité ? Voilà la question à la fois tragique et lyrique, qui hante tout le "polar". De Hammett à Montalban, en passant par Irish et Malet, chaque école mène l'enquête à sa manière. À chaque fois, c'est tout un imaginaire social qui se révèle, dans son effort pour maîtriser symboliquement la réalité désordonnée de la grande ville industrielle. BONFATTI, Massimo A., Il giallo e il noir : l’evoluzione di un gener ein sei lezioni, Bergamo, Moretti Honegger, 2007, 119 pages. BÖTTCHER, Martin, Auseinandersetzung mit dem Genre der « hard-boiled detective novel » bei Crumley und Vachss, Marburg, Tectum Verlag, (Edition Wissenschaft : Reihe AmerikanistiK, Bd.3), 1996, 116 pages. BOURGOIN, Stéphane & Jean-Pierre DELOUX, Le Dahlia noir : autopsie d’un crime de 1947 à James Ellroy, Paris, E-Dite, 2006, 286 pages. [Avec la participation de François Guérif] Le 15 janvier 1947, le corps affreusement mutilé d'Elizabeth Short, belle jeune femme de 22 ans, est découvert sur un terrain vague de Los Angeles. Ce meurtre, qui donne lieu à la plus grande chasse à l'homme de l'histoire criminelle américaine, reste non élucidé à ce jour. Devenu un mythe sous le nom de Dahlia Noir, il engendre d'innombrables théories toutes plus farfelues les unes que les autres, et fait fantasmer des écrivains tels que James Ellroy ou le cinéaste Brian De Palma. Pour la première fois, Stéphane Bourgoin et JeanPierre Deloux analysent toutes les hypothèses et rétablissent l'authenticité des faits à partir de documents inédits ou rares et ils dévoilent, par exemple, l'intégralité du rapport d'autopsie, gardé secret jusqu'à présent, qui révèle le monstrueux rituel de l'assassin. Cette véritable encyclopédie sur le Dahlia Noir, richement illustrée, présente un texte, des interviews et une étude de James Ellroy et de Brian De Palma. Une bibliographie et une filmographie commentées complètent l'ouvrage. BRAUN, Hans-Martin, Prototypen der amerikanischen Kriminalerzählung : die Romane und Kurzgeschichten Carroll John Dalys und Dashiell Hammetts, Frankfurt am Main, Peter Lang, 1978, 326 pages. BREEN, Jon L. (ed.) & Martin H. GREENBERG, Murder off the Rack : Critical Studies of Ten Paperbacks Masters, Metuchen (NJ), Scarecrow Press, 1989, x, 178 pages. Introduction / by Jon L. Breen -- Harry Whittington / by Bill Crider -- Ed Lacy / by Marvin Lachman -- Jim Thompson / by Max Allan Collins -- The novels of Vin Packer / by Jon L. Breen -- Marvin H. Albert / by George Kelley -- Fifteen impressions of Charles Williams / by Ed Gorman -- Donald Hamilton / by Loren D. Estleman -- Peter Rabe / by Donald E. Westlake -- The executioner phenomenon / by Will Murray -- Warren Murphy and his heroic oddballs / by Dick Lochte. BREU, Christopher, Hard-Boiled Masculinities, Minneapolis (Minn.), University of Minnesota Press, 2005, 245 pages. Examining the work of Ernest Hemingway, Dashiell Hammett, Chester Himes, and William Faulkner, as well as many lesser-known writers for the hypermasculine pulp magazines of the 3 1920s and 1930s, Breu illustrates how the tough male was a product of cultural fantasy, one that shored up gender and racial stereotypes as a way of lashing out at the destabilizing effects of capitalism and social transformation BRUCCOLI, Matthew J. & Richard LAYMAN, Hardboiled Mystery Writers, Detroit, Gale Research, (DLB Documentaries Series, vol. 6), 1989. [Raymond Chandler, Dashiell Hammett, Ross Macdonald.] Réédition : New York, Carroll & Graf, 2002, 324 pages. CANFIELD, Martha (Dir.), Oltre il racconto. Passagi tra giallo e noir, mito, cinema i teatro, Venezia, Mazzanti, (Sogli americane), 2008, 156 pages. CASSUTO, Leonard, Hard-Boiled Sentimentality : The Secret History of American Crime Stories, New York, Columbia University Press, 2008, ix, 299 pages. Leonard Cassuto's cultural history links the testosterone-saturated heroes of American crime stories to the sensitive women of the nineteenth-century sentimental novel. From classics like The Big Sleep and The Talented Mr. Ripley to neglected paperback gems, Cassuto chronicles the dialogue—centered on the power of sympathy—between these popular genres and the sweeping social changes of the twentieth century, ending with a surprising connection between today's serial killers and the domestic fictions of long ago. COBLEY, Paul, The American Thriller : Generic Innovation and Social Change in the 1970's, New York, Palgrave Macmillan, 2000, 256 pages. Introduction_Firing the Generic Canon_Reading the Space of the Seventies_'The Luxury to Worry about Justice': Hard-boiled Style and Heroism_What do we 'Believe' when we 'See'? Views of Crime_'Keeping that Sixth Ball in the Air': The Police_Sambos or Superspades?_Just Because You're Paranoid it Doesn't Mean They're Not Out To Get You_'Thank God for the Rain...': Revenge from Dirty Harry to T h e Exterminator_Conclusion COCHRAN, David, America Noir : Underground Writers and Filmmakers of the Postwar Era, Washington, The Smithsonian Institute Press, 2000, 280 pages. COLLECTIF, NoirBook 2007 : l’annuari del noir e del giallo 2006, Roma, Robin, 2007, 223 pages. COLLECTIF, Exquisite Corpse : Los Angeles as Seen Through the Words of Raymond Chandler, Erle Stanley Gardner, Walter Mosley, Pasadena (CA), Art Center College of Design, 2001, 68 pages. [Ouvrage artisanal à tirage limité] COMA, Javier, La Novela negra : historia de la aplicacion del realismo critico a la novela policiaca norteamericana, Barcelona, Ediciones, (El viojo topo) 2001, 194 pages. Ed. or. :1980. COMA, Javier, Diccionera de la novela negra n o r t e a m e r i c a n a , Barcelona, Anagrama, (Contrasenas, 80), 1986. COMA, Javier, Temas y autores de la novela negra : de la « Série noire » a « La cua de palla », (Selections de La Cua de palla, 150), Barcelona, Edicions 62, 1994. COMPART, Martin, Dark Zone – A Noir Reader, Erkrath, Strange Verlag, 2004, 384 pages. DELAMATER, Jerome H. & Ruth PRIGOZY, The Detective in American Fiction, Film and Television, Westport (Conn.), Greenwood Press, 1998, 160 pages. Preface Raymond Chandler and American Detective Fiction Anne Riordan: Raymond Chandler's Forgotten Heroine by David W. Madden Order, Error, and the Novels of Raymond Chandler by Steven Weisenburger Raymond Chandler's Pencil by James O. Tate Film in Fiction: The Real and the Reel in Elmore Leonard by George Grella "Aggravating the Reader": The Harlem Detective Novels of Chester Himes by Gary P. Storhoff Murdering Traditional Assumptions: The Jewish-American Mystery by Diana Arbin BenMerre Gender (De)Mystified: Resistance and Recuperation in Hard-Boiled Female Detective Fiction by Timothy Shuker-Haines and Martha M. Umphrey The Detective in Film and Television Bending the Bow: The Verdict (1946) and the Hollywood Victorian Detective by Meri-Jane Rochelson "The Injustice of It All": Polanski's Revision of the Private Eye Genre in Chinatown by James Maxfield Miller's Crossing: The Poetics of Dashiell Hammett by Katherine M. Restaino 4 The "Very Simplicity of the Thing": Edgar Allan Poe and the Murders He Wrote by Jan Whitt Done to Death?: Formula and Variation in Perry Mason by J. Dennis Bounds DEPLUS, Jean-Paul & Daniel LEFEBVRE (eds.), La Reine de la nuit, Mons, éditions Séries B, 1989, 160 pages. [Série d'articles et d'études sur la Série Noire.] DEWEZ, Adeline & Ghislaine LUCCINIMONTIEL, Le Roman noir, Pas-ce-Calis, CDRP du Nord, (Deux oeuvres, deux genres), 1999, 112 pages. [Jean-Bernard Pouy, Horace McCoy] DIETZE, Gabriele, Hardboiled Women : Geschlechterkrieg im amerikanischen K r i m i n a l r o m a n , Hamburg, Europäische Verlagsanstalt, 1997, 389 pages. DOSSIER : « Cityscapes noir », dans Romance Studies, volume 25, no 2, april 2007 et volume 25, no 4, november 2007. Romance Studies, volume 25,no 2 , April 2007. Introduction Free Content Noir Cityscapes: An Introduction pp. 83-84(2) : Author: Smyth, Edmund Articles The Passing of Things Remembered: Sébastien Japrisot's Un long dimanche de fiançailles pp. 85-94(10) : Hurcombe, Martin 'Polar-village': The French Roman Noir Beyond the City Walls pp. 95-110(16) : Platten, David Marseille Noir: Jean-Claude Izzo and the Mediterranean Detective , pp. 111-121(11) Author: Smyth, Edmund J. Milano nera: Representing and Imagining Milan in Italian Noir and Crime Fiction pp. 123-135(13) : Pieri, Giuliana Paisajes urbanos y 'no lugares' en el thriller español contemporáneo: Fausto 5.0 y La caja 507 pp. 137-149(13) : Herrero, Carmen Detection, Dictatorship and Democracy: Santiago de Chile in Ramón Díaz Eterovic's Heredia Series pp. 151-159(9) : Quinn, Kate Romance S t u d i e s , volume 25, no 4, november 2007. Professor Malcolm Bowie (1943-2007): A Tribute : pp. 261-265(5) Minogue, Valerie Noir Cityscapes pp. 267-268(2) : Smyth, Edmund Haunted Noir: Neo-Gothic Barcelona in Carlos Ruiz Zafón's La Sombra del Viento pp. 269277(9) : Trotman, Tiffany Gagliardi The Case of Barcelona in Manuel Vázquez Montalbán's Detective Fiction pp. 279-288(10) Wells, Caragh Narcopolis Noir: Traffic in La Reina del Sur by Arturo Pérez-Reverte pp. 289-296(8) : Routon, Claudia Roma in Noir — The Eternal City as Dystopia. Or Perfect Imperfection pp. 297-307(11) Di Ciolla, Nicoletta Narrative Innovation in Loriano Macchiavelli's Sarti Antonio Stories : pp. 309-321(13) Wilson, Robert Sailing off on the Adel: Alessandro Baricco's Metaliterary Trilogy (Part 2) : pp. 323-337(15) Tarantino, Elisabetta Parody and Metapoetry in Two Poems by Gloria Fuertes pp. 339-348(10) :Hacken, Hilde DOSSIER : « Le roman noir américain », in Europe, Paris, no 664-665, 1984, 172 pages. DOSSIER : « Pas d'orchidées pour les Temps Modernes », (Jean Pons dir.), in Les Temps Modernes, Paris, vol. 52, no 595, 1997, 270 pages. DUHAMEL, Marcel, Raconte pas ta vie, Paris, Mercure de France, 1972, 620 pages. [Les mémoires du fondateur de la Série Noire.] DUNCAN, Paul, Pocket Essentials : Noir Fiction, London, Trafalgar Square, 2000, 94 pages. FAISON, Stephen, Existentialism, Film Noir and Hard-Boiled Fiction, Amherts (NY), Cambria Press, 2008, x, 205 pages. FINE, David (ed.), Los Angeles in Fiction, Albuquerque, University of New Mexico Press, 1985, 262 pages. The Los Angeles novel and the idea of the West / Richard Lehan -- Beginning in the thirties : the Los Angeles fiction of James M. Cain & Horace McCoy / David Fine -- Day of the painter; the Death of the cock: Nathanael West's Hollywood novel / Gerald Locklin -Behind the territory ahead / Paul Skenazy -Raymond Chandler's city of lies / Liahna K. Babener -- Ultimate seacoast : Ross Macdonald's California / Jerry Speir -- Fantasy seen : Hollywood fiction since West / Mark Royden Winchell -- Between two worlds : Aldous Huxley and Evelyn Waugh in Hollywood / Walter Wells -- Home and transcendence in Los Angeles fiction / Charles L. Crow -- Los Angeles from the barrio : Oscar Zeta Acosta's The revolt of the cockroach people / Raymond A. Paredes -- History as mystery, or who killed L.A.? / Paul Skenazy -- Chinatown, city of 5 blight / Liahna K. Babener. FORTER, Greg, Murdering Masculinities : Fantasies of gender and Violence in the American crime Novel, New York, New York University Press, 2000, 268 pages. Greg Forter offers a transformative reading of American crime fiction, arguing that it is not to high modernism that we should look for the reinvention of gender, but rather to the 'low' works of authors like James Cain, Chester Himes, Dashiell Hammett, Jim Thompson, and William Faulkner GALLIX, François & Vanessa GUIGNERY (dirs.), Crime fictions : Subverted Codes and New Structures, Paris, Presses de l’Université Paris-Sorbonne, (Sillages critiques), 2004, 204 pages. GARCIA, Bob, Jazz et polar, Chelles, Éditions Laurent Debarre, 2007, 208 pages. [Avec bibliographie] GASCOIGNE, David (ed.), Violent Histories : Violence, Culture and Identity in France from Surrealism to the Néo-Polar, New York, et al., Peter Lang, 2007, 207 pages. This volume persuasively establishes the 'polar' and the 'néopolar' as important vehicles of historical memory. La partie polar : Alan Morris: Roman noir, années n o i r e s : The French Néo-Polar and the Occupation's Legacy of Violence - MargaretAnne Hutton: From the Dark Years to 17 October 1961: Personal and National Identity in Works by Didier Daeninckx, Leïla Sebbar and Nancy Huston - David Platten: Violence and the Saint: Political Commitment in the Fiction of Jean Amila. GEHERIN, David, Sons of Sam Spade : The Private Eye Novel in the 70s, New York, Frederick Ungar Publishing, (Recognitions), 1980. [Robert B. Parker, Roger L. Simon, Andrew Bergman.] GIANOLIO, Valeria (dir.), Noir, Giallo, Thriller. Archivi di genere, Torino, TirreniaStampatori, (Lingua e letteratura francese), 2008, 256 pages. GLASSMAN, Steve & Maurice J. SULLIVAN (eds.), Crime Fiction and Film in the Sunshine State : Florida Noir, Bowling Green, Bowling Green State University Popular Press, 1997, 192 pages. From Elmore Leonard’s professional hoods to Carl Hiaasen’s amateur grotesques, Florida’s mystery writers have created a criminal universe that centers on Miami but stretches from the Key West of James Hall and Laurence Shames through the Palm Beach of Lawrence Sanders and the Orlando of John Lutz to the panhandle of Geoffrey Norman. This is a world of sophisticated Latina journalists like Edna Buchanan’s Britt Montero and retiring ichthyologists like Randy Wayne White’s Doc Ford, of Armani-clad socialites like Ed McBain’s Matthew Hope and leisure-suited cops like Charles Willeford’s Hope Moseley.For the first time, a group of literary critics examines how the center of crime shifted from the City of Angels to the home of Miami Vice and the Magic Kingdom and why the country’s southernmost state has developed such a concentration of talented mystery writers. In addition to essays on the origins of the detective novel in Florida and its contemporary masters, the book includes a chapter on Florida film noir from Key Largo to Body Heat and the first comprehensive bibliography of mysteries set in the state. GORRARA, Claire, The Roman Noir in PostWar French Culture: Dark Fictions, Oxford, Oxford University Press (Oxford Studies in Modern European Culture), 2003, vi, 136 pages. Starting with the first truly French roman noir, Léo Malet's 120 rue de la gare (1943) and concluding with Maud Tabachnik's feminist thriller Un été pourri (1994), Gorrara analyses both texts and film in relation to their specific historical and cultural context. From the heritage of the Second World War and France's wars of decolonisation to the rise of consumer culture and questions of gender and sexual equality, the roman noir operates in dialogue with its times, mediating social change and transformation with stories of crime, transgression, and marginality. All the novelists studied were published initially in popular collections, such as the Série noire, but they have been chosen for the innovation of their work and the exciting ways in which they resist tired conventions and offer new ways of representing social reality. GOULART, Ron, The Dime Detectives (A Comprehensive History of The Detective Fiction Pulps), New York, The Mysterious Press, 1988, 248 pages. GOULART, Ron, Cheap Thrills : The Amazing, Thrilling, Astonishing History of Pulp Fiction, NewCastle (PA), Hermes Press, 2008, 208 pages. Réédition : 1972 1972. 6 GREENBERG, Martin H., Lee SERVER & Ed GORMAN (eds.), The Big Book of Noir, New York, Carroll & Graff, 1998, 396 pages. Editors Gorman, Server, and Greenberg have brought together a fine galaxy of contributors (among them, William F. Nolan, James Sallis, Mike Ripley, Bill Pronzini, Gary Lovisi, Max Allan Collins, and many more) to cover the waterfront in all areas of noir artistry. Even Stephen King weighs in with a tribute to Jim Thompson, wonderfully titled "Warning! Warning! Hitchhikers May Be Escaped Lunatics!" (Thompson fans will get the joke.) Charles Willeford, Chester Himes, Patricia Highsmith, Dashiell Hammett, Mickey Spillane, Orson Welles, John D. MacDonald, Leigh Brackett, Billy Wilder, Fritz Lang, Alfred Hitchcock, Peter Gunn, Joe Friday, Lew Archer, and Lawrence Block--they're all here, and more, of course. It's 386 pages deep in noir references, lore, and opinions. But of special interest to book collectors are the chapters on the old publishers and imprints: Lion Books, Gold Medal, and others. There are conversations too, among them a rare chat with cult favorite Peter Rabe (who died in 1990), an interview with the always lively and urbane Donald E. Westlake, and a talk with Abraham Polonsky (screenplay writer, director, and blacklistee). Even kid stuff is not exempt from the bleak world of noir. Ron Goulart explores comic book noir, and, as a wellrespected expert in the field of comics and cartoon strips, leads us back to such forgotten figures as "Steel Sterling," "Madam Satan," and "Johnny Dynamite." GRIMALDI, Laura, Il giallo e il nero, Milano, Pratiche, (Strumenti per scrivere e communicare), 1996, 1200 pages. HAMILTON, Cynthia S., Western and HardBoiled Detective Fiction in America from High N o o n to Midnight, Basingstoke, Macmillan, 1987, 200 pages. [Zane Grey, Max Brand, Dashiell Hammett, Raymond Chandler] HARPER, Ralph, The World of the Thriller, Baltimore & London, Johns Hopkins University Press, 1974, xii, 142 pages. HART, Christopher, Drawing Crime Noir for Comics and Graphic Novels, New york, Watson-Guptill Publications, 2006, 144 pages. HAUT, Woody, Pulp Culture : Hardboiled Fiction and the Cold War, London, Serpent's Tail, 1995, 192 pages. HAUT, Woody, Neon Noir : Contemporary American Crime Fiction, London, Serpent's Tail, 1999, 276 pages. Neon Noir, the follow-up to Woody Haut's highly regarded Pulp Culture, brings the story of American crime fiction and the related films up to date. From the Kennedy assassination to the Vietnam War and Watergate, through Reaganomics to Irangate and Whitewater, Neon Noir is a roller-coaster ride through the American nightmare. Haut investigates the dark side of America through the work of writers such as James Ellroy, Elmore Leonard, Walter Mosley, James Lee Burke, Lawrence Block, James Sallis, George P. Pelecanos, Charles Willeford, Jerome Charyn, Sara Paretsky, Vicki Hendricks, KC Constantine, George V Higgins and James Crumley. 1994, 90 pages. HORSLEY, Lee, The Noir Thriller, New York, Palgrave/Macmillan, 2001, 320 pages. Réédité en 2009. Introduction_PART I: 1920-45_Hard-boiled Investigators_Big-shot Gangsters and Smalltime Crooks_Victims of Circumstance_PART II: 1945-70_Fatal Men_Fatal Women_Strangers and Outcasts_PART III: 1970-2000_Players, Voyeurs and Consumers_Pasts and Futures_Bibliography KOCH, Markus, Der Roman noir und die populäre Unterwelt moderner Literatur : Dashiell Hammett, William Faulkner, Graham Greene, Frankfurt/Main, Peter Lang, 2004, 373 pages. HOWE, Alxander N., It Didn’t Mean Anything : A Psychonalaytic Reading of American Detective Fiction, Jefferson (NC), McFarland, 2008, 296 pages. Chapter Two traces the development of the hard-boiled detective’s code of honor through the works of Dashiell Hammett, Raymond Chandler, and Mickey Spillane, identifying the often-paradoxical nature of this code and its origins in obsessive neurosis. Chapter Three analyzes the anti-detective fiction of Philip K. Dick in terms of paranoid psychosis, and the final chapter returns to the question of hysteria, taking up the female hard-boiled detectives of author Marcia Muller. HUTCHISON, Don, The Great Pulp Heroes, New York, Book Republic Press, 2007, 288 pages. [Rééd. mise à jour] JOHNSON, Kevin, Dark Page : Books That Inspired American Film Noir, 1940-1949, NewCastle (DE), Oak Knoll Press, 2007, 384 pages. Préface de Paul Schrader JOUVIN, Emmanuel & Laurent DUCOUSSO, La Guerre dans le roman noir français, ou La Morale de l’histoire : sélection critique, Fontenay-sous-bois, Médiatèque Louis Aragon, 7 JUNILLON, Renaud (dir.), Le Roman noir, Paris, Initiales, (Dossiers Initiales), 2007, 84 pages. KEMMER, Wolfgang, Hammett – Chandler – Fauser. Produktive Rezeption der amerikanischen Hard-boiled School im deutschen Kriminalroman, Köln, Teiresias Verlag, 2001, 144 pages. KISZELY, Philip, Hollywood through Private Eyes : The Screen Adaptation of the « Hard-Boiled » Private Detective Novel in the Studio Era, Oxford, New York, et al., Peter Lang, (Stage and Screen Studies, vol. 8), 2006, 283 pages. [Thèse, Manchester, 2003] LACOMBE, Alain, Le Roman noir américain, Paris, Union Générale d'édition, (10/18, 918), 1975, 188 pages. LOCKE, John, Gang Pulp, Castroville (CA), Off-Trail Publications, 2008, 294 pages. [Étude des pulps spécialisés dans les histoires de gansgters des années 1920-1930] LOVISI, Gary, Dashiell Hammett & Raymond Chandler in Paperback, New York, Gryphon Books, 1994, 82 pages. MADDEN, David (ed.), Tough-Guy Writers of the Thirties, Carbondale (IL), Southern Illinois University Press, 1968, 247 pages. [13 articles.] The way out: some life-style sources of the literary tough guy and the proletarian hero / Kingsley Widmer -- Labels / Benjamin Appel -The tough Hemingway and his hard-boiled children / Sheldon Norman Grebstein -- Focus on "To have and have not": to have not: tough luck / Philip Young -- The 'black mask" school / Philip Durham -- The poetics of the privateeye: the novels of Dashiell Hammett / Robert I. Edenbaum -- Focus on "The Maltese falcon": the metaphysical falcon / Irving Malin -- Man under sentence of death: the novels of James M. Cain / Joyce Carol Oates. MANLY, Inc., Literary Topics : Hard-Boiled Fiction, Detroit, Gale Research, 2000, 200 pages. par François Guérif.] MARGOLIES, Edward, Which Way Did He Go? The Private Eye in Dashiell Hammett, Raymond Chandler, Chester Himes and Ross Macdonald, New York & London, Holmes & Meier, 1982, xii, 97 pages. MARLING, William, The American Roman Noir : Hammett, Cain and Chandler, Athens, Georgia University Press, 1998, 256 pages. In The American Roman Noir, William Marling reads classic hard-boiled fiction and film in the contexts of narrative theories and American social and cultural history. His search for the origins of the dark narratives that emerged during the 1920s and 1930s leads to a sweeping critique of Jazz-Age and Depressionera culture, integrating economic history, biography, consumer product design, narrative analysis, and film scholarship. Taking a closer look at noir classics by Dashiell Hammett, James M. Cain, and Raymond Chandler, Marling reads these narratives first as novels, then as films, showing how they helped Americans adapt-for better or worse-to a society driven by economic and technological forces beyond their control. MARTENS, Michel, Underwood : U.S.A (Balade sur les touches du roman noir), Paris, Balland, 1980, 288 pages. [Avec une bibliographie et la biographie de 100 auteurs 8 McCANN, Sean, Gumshoe America : HardBoiled Crime Fiction and the Rise and Fall of the New Deal Liberalism, Durham (N.C.), Duke University Press, 2000, 360 pages. Gumshoe America traces the way those problems surfaced in hard-boiled crime fiction from the1920s through the 1960s. Beginning by using a forum on the KKK in the pulp magazine Black Mask to describe both the economic and political culture of pulp fiction in the early twenties, McCann locates the origins of the hard-boiled crime story in the genre’s conflict with the racist antiliberalism prominent at the time. Turning his focus to Dashiell Hammett’s career, McCann shows how Hammett’s writings in the late 1920s and early 1930s moved detective fiction away from its founding fables of social compact to the cultural alienation triggered by a burgeoning administrative state. He then examines how Raymond Chandler’s fiction, unlike Hammett’s, idealized sentimental fraternity, echoing the communitarian appeals of the late New Deal. Two of the first crime writers to publish original fiction in paperback—Jim Thompson and Charles Willeford—are examined next in juxtaposition to the popularity enjoyed by their contemporaries Mickey Spillane and Ross Macdonald. MESPLÈDE, Claude, Les Années Série Noire (Bibliographie critique d'une collection policière), Amiens, Encrage, vol. 1 (19451959), 1992, vol. 2 (1959-1966), 1993, vol. 3 (1966-1972), 1994, vol. 4, (1972-1982), 1995, vol. 5 (1982-1995), 2000, 336 pages.. MESPLÈDE, Claude & Jean-Jacques SCHLÉRET, SN –Voyage au bout de la Noire, Paris, Futuropolis, 1982. Réédition : Les Auteurs de la Série Noire (1945-1995), Nantes, Joseph K., 1996, 628 pages. MIZEJEWSKI, Linda, Hardboiled & High Heeled. The Woman Detective in Popular Culture, London & New York, Routledge, 2004, 272 pages. Can a gumshoe wear high heels? In a genre long dominated by men, women are now taking their place- as authors and as charactersalongside hard-boiled legends like Sam Spade and Mike Hammer. Hardboiled and High Heeled examines the meteoric rise of the female detective in contemporary film, television, and literature. MONDELLO, Elisabetta (dir.), Roman noir 2007 : Luoghi e nonluoghi nel romanzo nero contemporaneo, Roma, Robin, 2008, 168 pages. MOORE, Lewis D., Cracking the Hard-Boiled Detective : A Critical History from the 1920s to the Present, Jefferson (NC), McFarland, 2006, 306 pages. The hard-boiled private detective is among the most recognizable characters in popular fiction since the 1920s-a tough product of a violent world, in which police forces are inadequate and people with money can choose private help when facing threatening circumstances. Though a relatively recent arrival, the hard-boiled detective has undergone steady development and assumed diverse forms. This critical study analyzes the character of the hard-boiled detective, from literary antecedents through the early 21st century. It follows change in the novels through three main periods: the Early (roughly 1927–1955), during which the character was defined by such writers as Carroll John Daly, Dashiell Hammett and Raymond Chandler; the Transitional, evident by 1964 in the works of John D. MacDonald and Michael Collins, and continuing to around 1977 via Joseph Hansen, Bill Pronzini and others; and the Modern, since the late 1970s, during which such writers as Loren D. Estleman, Liza Cody, Sara Paretsky, Sue Grafton and many others have expanded the genre and the detective character. Themes such as violence, love and sexuality, friendship, space and place, and work are examined throughout the text. MOTA CHAMON, Angel Luis, La Novela negra espanola : ambientes y personajes, Cuenca, Graf. Cuenca, 2000, 271 pages. MÜLLER, Elfried & Alexander RUOFF, Histoire noire : Geschichtschreibung im französischen Kriminalroman nach 1968, Bielefeld, Transcript Verlag, (Zeit – Sinn – Kultur), 2007, 396 pages. Ed. française : Le Polar français : crime et histoire, Paris, La Fabrique, 2002, 125 pages. Préface de Frédéric H. Fajardie. Ouvrage ardu et jargonneux ! NOLAN, William F., The Black Mask Boys : Masters in the Hard-Boiled School of Detective Fiction, New York, William Morrow, 1985, 273 pages. [Dashiell Hammett, Raymond Chandler, Erle Stanley Gardner, Horace McCoy, Carroll John Daly, Frederick Nebel, Raoul Whitfield, Paul Cain] 9 NYMAN, Jopi, Men Alone : Masculinity, Individualism, and Hard-Boiled Fiction, New York & Amsterdam, Rodopi, 1997. [James M. Cain, Dashiell Hammett, Horace McCoy et Ernest Hemingway.] NYMAN, Jopi, Hard-Boiled Fiction and Dark Romanticism, Frankfurt am Main & New York, Peter Lang, (Studien zur englischen und amerikanischen Literatur, Bd. 19), 1998, 144 pages. Biblio, p . 137-144. [James M. Cain, Dashiell Hammett, Horace McCoy et Ernest Hemingway.] O'BRIEN, Geoffrey, Hardboiled USA : Histoire du roman noir américain, Amiens, Encrage, 1989, 176 pages. Introduction by Harry Whittington. Éd. or. : Hardboiled America : The Lurid Years of Paperbacks , New York, Nostrand Reinhold, 1981. Réédition : Hardboiled America : Lurid Paperbacks and The Masters of Noir, New York, Da Capo Press, 1997, 216 pages. O’CONNELL, Jack (ed.), Dark Alleys of Noir, dans Para*doxa (Studies in World Literature Genre), Vashon Island (WA), no 16, 2002, 288 pages. Sommaire: Articles and Interviews – That Sense of Impending Doom (Jack O'Connel) – Hardboiled (Had I But Known) (Jeanne Ewert) – Enlightment Noir: Hammett's Detectives and the Genealogy of the Modern (Private) "I" (Paula Geyh) – John Fante: Between Two Worlds (Woody Haut) – In the Thieve's Market: The Life and Times of A. I. Bezzerides (Woody Haut) – Noiron Noir:Barbara Hambly's New Orleans Detective Novels (Sylvia Keso) – VR Noir: Kim Newman's The Night Mayor (Rob Latham) – Late Victorian Adventure and Film Noir (Stanley Orr) – Masculinity in the Novels of David Goodis (David Schmid) – Lost Memory and New Noir (J. P. Telotte) – Walter Mosley and the Books of Ezekiel (Helen M. Whall) – Jim Thompson' Rural Pulp Fiction (Trisha Yarbrough) - Interviews : Interview with Jonathan Lethem (Shelley Jackson) – Bibliography Jonathan Letham – Interview with Robert Skinner (Patrick Millikin) Bibliography : A Bibliography of Secondary Sources on Noir – Novel and Film (Norbert Spehner) - Reviews (divers) PANEK, Leroy (dir.), New Hard-Boiled Writers : 1970s-1990s, Bowling Green (OH), Bowling Green State University Popular Press, 2000, 229 pages. With an eye toward the origins and development of the hard-boiled story, LeRoy Lad Panek comments both on the way it has changed over the past three decades and examines the work of ten significant contemporary hard-boiled writers. Chapters on Robert B. Parker, James Crumley, Loren Estleman, Sara Paretsky, Sue Grafton, Carl Hiaasen, Earl Emerson, Robert Crais, James Lee Burke, and Walter Mosley show how the new writers have used the hard-boiled story and the hard-boiled hero to make powerful statements about reality in the last quarter of the twentieth century. PARKER, Robert B., The Private Eye in Hammett and Chandler, Northridge (CA), Lord John Press, 1984, 63 pages. PESSIN, Alain & Marie Caroline VANBREMEERSC (dirs.), Les Oeuvres noires de l'art et de la littérature, (2 volumes), Paris, L'Harmattan, (Logiques sociales), 2002, vol. 1, 380 pages, vol. 2, 322 pages. L'art du noir a traversé le siècle : de grands noms de la littérature ou du cinéma, et même de la musique et de la peinture, lui sont associés. Humphrey Bogart, James Ellroy ou Miles Davis ont participé à son élaboration. Né dans nos grandes villes de l'ombre de la nuit, il en offre une traduction saisissante, souvent populaire, parfois savante. La naissance de cet art, sa diffusion, la réprobation dont il a d'abord fait l'objet, la fascination qu'il a pu ensuite exercer constituent un terrain privilégié pour la sociologie. Ce livre propose un parcours 10 multiple à travers les différentes manifestations des œuvres noire. PETTENGEL, Michael John, Naturalism in American Hard-Boiled Fiction : The First Four Decades, Ann Arbor, UMI Dissertation Services, 1996, v, 125 pages. PHILLIPS, Gene D., Creatures of Darkness : Raymond Chandler, Detective Fiction and Film Noir, Lexington, University of Kentucky Press, 2000, 352 pages. POUY, Jean-Bernard, Une brève histoire du roman noir, Paris, L’Oeil Neuf Éditions, 2009, 136 pages. 1.Empoignons la bête Noirceur et viticulture - Au début, Œdipe Fera-t-il jour demain ? - La parole et l’écriture L’urbanité essentielle - L’Honorable Société En v. f. 2. Les aiguilleurs Le père et le fils - L’œil de Cain - L’art de la manchette - Les tapas à l’encre noire - Noir, c’est jaune - Le modèle suédois ? 3. Les forcenés L’ envahissant Simenon - Crosse en l’air L’enfer sur terre - La déglingue fabuleuse - Une terrible bonne humeur - Le chaud et le froid 4. Les pessimistes (voire nihilistes) Le négatif du rêve - Tristesse, calme et désespérance - L’amoralité menaçante Cirrhose de l’âme - Good evening Vietnam Apocalypse tomorrow - Combien ça coûte, la vie ? - Au fond du fond. 5. Les allumés (et autres freaks) Une sorcière dure à cuire - Les bouilleurs de cru - Un chien alcoolique - Manger sa voiture Des flics et des chiens lubriques - Les petites bêtes - Un drôle de torchon - Les touffes rouges sous les ailes - Jurassic plage - Pizza mentale. 6. Les étoiles filantes La cervelle orpheline - Comme une pluie acide Le train fantôme - La mécanique quantique - Le speed avant tout - Noire poésie - Chaleur noire - Lumière noire - Une certaine idée du bonheur. 7. Les intellos Sous le blanc, le noir - Le réel n’ est pas une fiction - Du côté du Montana - Un ténia cosmique - Philadelphia story - Le charme de la douleur . 8. Noir devant A l’école de la Noire - Banc de brume Rouston-baston - Soweto partout - Les temps froids. 9. Sauvons un arbre, tuons un romancier ! Nouvelle RIPPETOE, Rita Elizabeth, Booze an the Private Eye : Alcohol in the Hard-Boiled Novel, Jefferson (NC), McFarland, 2004, 208 pages. This examination of the role of alcohol in hardboiled detective fiction begins with the genre’s birth, in an era strongly influenced and affected by Prohibition, and follows both the genre’s development and its relation to our changing understanding of and attitudes towards alcohol and alcoholism. It discusses the works of Dashiell Hammett, Raymond Chandler, Mickey Spillane, Robert B. Parker, Lawrence Block, Marcia Muller, Karen Kijewski and Sue Grafton. There are bibliographies of both the primary and critical texts, and an index of authors and works. RIVIÈRE, François, Les Couleurs du noir : biographie d’un genre, Paris, Éditions du Chêne, 1989, 207 pages. Exemple d’usage abusif du terme « noir » : dans ce livre, par ailleurs fort recommandable et magnifiquement illustré, il est question de l’ensemble de la littérarure policière et pas uniquement de l’école dite « hard-boiled ». ROHRBACH, Véronique, Politique du polar. Jean-Bernard Pouy, Lausanne, Éditions Archipel, 2007, 142 pages., Préface de Jérôme Meizoz. Introduction. De l’engagement en littérature à la mise en question du fait littéraire. 1. Littérature « noire » contre littérature « blanche » - 1.1. Le roman noir, un sousgenre du roman policier. Cartographie du souschamp du roman policier 1.2. Le genre policier dans le champ littéraire et son rapport à la littérature légitime : la constitution d’une autonomie; l’impossibilité légitimée d’un genre « paralittéraire »; une position intermédiaire dans le champ littéraire. 1. 3. Le néo-polar français : défense et illustration de la langue « noire »; « Les enfants de mai 1968 et de la Série Noire » : crise du gauchisme et politisation du polar; l’engagement par et pour le roman noir. 2. Jean-Bernard Pouy 2. 1. Un engagement politique à distance, une indignation toujours présente; « Installé dans la marge » 2.2. Du champ politique au champ littéraire, la pratique d’une littérature « encontre »; La posture de l’auteur de littérature populaire 2. 3. l’ambivalence du roman noir, à la fois « populaire » et « littéraire ». RUEHLMANN, William, Saint with a Gun : The Unlawful Private Eye, New York, New York, University Press, 1974, 155 pages. Introduction par Aaron Marc Stein. 11 SALLIS, James, Difficult Lives : Jim Thompson, David Goodis, Chester Himes, New York, Gryphon Books, 1993, 101 pages. SCAGGS, John, Crime Fiction, New York, Routledge, 2004, 184 pages. Le chapitre 3 porte spécifiquement sur le roman noir : . The Hard-boiled Mode: Murder for a Reason Origins and Development A ShopSoiled Galahad: The Private Eye Hero Last Chances and New Beginnings: The Myth of the Frontier Mean Streets and Rat's Alleys: Modernity and the City Fallen Angels: Appropriation of the Hard-Boiled Mode. SCHMIDT, Jochen, Gangster, Opfer, Detektive : eine Typengeschichte des Kriminalromans, Frankfurt, Ullstein, (Ulstein Sachbuch), 1989, 712 pages. SCHWARTZ, Richard B., Nice and Noir : Contemporary American Crime Fiction, Columbia, University of Missouri Press, 2002, 202 pages. Richard B. Schwartz explores the work of his favourite writers, building on a reading of almost 700 novels from the 1980s and 1990s. SCHWEIGHAUESER, Jean-Paul, Le Roman noir français, Paris, Presses Universitaires de France, (Que sais-je ?), 2145), 1984, 127 pages. SIEGEL, Jeff, The American Detective : An Illustrated History, Dallas (TX), Taylor Publishing, 1992, vii, 168 pages. SILET, Charles L. P. (ed.), Talking Murder, Toronto, Ontario Review, 1999, 256 pages. [Sur James Ellroy, Ed McBain, Elmore Leonard, etc...] SKENAZY, Paul, The New Wild West : The Urban Mysteries of Dashiell Hammett and Raymond Chandler, Boise, Boise State University Press, (BSU Western Writers Series, no 54), 1982, 52 pages. SKINNER, Robert E., The Hard-Boiled Explicator : A Guide to the Study of Dashiell Hammett, Raymond Chandler, and Ross Macdonald, Metuchen (N.J.), Scarecrow Press, 1985, x, 125 pages. SKINNER, Robert E., The New Hard-Boiled Dicks : A Personal Checklist, Madison (IN), Browstone Books, (Chapbook Series), 1987, 60 pages. SKINNER, Robert E., The New Hard-Boiled Dicks : Heroes for a New Urban Mythology, San Bernardino (CA), Brownstone Books, 1995, 192 pages. VAN DOVER, J. Kenneth, Murder in the Millions : Erle Stanley Gardner, Mickey Spillane, Ian Fleming, New York, Frederick Ungar, 1984, xi, 235 pages. SMITH, Erin A., Hard-Boiled (Working Class Readers and Pulp Magazines), Philadelphia, Temple University Press, 2000, 248 pages. In the 1920s a distinctively American detective fiction emerged from the pages of pulp magazines. The "hard-boiled" stories published in "Black Mask", "Dime Detective", "Detective Fiction Weekly", and "Clues" featured a new kind of hero and soon challenged the popularity of the British mysteries that held readers in thrall on both sides of the Atlantic. In "HardBoiled" Erin A. Smith examines the culture that produced and supported this form of detective story through the 1940s. Relying on pulp magazine advertising, the memoirs of writers and publishers, Depression-era studies of adult reading habits, social and labor history, Smith offers an innovative account of how these popular stories were generated and read. She shows that although the work of pulp fiction authors like Dashiell Hammett, Raymond Chandler, and Erle Stanley Gardner have become "classics" of popular culture, the hardboiled genre was dominated by hack writers paid by the word, not self-styled artists. VAzQUEZ DE PARGA, Salvador, De la novela policiaca a la novela negra : los mitos de la novela criminal, Esplugues de Llobregat, Barcelona, Plaza & Janés, (Tribuna de Plaza & Janés, 71), 1986, 333 pages. TADIÉ, Benoît, Le Polar américain, la modernité et le mal, 1920-1960, Paris, Presses universitaires de France, 2006, 233 pages. Introduction : Urgence et authenticité, Black Mask ou la naissance du polar -- Problèmes théoriques et écoles critiques -- Lire le polar américain I -- L'invention de l'américain : Nouveaux mots, nouveaux objets -- Préhistoire du polar, Nick Carter ou le récit à deux voix -- Naissance du polar, Carroll John Daly ou le faux naïf -Sam Spade contre Philo Vance -- Le long adieu à l'Angleterre II -- Les livres de la jungle : Le désordre et l'hypocrisie -- Les nouveaux jeux du cirque -Violence, vitesse, trahison -- Le bestiaire de la jungle -- Limites de l'objectivité III -- De Salem à Chicago : Puissance de la noirceur -- Les aventures de la conscience, le prophète malheureux, le justicier et le paria -La Bible, polar IV -- L'Amérique fantôme : Le gangster ou l'ombre de la guerre -- La lutte des classes et le détective -- Le vagabond, homme de la crise V -- La descendance d'Ismaël : Une rencontre impossible ? -- Les crises de la modernité. 12 VIALA, Fabienne, Le Roman noir à l’encre de l’histoire : Vasquez Montalban et Didier Daeninckx ou le Polar en su tinta, Paris, L’Harmattan, (Sang maudit), 2007, 200 pages. Le présent ouvrage propose de relire les romans noirs, traduits dans le monde entier, de Manuel Vasquez Montalban et de Didier Daeninckx sous le prisme de l'histoire et de ses tabous. Les écrits de ces deux auteurs pointent du doigt nos névroses héritées, et s'amusent à reconstruire le monde en recollant les morceaux de nos dépouilles héroïques. WALTON, Priscilla & Manina JONES, Detective Agency : Women Rewriting in the HardBoiled Tradition, Berkeley, University of California Press, 1999, 315 pages. Walton and Jones place the genre within its aesthetic, social, and economic contexts, reading it as an index of cultural beliefs. Addressing the ways that Sara Paretsky, Sue Grafton, Marcia Muller, and others work through the conventions of the "hard-boiled" genre made popular by writers such as Dashiell Hammett, Raymond Chandler, and Mickey Spillane, the authors show how the male hardboiled tradition has been challenged and transformed. WHITLEY, John, Detectives and Friends : Dashiell Hammett The Glass Key and Raymond Chandler's The Long Goodbye, Exeter (UK), University of Exeter American Arts Documentation Center, 1981, 38 pages. WILLETT, Ralph, Hard-Boiled Detective Fiction, Keele, Staffs (UK), British Association for American Studies, (BAAS Pamphlets in American Studies, 23), 1992, 64 pages. WILLETT, Ralph, The Naked City : Urban Crime Fiction in the USA, New York, Manchester University Press, 1996, 160 pages. The "mean streets" of San Francisco, New York, Los Angeles and Chicago have dominated American crime fiction from Raymond Chandler and Dashiell Hammett to Sara Paretsky and Ed McBain. Like Marlowe and V.I. Warshawski before him, Ralph Willett undertakes a lone investigation into the dangerous realms of urban American detective fiction, uncovering clues to their grip on the popular imagination, text by text and city by city. Authors studied include Paul Auster, Raymond Chandler, Dashiell Hammett, Sarah Paretsky, Thomas Pynchon, Tom Wolfe, Andrew Vachss, Lisa Cody, Ed McBain, James Ellroy, Bret Easton Ellis and Chester Himes. Films include "The Naked City", "The French Connection", "Mean Streets", "Taxi Driver", "The Big Heat", "The Godfather", "Chinatown", "Bladerunner", "The Big Sleep", "Rear Window", "Metropolis" and "Point Blank". WILLIAMS, John, Into the Badlands, London, Paladin, (Grafton Books), 1991, 240 pages.[Entretien avec des auteurs de romans noirs contemporains] A PROPOS DE QUELQUES AUTEURS DE ROMANS NOIRS WILLIAMS, John, Back to the Badlands, London, Serpent’s Tail, 2007, xiv, 273 pages. [Nouveaux entretiens avec des auteurs de romans noirs contemporains] WILT, David, Hardboiled in Hollywood (Five Black Mask Writers and the Movies), Bowling Green, Bowling Green State University Popular Press, 1993, 189 pages. [Horace McCoy -- Eric Taylor -- Peter Ruric -- Dwight V. Babcock -- John K. Butler.] TOUJOURS DISPONIBLES CHAUMEIL, Patrick (dir.), Pour venger A.D.G. : documents et témoignages, Paris, Éditions Godefroy de Bouillon, 2007, 111 pages. [Un choix de textes d’A.D.G : extraits de diverses revues et publications] BLOCH, Robert (1917- 1994) LE WESTERN Marginalia Hors Série 1 BLOCH, Robert, Out of my Head, Cambridge (MA), NSFA Press, 1986, xi, 193 pages. LE ROMAN WESTERN Marginalia Hors Série 2 BLOCH, Robert, Once Around the Bloch : An Unauthorized Autobiography, New York, Torb Books, 1993, 416 pages. LE FILM NOIR Marginalia Hors Série 3 FLANAGAN, Graeme, Robert Bloch : A BioB i b l i o g r a p h i e , Canberra City, Graeme Flanagan, 1979, 62 pages. MARGINALIA 60 LARSON, Randall D., Robert Bloch, Mercer Island (Wash.), Starmont House, (Starmont Reader’s Guide, 37), 1986, 148 pages. Le bulletin bibliographique des études sur les littératures et le film populaires. Disponibles gratuitement sur simple demande : nspehner@sympatico.ca 13 A. D. G. (1947 – 2004) LARSON, RANDALL D., The Complete Robert Bloch : An Illustrated, International Bibliography, San Bernardino (CA), The Borgo Press, 1987, x, 126 pages. LARSON, Randall D., The Robert Bloch Companion : Collected Interviews, 19691986, Mercer island (Wash.), Starmont House, (Starmont Studies in Literary Criticism), 1989, 156 pages. MATHESON, Richard & Ricia MAINHARDT (eds.), Robert Bloch : Appreciations of the M a s t e r , New York, Tor Books, 1995, 382 pages. BROWNE, Howard (1907 – 1999) DINAN, John A., Chicago Ain't No Sissy Town : The Regional Detective Fiction of Howard Browne, San Bernardino, Browstone Books, (Browstone Mystery Guides, vol. 18), 1997, 96 pages. BUNKER, Edward (1933 – 2005) BLOCK, Lawrence (1938 -) BUNKER, Edward, Mr. Blue (The Memoirs of a Renegade), Manchester, No Exit Press, 2000, 408 pages. BLOCK, Lawrence, Spider, Spin me a Web : Lawrence Block on Writing, Cincinnati (OH), Writer’s Digest Books, 1988, 243 pages. BURKE, James Lee ( 1936 - ) BULOW, Ernie, C o n v e r s a t i o n s with Lawrence Block, Albuquerque (NM), University of New Mexico Press, 1995, 165 pages. BUSSMER, Axel (dir.), Lawrence Block : Werkschau eines New York Autors, Wuppertal, NordPark, (Krimikritik, 5), 2006, 328 pages. BOGUE, Barbara, James Lee Burke and the Soul of Dave Robicheaux : A Critical Study of the Crime Fiction Series, Jefferson (NC), McFarland, 2006, x, 209 pages. CAIN, James M. (1892 – 1977) HORSNBY, Wendy, et al., Lawrence Block : Bibliography, 1958-1993, Mission Viejo (CA), Airtight Seals Allied Productions, 1993, 103 pages. BRACKETT, Leigh (1915 – 1978) CARR, John L., Leigh Brackett : American Writer, Polk City (Iowa), C. Drum, 1986, 67 pages. BROWN, Fredric (1906 –1972) BAIRD, Newton, A Key to Fredric Brown’s Wonderland : A Study and Annotated Bibliographical Checklist, GeorgeTown (CA), Talisman Literary Research, 1981, 63 pages. BOURGOIN, Stéphane, Fredric Brown : le rêveur l u n a t i q u e , Amiens, Encrage, (Portraits, 3), 1988, 157 pages. [Anthologie de témoignages et de textes, bibliographie et filmographie commentées] SEABROOK, Jack, Martians and Misplaced Clues : The Life and Work of Fredric Brown, Bowling Green (OH), Bowling Green State University Popular Press, 1993, 312 p. STEPHENS, Christopher P., A Checklist of Fredric Brown, Hastings-On-Hudson (NY), Ultramarine, 1992, 83 pages. 14 FINE, Richard, James M. Cain and the American Authors Authority, Austin (TX), University of Texas Press, (American Studies Series), 1992, xviii, 286 pages. GUÉRIF, François, James M. Cain, Paris, Séguier, 1993, 372 pages. [Biographie.) HOOPES, Roy, Cain : The Biography of James M. Cain, Carbondale (IL), Southern Illinois University Press, 1987, xix, 687 pages. Although Cain was formerly dismissed as merely a hardboiled writer, his finest w o r k s — The Postman Always Rings Twice, Mildred Pierce, and Double Indemnity—are now considered enduring classics of American literature. Roy Hoopes gives as full a picture of the man and his life as will ever be written. The work was awarded an “Edgar” by the Mystery Writers of America. MADDEN, David, James M. Cain, Boston, Twayne, (Twayne's U.S. Author Series, 171), 1970, 200 pages. MADDEN, David, Cain's Craft, Metuchen (N.J.), Scarecrow Press, 1985, xi, 162 pages. SKENAZY, Paul, James M. Cain, New York, Frederick Ungar/Continuum, 1989, 203 pages. CHANDLER, Raymond (1888 –1959) BADONNEL, Patrick & Claude MAISONNAT, The Big Sleep (Raymond Chandler), Paris, Didier-Érudition, CNED, 1995, 106 pages. BREWER, Gaylord, A Detective in Distress : Philip Marlowe’s Domestic Dream, Madison (Ind.), Brownstone Books, (The Brownstone Chapbooks Series, vo, 5), 1989, 68 pages BRUCCOLI, Matthew J., Raymond Chandler : A Descriptive Bibliography, Pittsburgh, University of Pittsburgh Press, 1979, xv, 146 pages. CHANDLER, Raymond, Philip Marlowe’s Guide to Life, New York, Albert Knopf, 2005, 78 pages. CHANDLER, Raymond, Raymond Chandler Speaking, Berkeley, University of California Press, 2007, 275 pages. [Réédition de la correspondance de Chandler, 1950-1959] CHANDLER, Raymond, Notebooks of Raymond Chandler, New York, Harper Perennial, 2007, 128 pages. [Réédition] CLARK, Al, Raymond Chandler in Hollywood, London & New York, Proteus, 1983, 228 pages. DEGERING, Thomas, Raymond Chandler, Reinbek bei Hamburg, Rowohlt, (Rohwolts Monographien), 2001, 150 pages. FREEMAN, Judith, The Long Embrace : Raymond Chandler and The Woman He Loved, New York, Vintage Books, 2008, 353 pages. DURHAM, Philip, Down These Mean Streets A Man Must Go. Raymond Chandler's K n i g h t , Chapel Hill, University of North Carolina Street, 1963, viii, 173 pages. GARDINER, Dorothy & Katherine S. WALKER ( e d s . ) , Raymond Chandler Speaking, Berkeley, University of California Press, 1997, 271 pages. Foreword by Paul Skenazy. ADAMSON, Willliam (ed.), Raymond Chandler Jahrbuch/Yearbook, Passau, Andreas Haller Verlag, vol. 1, 1996, vol. 2, 1997, 116 pages. GIUDICE, Renate, Darstellung und Funktion des Raumes im Romanwerk von Raymond Chandler, Frankfurt am main, et al., Peter Lang, 1979, 301 pages. ADAMSON, William (ed.), Raymond Chandler Jahrbuch/Yearbook 2, Passau, Andreas Haller verlag, 1997, 116 pages. GROSS, Miriam (ed.), The World of Raymond Chandler, London, Weidenfeld and Nicholson, 1977, 189 pages. 15 HINEY, Tom, Raymond Chandler : A Biography, New York, Atlantic Monthly Press, 1997,310 pages. PENDO, Stephen, Raymond Chandler on Screen : His Novels into Films, Metuchen (N.J.), Scarecrow Press, 1976, xv, 240 pages. HINEY, Tom & Frank McSHANE (eds.), T h e Raymond Chandler Papers : Selected Letters and Non-Fiction, 1909-1959, New York, Carroll & Graf, 2001, 288 pages. PHILIPS, Gene D., Creatures of Darkness : Raymond Chandler, Detective Fiction, and Film Noir, Lexington, University Press of Kentucky, 2000, xxiv, 311 pages. LELPI, Rafael Oscar & Alberto C. VILA ORTIZ, Philip y Raymond : dos homenajes, Rosario (Argentina), Editorial Krass Artes Plasticas, (Escritores rosarinos), 1993, 110 pages. POUY, Bernard (ed.), Philip Marlowe, Paris, Éditions Autrement, (Figures mythiques), 1999, 107 pages. LIESBROCK, Heinz, Die Suche nach den Menschen : Raymond Chandlers Sprachkunst, Frankfurt am Main, A. Hain, 1993, 303 pages. LUHR, William, Raymond Chandler and Film, New York, Ungar, 1982, 208 pages. Réédité en 1991. LUTZE, Kristian, Mein Freund Marlowe : das einsame Leben des Raymond Chandler, München, Droemer Knaur, 1991, 239 pages. MARLING, William, Raymond Chandler, Boston, Twayne Publishers, 1986, 169 pages. MARON, Jonas, Chandler’s Welt. Eine fotographische Reise an die Westküste der USA, Berlin, Nicolai Verlag, 2004, 144 pages. + Essai de Michael Althen. McSHANE, Frank, The Life of Raymond C h a n d l e r , New York, Dutton, 1976, 370 pages. Édition française : Raymond Chandler, le gentleman de Californie, Paris, Balland, 1982. ORSI, Gian Franco, Hard-Boiled Blues : Raymond Chandler & Philip Marlowe, Milano, Alacran (I saggi), 2005, 150 pages. [Collaboration de Sergio « Alan » D. Altieri, Stuart M. Kaminsky, Hiber Conteris + article d Chandler] PREISS, Byron (ed.), Raymond Chandler’s Philip Marlowe : A Centennial Celebration, New York, Knopf, 1988, xiv, 370 pages. RUPP, Hendrik, Something More Than Crime : Raymond Chandler erweiterte K r i m i n a l r o m a n e , Berlin, Libri Books on Demand, 2002, 387 pages. [Thèse de doctorat, Heidelberg, 2002.] SPEIR, Jerry, Raymond Chandler, New York, Frederick Ungar, 1981, x, 166 pages. SCHWEIGHAEUSER, Jean-Paul, Raymond Chandler (Parcours d'une oeuvre), Amiens, Encrage, (Références), 1997, 128 pages. SJÖBLOM, Simo, Raymond Chandler, Helsinki, Seaflowers, (Seaflower’s minibibliography, no 42 ), 1999, 40 pages. MICHAELIS, Bo Tao, Portraet of smoborgeren som privatdetektiv : en analyse of Raymond Chandlers detektivromaner, Copenhaguen, Medusa, 1978, 245 pages. [Analyse des romans de Chandler. En danois.] THORPE, Edward, Chandlertown : Los Angeles sur les traces de Philip Marlowe, Paris, Mazarine, 1985, 142 pages. Ed. or. : Chandlertown, The Los Angeles of Philip Marlowe, London, Hutchinson, 1983. MOSS, Robert (ed.), Raymond Chandler : A Documentary Volume, Detroit, Michigan, Gale Group, (Dictionary of Literary Biography, vol. 253), 2002, 345 pages. Rééd. : Raymond Chandler : A Literary Reference, New York, Carroll & Graf, 2003, 345 pages. VALLE, Manuel, Raymond Chandler, alma, corazon y vida, Granada, La vela, (El signo de los cuatro), 2006, 293 pages. NEWLIN, Keith, Hardboiled Burlesque : Raymond Chandler’s Comic Style, San Bernardino (CA), The Borgo Press, 1985, 50 pages. 16 VAN DOVER, J. K. (ed.), The Critical Response to Raymond Chandler, Westport (Conn.), Greenwood Press, (Critical Responses in Arts and Letters, no 18), 1995, 256 pages. WARD, Elizabeth & Alain SILVER (eds.), Raymond Chandler's Los Angeles, Woodstock (N.Y.), The Overlook Press, 1997, 234p. WIDDICOMBE, Toby, A Reader's Guide to Raymond Chandler, Westport (Conn.), Greenwood Press, 2001,, 232 pages WOLFE, Peter, Something More Than Night : the Case of Raymond Chandler, Bowling Green, Bowling Green State University Popular Press, 1985, 242 pages. ZINSSER, David Lowe, Watching the Detective : A Literary Analysis of the Works of Raymond Chandler, Ann Arbor (Mich.), UMI Dissertation Series, 1996, vi, 249 pages. CHARYN, Jerome (1937 - ) COLLECTIF : Spécial Jerome Charyn, dan Polar, Paris, Rivages, no 3, 1991 167 pages CHASE, James Hadley (1906 – 1985) DELEUSE, Robert, A la poursuite de James Hadley C h a s e , Paris, Presses de la Renaissance, 1992, 287 pages. SJÖBLOM, Simo, James Hadley Chase, Helsinki, Seaflowers, (Seaflower’s minibibliography, no 41 ), 1999, 88 pages CHEYNEY, Peter (1896 – 1951) HARRISON, Michael, Peter Cheyney, Prince of Hokum, London, Neville Spearman, 1954, 303 pages. Ed. française : Peter Cheyney, Paris, Laffont, (Pavillons), 1955, 235 pages. SJÖBLOM, Simo, Peter Cheyney, Helsinki, Seaflowers, (Seaflower’s mini-bibliography, no 62 ), 2000, 44 pages. COOK, Robin (1931 – 1994) COOK, Robin, Mémoire vive, Paris, Rivages, (Écrits noirs), 1993, 336 pages. [Autobiographie de l'auteur britannique, spécialiste des romans très noirs) CREWS, Harry ( 1935 - ) LACHAUD, Maxime, Harry Crews : un maître du grotesque, Paris, K-ïnite, 2007, 269 pages. 17 Marie-Cécile, Polar ELLROY, James (1948 - ) DOSSIER : Spécial Ellroy, Paris, Rivages, (Rivages/Noir), 2007, 357 pages. Réédition en format livre du dossier paru dans Polar, avec des articles supplémentaires.] ELLROY, James, Ma part d'ombre, Paris, Rivages, 1997, 484 pages. Éd. or. ; My Dark Places, New York, Knopf, 1996, 320 pages. LALLEMAND, Natacha, James Ellroy : la corruption du roman noir, Paris, et al., l’Harmattan, 2007, 258 pages. Cet ouvrage ambitionne de sortir James Ellroy du ghetto médiatique et de proposer une lecture critique mettant à jour son écriture. Charismatique, spectaculaire, drôle, Ellroy réussit tellement bien à masquer ses écrits qu'ils sont rarement abordés autrement qu'avec une approche biographique. Tandis que les personnages s'affranchissent des lois, l'écriture se libère des règles et, par ses entorses faites à la langue, inscrit le texte dans un délit littéraire qui entraîne le lecteur vers une expérience subversive. WOLFE, Peter, Like Hot Knives to the Brain : James Ellroy’s Search for Himself, Lanham (MD), Lexington Books, 2005, xv, 266 pages. ESTLEMAN, Loren D. (1952 - ) ESTLEMAN, Loren d » & Monte NAGLER, Amos Walker’s Detroit, Detroit (MI), Wayne State University Pess, (Painted Turtle Books), 2007, x, 91 pages. [Photographies de Monte Nagler] FAST, Howard (1915 – 1978) FAST, Howard, Mémoires d’un rouge, Paris, Rivages, (Écrits noirs), 2000, 452 pages. MACDONALD, Andrew, Howard Fast : A Critical Companion, Westport (Conn.), Greenwood Press, (Critical Companions to Popular Contmporary Writers), 1996, xi, 201 pages. GARDNER, Erle Stanley (1889 – 1970) DAENINCKX, Didier (1949 - ) GUERNIER, mémoire : lecture de Meurtre pour mémoire de Didier Daeninckx, Grenoble, CDRP de l’Académie de Grenoble, 2004, 93 pages. pour BOUNDS, J. Dennis, Perry Mason : The Autorship and reproduction of a Popular Hero, Westport (Conn.), Greenwood Press, (Contributions to the Study pf Popular Culture), 1996, xiv, 213 pages. FUGATE, Francis L. & Roberta, Secrets of the World’s Best-Selling Writer : The Storytelling Techniques of Erle Stanley Gardner, New York, William Morrow, 1980, 286 pages. HUGHES, Dorothy B., The Case of the Real Perry Mason, New York, William Morrow, 1978, 350 pages. [Biographie d’Erle Stanley Gardner] MUNDELL, E. H., Erle Stanley Gardner : A Checklist, Kent (Ohio), Kent State University Press, (The Serif Series : Bibliographies and Checklists, 6), 1968, 91 pages KAUFMAN, Nathalie & Carol McGINNIS KAY, G is for Grafton : The World of Kinsey Millhone, New York, Henry Holt, (A Marion Wood Book), 1997, x, 354 pages. GRUBB, Davis (1919 – 1980) COUCHMAN, Jeffrey, The Night of the Hunter : A Biography of a Film, Evantson (IL), Northwestern University Press, 2009, 264 pages. [Du roman au film] JONES, Preston Neal, Heaven and Hell to Play : The Filming of The Night of the Hunter, New York, Limelight Editions, 2002, 304 pages. HAMMETT, Dashiell (1894 – 1961) SENATE, Richard L., Erle Stanley Gardner’s Ventura : The Birthplace of Perry Mason, Ventura (CA), Charron Press, 1996, xi, 96 pages. Illustré par John Anthony Zane Miller. SILVERA ANTUNEZ, Marcos, Bibliografia de Erle Stanley Gardner, Montevideo, Ediciones El Galeon, (Ensayos bibliograficaos, 8), 2002, 45 pages. SJÖBLOM, Simo, Erle Stanley Gardner, Helsinki, Seaflowers, (Seaflower’s minibibliography, no 23 ), 1999, 88 pages. GIFFORD, Barry (1946 - ) GIFFORD, Barry, The Cavalry Charges : Writings on Books, Film and Music, NewYork, Thunder’s Mouth Press, 2007, 271 p. GIFFORD, Barry, Phantom Father : A Memoir, New York, Harcourt Brace, 1997, 257 pages. GOINES, Donald ( 1937 – 1974) ALLEN, Eddie B. Jr., Low Road : The Life and Legacy of Donald Goines, New York, St. Martin’s Press, 2004, 208 pages. GOODIS, David (1917 – 1967) GARNIER, Philippe, Goodis, la vie en noir et blanc, Paris, Éditions du Seuil, 1984, 240 p. GRAFTON, Sue (1940 -) 18 BARROS-LÉMEZ, Alvarro, Abraxas en el pais de las pesadillas : la narrativa de Samuel Dashiell Hammett, Montevideo, Monte Sexto, 1986, 257 pages. BEUNAT, Nathalie, Dashiell Hammett (Parcours d'une oeuvre), Amiens, Encrage, (Références), 1997, 127 pages. DELOUX, Jean-Pierre, Dashiell Hammett : Underworld USA, Paris, Éditions du Rocher (Les Infréquentables), 1994, 165 pages. DOOLEY, Dennis, Dashiell Hammett, New York, Frederick Ungar, (Recognitions), 1984, xv, 174 pages. GALE, Robert E., A Dashiell Hammett Companion, Westport (Conn.), Greenwood Press, 2000, 336 pages. GALLO, Danilo, Il mistero Dashiell H a m m e t t , Roma, E/O, (Dal mondo. Vite narrate), 2005, 103 pages GONZALEZ LOPEZ, Jesus Angel, La narrativa popular de Dashiell Hammett : pulps, cine y comics, Valencia, Universitat de Valencia, 2004, 337 pages. GREGORY, Sinda J., Private Investigations : The Novels of Dashiell Hammett, Carbondale (IL), Southern Illinois University Press, 1985, 205 pages. Foreword by Francis M. Nevins. Gregory examines each of Hammett’s novels—Red Harvest, The Dain Curse, The Maltese Falcon, The Glass Key, and The Thin Man—in terms of their form and theme to make clear their twofold appeal. She shows that they succeed not only as popular fiction but as literature. Through literary analysis she shows that within each of his works there are intri_cate literary strategies to be probed and analyzed symbolically, metaphysically, and metafictionally to yield the sharp vision we expect of art. HAMMETT, Dashiell, Crime Stories and Other Writings, New York, Library of the America, 2001. HAMMETT, Dashiell, La Mort, c'est pour les poires, Paris, Éditions Allia, 2002, 644 pages. [Correspondance de Dashiell Hammett.] HAMMETT, Josephine, Album de famille : Dashiell Hammett, Paris, Rivages, (Écrits noirs), 2002, 195 pages. [Biographie sous forme d'album de famille, avec de nombreuses photos inédites.] HERRON, Don, The Dashiell Hammett Tour, San Francisco, City Light Books, 1991, 145 pages. [Sur les traces de Dashiell Hammett, une visite guidée dans dans les rues de San Francisco] JOHNSON, Diane, Dashiell Hammet : A Life, New York, Random House, 1983, xxi, 343 pages. Édition française : Dashiell Hammett : une vie, Paris, Payot, 1989. 19 LAYMAN, Richard, Shadow Man : The Life of Dashiell Hammett, 1981, xviii, 293 pages. Édition française : Dash, la vie de Dashiell Hammett, Paris, Fayard, 1981. LAYMAN, Richard & Julie M. RIVETT (dirs.), The Selected letters of Dashiell Hammett, Washington (DC), Counter point Press, 2000, 356 pages. LAYMAN, Richard, The Maltese Falcon, Farmington Hills, The Gale Group, 2000, xii, 192 pages. LAYMAN, Richard (dir.), Dashiell Hammett's The Maltese Falcon: A Documentary Volume, Detroit (MI), Gale, (Dictionary of Literary Biography), 2003, 429 pages. LAYMAN, Richard, Discovering The Maltese Falcon and Sam Spade : The Evolution of Dashiell Hammett’s Masterpiece, San Francisco, Vince Emery Productions, 2005, 352 pages. MARLING, William, Dashiell Hammett, Boston, Twayne Publishers, 1983, 143 pages. METRESS, Christopher (ed.), The Critical Response to Dashiell Hammett, Westport (Conn.), Greenwood Press, (Critical Responses in Arts and Letters), 1995, 253 pages. MELLEN, Joan, Hellman & Hammett : The Legendary Passion of Lillian Hellman and Dashiell Hammett, New York, HarperCollins, 1996, 592 pages. NOLAN, William F., Dashiell Hammett : A Casebook, Santa Barbara (CA), McNally & Loftin, 1969, xvi, 189 pages. NOLAN, William F., Hammett (A Life at The Edge), New York, Congdon & Weed, 1983, xiv, 276 pages. PANEK, LeRoy Lad, Reading Early Hammett (A Critical Study of the Fiction Prior to The Maltese Falcon , Jefferson, McFarland, 2004, 232 pages. SANTRAUD, J. M., Deux regards sur l’Amérique : Dashiell Hammett et Walker Percy, Paris, Presses de l’Université de ParisSorbonne, 1987, 151 pages. [Pour Hammett, Percy n’étant pas un écrivain de polar] SJÖBLOM, Simo, Dashiell Hammett, Helsinki, Seaflowers, (Seaflower’s mini-bibliography, no 55 ), 2000, 40 pages. VALLE, Manuel, Dashiell Hammett, el tweed y la seda, Granada, La vela, 2006, (El signo de los cuatros), 2006, 263 pages. SYMONS, Julian, Dashiell Hammett, New York, Harcourt Brace Jovanovitch, 1985,xiii, 178 pages. THOMPSON, George, Hammett’s Moral Vision : The Most Influential In-Depth Analysis of Dashiell Hammett’s Novels Red Harvest, The Dain Curse, The Maltese Falcon, San Francisco, Vince Emery Productions, (The Ace Performer Collection), 2007, 246 pages. Préface de William Nolan. WOLFE, Peter, Beams Falling ; The Art of Dashiell Hammett, Bowling Green (OH), Bowling Green State University Popular Press, 1979, 168 pages. HARRIS, Thomas ( 1940 - ) SEXTON, David, The Strange World of Thomas Harris, London, Short, ( Front Lines), 2001, 157 pages. O’BRIEN, Valerie Colette, The Hannibal Files : The Unauthorized Guide to the Hannibal lecter Trilogy, London, Reynolds & Hearn, 2001, 176 pages. SZUMSKYJ, Benjamin (dir.), Dissecting Hannibal Lecter : Essays on the Novels of Thomas Harris, Jefferson (NC), McFarland, 2008, viii, 232 pages. American gothic : liminality and the gothic in Thomas Harris's Hannibal Lecter novels / Peter Messent -- Hannibal at the lectern : a textual analysis of Dr. Hannibal Lecter's character and motivations in Thomas Harris's Red dragon and The silence of the lambs / John Goodrich -Gothic romance and killer couples in Black Sunday and Hannibal / Philip L. Simpson -- The butterfly and the beast : the imprisoned soul in Thomas Harris's Lecter trilogy / Robert H. Waugh -- This is the blind leading the blind : noir, horror, and reality in Thomas Harris's Red dragon / Davide Mana -- From Red dragon to Manhunter / Tony Williams -- Suspense vs. horror : the case of Thomas Harris / S.T. Joshi -- Transmogrified gothic : the novels of Thomas Harris / Tony Magistrale -- Hannibal rising : look back in anger / Ali S. Karim -Before her lambs were silent : reading gender and the feminine in Red dragon / Phillip A. Ellis -- Black Sunday, Black September : Thomas 20 Harris's thriller, from novel to film, and the terror of reality / Scott D. Briggs -- Morbidity of the soul : an appreciation of Hannibal / Benjamin Szumskyj. HÉLÉNA, André (1919 – 1972) HÉLÉNA, André, Les Secrets d'un auteur de romans noirs : textes retrouvés, nouvelles inédites, poèmes. Suivi d'une bibliographie commentée établie par Frank Evrard, Paris, Bier-Press, 2000, 149 pages. HIGGINS, George V. ( 1939 – 199) WOLFE, Peter, Havoc in the Hub : A Reading of George V. Higgins, Lanham (MD), Lexington Books, 2007, xi, 141 pages. HIGHSMITH, Patricia (1921-1995) CAVIGELLI, Franz (dir.), Patrica Highsmith : Leben und Werk, Zürich, Diogene Verlag, 1996, 311 pages. HARRISON, Russel, Patricia Highsmith, New York, Twayne Publishers, (Twayne’s United StatesAuthors Series), 1997, xvi, 156 pages. HIGHSMITH, Patricia, L’Art du suspense : mode d’emploi, Paris, Calmann-Lévy, 1987, 218 pages. Ed. or. : 1966. MAWER, Noel, A Critical Study of the fiction of Patricia Highsmith : from the Psychological to the Political, Lewiston (NY), Edwin Mellen Press, 2004, xi, 300 pages. MEAKER, Marijane, Highsmith : un amour des années cinquante, Paris, Éditions de Fallois, 2005, 245 pages. Ed. or. : Highsmith, A romance of the 1950s. RIVIÈRE, François, Un long et merveilleux suicide : regard sur Patricia Highsmith, Paris, Calmann-Lévy, 2003, 263 pages. WILSON, Andrew, Beautiful Shadow : A Life of Patricia Highsmith, New York, Bloomsbury, 2003, viii, 534 pages. HIMES, Chester (1909 – 1984 ) FABRE, Michel, Robert E. SKINNER & Lester SULLIVAN (eds.), Chester Himes : An Anno t at ed Primary and Sco ndary Bibliography, Westport (Conn.), Greenwood Press, 1992, xxvi, 216 pages. FABRE, Michel & Robert E. SKINNER (eds.), Conversations with Chester Himes, Jackson, University Press of Mississippi, (Literary Conversations Series), 1995, xvii, 150 pages . HIMES, Chester, The Quality of Hurt, New York, Doubleday, 1971 + My Life of Absurdity, New York, Doubelday, 1976. En traduction, ces deux livres ont été fusionnés en un seul volume : Regrets sans repentir , Paris, Gallimard, 1979 films adapted from these works; and shows how Woolrich’s techniques and themes influenced the noir genre. Twenty-two stories and 30 films compose the bulk of the study, though many other additions of films noirs are also considered because of their relevance to Woolrich’s plots, themes, and characters. The introduction includes a biographical sketch of Woolrich and his relationship to the noir era, and the book is illustrated with stills from Woolrich’s noir classics. JANSON, Hank ( 1917 – 1989) KOM, Ambroise, Le Harlem de Chester Himes, Sherbrooke, Éditions Naaman, (Études, 20), 1978, 224 pages. MARGOLIES, Edward & Michel FABRE, T h e Several Lives of Chester Himes, Jackson (Miss.), University of Mississippi Press, 1997, réédité en 2008, 200 pages. MULLER, Gilbert H., Chester Himes, Boston, Twayne Publishers, 1989, xv, 138 pages. SALLIS, James, Chester Himes : A Life, New York, Walker & Company, 2000, 425 pages. SILET, Charles L. P. (ed.), The Critical Response to Chester Himes, Westport (Conn.), Greenwood Press, (Critical Responses in Arts and Letters, no 34), 1999, 320 pages. SKINNER, Robert E., 2 Guns from Harlem : The Detective Fiction of Chester Himes, Bowling Green (OH), Bowling Green State University Popular Press, 1989, 190 pages WILLIAMS, John A. & Lori (eds.), D e a r Chester, Dear John : Letters Between Chester Himes and John A. Williams, Detroit (Mich.), Wayne State University Press, 2008, 241 pages. IRISH, William (1903 – 1968) BASSETT, Mark T. (ed.), Blues of a Lifetime : The Autobiography of Cornell Woolrich, Bowling Green, Bowling Green State University Popular Press, 1991, xv, 152 pages NEVINS, Francis M., Cornell Woolrich : First You dream, Then You Die, New York, Mysterious Press, 1988, ix, 613 pages. RENZI, Thomas C., Cornell Woolrich from Pulp Noir to Film Noir, Jefferson (N.C.), McFarland, 2005, 192 pages. This book offers a detailed analysis of many of Woolrich’s novels and short stories; examines 21 HOLLAND , Steve, The Trials of Hank J a n s o n , Moulton, Cheshire (UK), Telos Publishing, 2004, 350 pages Hank Janson [Stephen D. Frances] was a British writer of pulp paperbacks that were simply soft-porn tales under the guise of gangster novels. He wrote a couple of dozen of them, in a ludicrous "American" style that was even then seen as hilariously off-key. LATIMER, Jonathan (1906 – 1983) BRUBAKER, Bill, Stewards of the House : The Detective Fiction of Jonathan Latimer, Bowling Green, Bowling Green State University Popular Press, 1993, 128 pages.Jonathan Latimer (1906-1983) wrote nine detective novels. He also wrote or co-wrote 20 film scripts, including such noir classics as the second version of Dasheill Hammett's The Glass Key, Kenneth Fearing's The Big Clock, and Cornell Woolrich's The Night Has a Thousand Eyes. Moving to television writing, he scripted 45 original stories and adapted 50 Eric Stanley Gardner novels for the Perry Mason series. LEBRUN, Michel (1930 – 1996) EIBEL, Alfred, Michel Lebrun : témoignages, Paris, les Éditions Hors Commerce , (Hors Noir), 230 pages, 2002, pages. Ce livre est une traversée de Paris et du polar entre 1956 et 1996, date de la mort de Michel Lebrun. Le lecteur y croise les témoignages de Tonino Benacquista, Maurice-Bernard Endrèbe, François Guérif, Fred Kassak, Claude et PierreAlain Mesplède, Jean-Hugues Oppel, JeanBernard Pouy, Patrick Raynal, René Réouven, Jean-Paul Schweighaeuser, Pierre Siniac, JeanLouis Touchant, Marc Villard, d'autres complices et bon nombre de figurants. La vie de Michel Lebrun est inséparable de la vie de Paris et de la côte d'Azur. Vagabondages nocturnes, nostalgie des vieux quartiers, visites des bars, des bistrots, des restaus. Lebrun et l'amitié, Lebrun et le cinéma, Lebrun et le jazz, Lebrun et la littérature noire, Lebrun et la gastronomie font partie de sa géographie personnelle. LEONARD, Elmore (1925 - ) CHALLEN, Paul C., Get Dutch ! A Biography of Elmore Leonard, Toronto, ECW Press, 2000, 250 pages. GEHERIN, David, Elmore Leonard, New York, Frederick Ungar/Continuum, 1989, 158 pages. MACDONALD, John D. (1916 – 1986) CAMPBELL, Frand D., John D. MacDonald and the Colorful World of Travis McGee, San Bernardino (CA), Borgo Press, 1977, 63 pages. GEHERIN, David, John D. MacDonald, New York, Frederick Ungar/Continuum, 1982, ix, 202 pages HIRSHBERG, Edward W., John D. MacDonald, Boston, Twayne Publishers, 1985, 132 pages. MERRILL, Hugh, The Red Hot Typewriter : The Life and Times of John D. MacDonald, New York, St. Martin’s/Thomas Dunne Books, 2000, 256 pages. MOORE, Lewis D., Meditations on America : John D. Macdonald’s Travis McGee Series and Other Fiction, Bowling Green, Bowling Green State University Popular Press, 1994, 192 pages. ROWAN, Dan, A Friendship : The Letters of Dan Rowan & John D. MacDonald, 19671974, New York, Knopf, 1986, ix, 239 pages. SHINE, Walter & Jean, Rave or rage : The Critics and John D. MacDonald, Gainesville, University of Floride, George A. Smathers Libraries, 1993, xv, 261 pages. MACDONALD, Ross (1915 – 1983) BRUCCOLI, Matthew J., Ross Macdonald, New York, Harcourt Brace Jovanovitch (HBJ Album Biographies), 1984, 147 pages. GALE, Robert E., A Ross MacDonald Companion, Westport (Conn.), Greenwood 22 Press, 2002, 384 pages. KREYLING, Michael, The Novels of Ross Macdonald, Columbia, University of South Columbia Press, 2005, 192 pages. NOLAN, Tom, Ross Macdonald : A Biography, New York, Scribner's Sons, 1999, 448 pages. Foreword by Sue Grafton. SCHOPEN, Bernard, Ross Macdonald, Boston, Twayne, (Twayne US Authors Series), 1990, 149 pages. SIPPER, Ralph (ed.), Inward Journey : Ross Macdonald, Santa Barbara (CA), Cordelia Éditions, 1984. Reprint : New York, The Mysterious Press, 1987. SPEIR, Jerry, Ross Macdonald, New York, Frederick Ungar, (Recognitions), 1978, 182 p. WEINKAUF, Mary S., Hard-Boiled Heretic : The Lew Archer Novels of Ross Macdonald, San Bernardino, Browstone Books, (Brownstone Mystery Guides, v. 12), 1994, 128 pages. Biblio., p. 122-125 WOLFE, Peter, Dreamers Who Live their Dreams : The World of Ross Macdonald's Novels, Bowling Green (OH), Bowling Green State University Popular Press, 1976, 364 pages. MALET, Léo ( 1909 – 1996) ALFU, Léo Malet (Parcours d'une oeuvre), Amiens, Encrage, (Références), 1998, 136 pages. BOURDELAS, Laurent, Le Paris de Nestor Burma : l’Occupation et les Trente Glorieuses de Léo Malet : essai, Paris, L’Harmattan, (Sang maudit), 2007, 189 pages. EMANUEL, Michelle, From Surrealism to Less-Exquisite Cadavers : Léo Malet and the Evolution of the French Roman Noir, New York, et al, Rodopi, (Faux titres), 2006, 196 pages. Préface de Peter Schulman. Malet’s innovation of setting a noir narrative in France serves as a catalyst for further change in the policier genre in France, including his contemporary Jean Amila, the néo-polar of Jean-Patrick Manchette, and the historical roman noir of Didier Daeninckx. GUDIN DE VALÉRIN, Gilles & Gladys BOUCHARD, Léo Malet revient au bercail, Arles, Actes Sud, 2007, 254 pages. LACASSIN, Francis, Sous le masque de Léo Malet, Nestor Burma, Amiens, Encrage, (Portaits, no 4), 1991, 174 pages. MALLERIN, Daniel (ed.), Les Cahiers du silence, Paris, Éditions Kesselring, 1974. [Léo Malet : entrevues, articles et divers textes de Malet.] ROHLFF, Sabine, Léo Malet. Nouveaux Mystères de Paris in der Tradition von Kriminal-und Parisromanen, Regensburg, Roderer, (Theorie und Forschung Band 394/Literaturwissenschaft, band 27), 1996, 271 pages. MANCHETTE, Jean-Patrick 1995) (1942 – DEAN, James & Elizabeth FOXWELL, T h e Robert B. Parker Companion, New York, Berkley books, 2005, 224 pages. DE BARY, Cécile, Dossier Manchette, dans Temps Noir, Nantes, Joseph K, no 11, mai 2008, 224 pages. !J!e!a!n!-!P!a!t!r!i!c!k! !M!a!n!c!h!e!t!t!e (! !Do ! !u!g! !H!e!a!d!l!i!n!e!) ! P ! h ! o ! t ! o ! g ! r ! a ! p ! h ! i ! e ! s ! ! d ! e ! ! j ! e ! u ! n ! e ! s ! s ! e (! J ! e ! a ! n ! - ! P ! a ! t ! r ! i ! c ! k ! !M!a!n!c!h!e!t!t!e!) - M!é!s!a!v!e!n!t!u!r!e!s! !e!t! !d!é!c!o!m!p!o!s!i!t!i!o!n! !d!e! !l!a! !C!o!m!p!a!g!n!i!e! !d!e! !l!a! !D!a!n!s!e! !d!e! !M!o!r!t! !i!n!éd!i!t (!!J!e!a!n!-!P!a!t!r!i!c!k! !M!a!n!c!h!e!t!t!e!) - E!n! !d!i!r!e!c!t! !a!v!e!c &! !J!e!a!n!-!P!a!t!r!i!c!k! !M!a!n!c!h!e!t!t!e! !e!n!t!r!e!t!i!e!n (! a!v!e!c! !L!u!c! !G!e!s!l!i!n! !e!t! !G!e!o!r!g!e!s! !R!i!e!b!e!n!) - L!a! !l!o!n!g!u!e! !v!i!l!l!e! !i!n!éd!i!t (!J!e!a!n!-!P!a!t!r!i!c!k! !M!a!n!c!h!e!t!t!e!) - N!o!i!r! !c!'!e!s!t! !n!o!i!r! : !i!n!t!e!r!v!i!e!w!s! !d!e! !J!.!-!P!.! !M!a!n!c!h!e!t!t!e (!r!e!c!u!e!i!l!l!i!e!s! !p!a!r! !F!r!a!n!ç!o!i!s! !S!a!l!v!a!i!n!g!) - S!a!f!a!r!i! !i!n!éd!i!t (!! !J!e!a!n!!P!a!t!r!i!c!k! !M!a!n!c!h!e!t!t!e!) - R!é!p!o!n!s!e!s! !p!a!r! !J!e!a!n!-!P!a!t!r!i!c!k! !M!a!n!c!h!e!t!t!e! !q!u!e!s!t!i!o!n!s (!!d!e! !F!r!a!n!ç!o!i!s! !C!u!e!l! !e!t! !R!e!n!a!u!d! !B!e!z!o!m!b!e!s!) - P!h!o!t!o!g!r!a!p!h!i!e!s! !d!e! !J!u!l!e!s!!C!és!a!r! !M!u!r!a!c!c!i!o!l!e (!!J!e!a!n!-!P!a!t!r!i!c!k! !M!a!n!c!h!e!t!t!e!) !E!n!t!r!e!t!i!e!n! !a!v!e!c! !J!e!a!n!-!P!a!t!r!i!c!k! !M!a!n!c!h!e!t!t!e! !p!r!o!p!o!s! ! r ! e ! c ! u ! e ! i ! l ! l ! i ! s (! ! p ! a ! r ! ! F ! r ! a ! n ! ç ! o ! i ! s ! ! G ! u ! é ! r ! i ! f ! ! e ! t ! ! P ! a ! s ! c ! a ! l ! !M!é!r!i!g!e!a!u!) - T!r!o!i!s! !s!c!h!é!m!a!s! !d!e! !t!h!r!i!l!l!e!r!s! !i!n!éd!i!t (!!J!e!a!n!-!P!a!t!r!i!c!k! !M!a!n!c!h!e!t!t!e!) - M!a!n!c!h!e!t!t!e! !e!t! !l!e! !c!i!né!m!a! !e!n!t!r!e!t!i!e!n (!d!e! !P!i!e!r!r!e! !C!h!a!r!r!e!l! !a!v!e!c! !D!o!u!g! ! H ! e ! a ! d ! l ! i ! n ! e ! ) - B! i ! b ! l ! i ! o ! g ! r ! a ! p ! h ! i ! e ! ! d ! e ! ! J ! e ! a ! n ! - ! P ! a ! t ! r ! i ! c ! k ! ! M ! a ! n ! c ! h ! e ! t ! t ! e ! - F! i ! l ! m ! o ! g ! r ! a ! p ! h ! i ! e ! ! d ! e ! ! J ! e ! a ! n ! - ! P ! a ! t ! r ! i ! c ! k ! !M!a!n!c!h!e!t!t!e! - J!e!a!n!-!P!a!t!r!i!c!k! !M!a!n!c!h!e!t!t!e! : !u!n! !a!u!t!e!u!r! !h!o!r!s! !s!ér!i!e! !? (!!N!a!t!a!c!h!a! !L!e!v!e!t!,! !A!n!i!s!s!a! !B!e!l!h!a!d!j!i!n!,! !C!éc!i!l!e! !D!e! !B!a!r!y!,! !M!a!t!t!h!i!e!u! !R!e!m!y!,! (!B!e!r!t!r!a!n!d! !T!a!s!s!o!u!,! !I!s!a!b!e!l!l!e! !D!a!n!g!y!,! !M!e!r!y!e!m! !B!e!l!k!a!ï!d!,! !S!e!r!g!e! !Q!u!a!d!r!u!p!p!a!n!i) DOSSIER : « Spécial Manchette », in Polar, Paris, (Hors série), Éditions Payot, 1997, 212 pages. 23 FROMMER, Frank, Jean-Patrick Manchette. Le récit d'un engagement manqué, Paris, Kimé, (coll. Détours littéraires), 2003, 156 pages. GÉREAULT, Jean-François, Jean-Patrick M a n c h e t t e , Amiens, Encrage, (coll. Références, 16), 2000, 131 pages. MANCHETTE, Patrick, Journal 1966-1974, Paris, Gallimard, 2008, 640 pages. MANCHETTE, Patrick, Chroniques, Paris, Rivages, (Rivages Noir), 2003, 442 pages. [Sous la direction de François Guérif & Doug Headline] MOUCHART, Benoît, Manchette : le nouveau roman noir, Paris, Biarritz, Séguier/ Archimbaud, 2006, 133 pages. McBAIN, Ed ( 1926 – 2005) BAUDOU, Jacques, Le 87e district : tout le monde est là, Paris, Omnibus, 2003, 340 pages. [Dictionnaire des personnages] DOVE, George N., The Boys From Grover Avenue : Ed McBain’s 87th Precinct Novels, Bowling Green (OH), Bowling Green State University Popular Press, 1985, 166 pages. SJÖBLOM, Simo, Ed McBain – Bibliografia 1962-1999, Helsinki, Seaflower, Seaflower,s Mini-Bibliography, 39), 1999, 64 pages McCOY. Horace ( 1897 – 1955) WINCHELL, Mark Royden, Horace McCoy, Boise (ID), Boise State University Press, (BSU Western Writers Series, 51), 1982, 50 pages. MENDOZA, Eduardo (1943 - ) GIMENEZ MICO, Maria José, Eduardo Mendoza y las novelas de la transicion, Madrid, Editorial Pliegos, (Pliegos de ensayo, 144), 2000, 239 pages. HERRAEZ, Miguel, La estrategia de la postmodernidad en Eduardo Mendoza, Barcelona, Ronsel Editorial, 1998, 199 pages KNUTSON, David John, La novelas de Eduardo Mendoza, Madrid, Pliegos, (Pliegos de Ensayo), 1999, 172 pages. OXFORD, Jeffrey Thomas & David John KNUTSON (eds.), Eduardo Mendoza : A New Look, New york, et al., Peter lang, (Currents in Comparative Romance Languages and Literatures), 2002, vi, 225 pages. This critical anthology on the novels and other work of Eduardo Mendoza is the very first collection of scholarly essays to be published solely on this Spanish novelist. With contributions by academics from Spain and the United States, this book touches upon each of Mendoza's major publications from 1975 to date. PADURA, Leonardo Fuentes (1955 - ) SANCHEZ REBOREDO, José, La verdad sobre el caso Savolta de Eduardo Mendoza : guia de lectura, Santiago de Compostela, Follas Novas, (Fonsca. Filologia), 2001, 74 pages. KINSMAN, Margaret (ed.), Sara Paretsky, dans Clues : A Journal of Detection, vol. 25, no 2, winter 2007, 80 pages. SAVAL, José V. (dir.), A verdad sobre el caso Mendoza, Madrid, Editorial Fundamentos, 2005, 254 pages. YANG, Chung-Yang, Eduardo Mendoza y la busqueda de una nueva novela policiaca, Madrid, Editoril Pliegos, (Pliegos de ensayo), 2000, 174 pages. MILLAR, Margaret (1915 – 1994) DEAN, James (dir.), Margaret Millar, dans Clues : The Journal of Detection, vol, 25, no 3, spring 2007, 80 pages. MOSLEY, Walter E. (1952 - ) BRADY, Owen & Dereck C. MAUS (eds.), Finding a Way Home : A Critical Assessment of Walter Mosley’s Fiction, Jackson (MI), University Press of Mississippi, 2008, xxv, 196 pages. WILSON, Charles E., Walter Mosley : A Critical Companion, Westport (Conn.), Greenwood Press, 2003, 248 pages. MULLER, Marcia (1944 - ) HOWE, Alexander N., Marcia Muller and the Female Private Eye : Essays on the Novels That Defined a Subgenre, Jefferson (NC), McFarland, 2008, vi, 197 pages. In 1977, Marcia Muller invaded the all-male domain of detective literature and within a decade was established as the mother of the female hardboiled private eye. She is now the author of four detective series, including the critically acclaimed Sharon McCone series of more than two dozen novels. 24 LUCIEN, Renée Clémentine, Résistance et c u b a n i t é , Paris, L’Harmattan, 2006, 356 pages. [Traite de trois auteurs dont Leonardo Padura] VIALA, Fabienne, Leonardo Padura : le roman noir au paradis perdu, Paris, et al., L’Harmattan, 2007, 210 pages. Préface de Francis Moulin Civil PARETSKY, Sara (1947 -) PARETSKY, Sara, Writing in an Age of Silence, London, New York, Verso, 2007, xx, 138 pages. Rééd. : In this brief, potent memoir, bestselling novelist Paretsky (Fire Sale) proves as sharp and straight shooting as V.I. Warshawski, the female private investigator she's made famous in 12 novels. Carefully sketching her conjoined lives as an artist and activist who cut her political teeth on the civil rights and feminist movements of the 1960s, she paints a moving portrait of herself as an engaged intellectual looking to make a substantive and lifeaffirming mark on society. PARKER, Robert B. (1932 -) DEAN, James & Elizabeth FOXWELL, The Robert B. Parker Companion, New York, Berkley Books, 2005, 224 pages. SCHMID, George, Profiling the American Detective : Parker’s Prose and the Coded Game of Sleuth and Rogue and the Tradition of the Crime Story, New York, et al., Peter Lang, 2004, 269 pages. Firmly anchored in literary and psychoanalytic theory, yet also combining an ironically essayistic style with scholarly profundity, this book reinserts the «mystery genre» in its framework of Western history and tradition. Exemplifying the arguments by systematic references to the «American Detective» par excellence, Robert B. Parker's Spenser, vistas are opened up to a remarkable oeuvre, while, at the same time, a whole popular genre is reevaluated. PIAZZESE, Santo (1948 - ) STONE, Robert (1937 - ) FERLITTA, Salvatore * Giuseppe TRAINA, Palermo, i luoghi del noir. Conversazione con Santo Piazzese, Palermo, Edizioni Kalos, (Arte & Immagini), 2007, 96 pages. [Entrevue avec Santo Piazzese, l’auteur d’une série de romans noirs mettant en vedette le détective Lorenzo la Marca] STEPHENSON, Gregory, Understanding Robert Stone, Columbia (SC), University of South Carolina Press, (Understanding Contemporary American Literature), 2002, xiv, 261 pages. POUY, Jean-Bernard ( 1946 - ) BREWER, Gaylord, Laughing Like Hell : The Harrowing Satires of Jim Thompson, San Bernardino, Brownstone Books, (A Brownstone Mystery Guide), 1996, 144 pages. EIBEL, Alfred, Jean-Bernard Pouy, Paris, Éditions Méréal (Mything), 1996, 175 pages QUEEN, Ellery (pseudo.) NEVINS, Francis M., Royal Bloodline : Ellery Queen, Author and detective, Bowling Green (OH), Bowling Green State University Popular Press, 1974, 288 pages. RANKIN, Ian ( 1960 - ) PLAIN, Gill, Ian Rankin's Black and Blue : A Reader's Guide, New York, Continuum, 2002, 96 pages. [Guide du roman L'Ombre du tueur, paru en traduction française en 2002.] RANKIN, Ian, Rebus Scotland’s : A Personal Journey, London, Orion Books & Toronto, McArthur, 2005, 160 pages. THOMPSON, Jim (1906 – 1977 ) McCAULEY, Michael J., Jim Thompson : coucher avec le diable, Paris, Rivages, 1993, 477 pages. Ed. or. Jim Thompson : Sleep with the Devil, ew York, Mysterious Press, 1991, 340 pages. POLITO, Robert, Savage Art : A Life of Jim Thompson, New York, Knopf, (Vintage Books), 1995, 543 pages. TURELL, Dan (1946 – 1993) EHRLICH, Nina, Dan Turells Mord Serie : Gattungsgeschichte und Zeitdokument, Wien, Praesens, (Wiener Studien zur Skandinavistik), 1999, 158 pages. RICE, Craig (1908 – 1957) VAZQUEZ MONTALBAN, Manuel (1939–2003) MARKS, Jeffrey Alan, Who Was That Lady ? Craig Rice : The Queen of the Screwball Mystery, Lee’s Summit (MO), Delphi Books, 2001, 186 pages. ARANDA, Quim, Que pensa Manuel Vazquez Montalban de Manuel Vazquez Montalban, Barcelona, Deria Editors, 1995, 126 pages. [Entrevues] SPILLANE, Mickey ( 1918 – 2006 ) BALIBREA ENRIQUEZ, Mari Paz, En la tierra baldia : Manuel Vazquez Montalban y la izquierda espanola en la postmodernidad, Barcelona, El Viojo Topo, 1999, 255 pages. COLLINS, Max Alan, (with James L. Traylor), One Lonely Knight : Mickey Spillane's Mike Hammer, Bowling Green (OH), Bowling Green State University Popular Press, 1984,186 pages. GALE, Robert E., A Mickey Spillane Companion, Westport (Conn.), Greenwood Press, 2003, 360 pages. PENZLER, Otto, Mickey Spillane, New York, Mysterious Bookshop, 1999, 35 pages. SJÖBLOM, Simo, Mickey Spillane, Helsinki, Seaflowers, (Seaflower’s mini-bibliography, no 45 ), 1999, 52 pages. 25 BAYO BELENGUER, Susana, Theory, Genre and Memory in the Carvalho Series of Manuel Vazquez Montalban, Lewiston (NY), Edwin Mellen Press, 2001, xv, 342 pages. The "Carvalho" series, by the Spanish writer, Montalban, features a private detective whose wit and irony reveals a state of affairs that many might wish hidden. This book provides a critical examination of the novels, arguing that they represent a significant moral critique of a society. BLANCO CHIVITE, Manuel, Manuel Vazquez Montalban & José Carvalho, Madrid, Grupo Libro 88, (Colleccion yo soy asi ?)1992, 348 pages. COLLECTIF, Manuel Vazquez Montalban, novela negra, novela politica : curso cine y literatura, Zaragoza, IberCaja : Ministerio de Educacion y Cinecia, direccion provincial de Zaragoza, (textos y didacticos, 9), 1993, 89 pages. [Ouvrage pédagogique] COLMEIRO, José F., Cornica del desencanto : la narrativa de Manuel Vazquez Montalban, Coral Gables (FL), North-South Center Press, (Iberian Studies Institute), 1996, 336 pages. COLMEIRO, José F. (dir.), Manuel Vazquez Montalban : el compromiso con la memoria, Woodbridge, Suffolk, & Rochester (NY), Tamesis, 2007, xiii, 307 pages. Recueil d’essais de Eugenia Afinoguénova, Francesc Arroyo, Mari Paz Balibrea, Frances Cate-Arries, Joseba Gabilondo, Patricia Hart, Hado Lyra, James Mandrell, Jorge Marí, Jaume Martí-Olivella, William Nichols, Kay Pritchett, Gustavo Rodríguez-Morán, Serge Salaün, Georges Tyras, Daniel Vázquez Sallés, Kathleen M. Vernon. 25e anniversaire du détective Carvalho] PALAZON, Serafin, et al., Manuel Vazquez Montalban en memoria, Las Palmas de Gran Canaria, El rinoceronte de Durero, (Ideas), 2004, 113 pages. PUVOGEL, Sandra Jean, The Detective Fiction of Manuel Vazquez Montalban, Ann Arbor (MI), UMI Press, 1991, iv, 304 pages. SAVAL, José V., M a n u e l Vasquez Montalban : el triumpho de un luchador incansable, Madrid, Sintesis, (Memoris y biografias), 2004, 239 pages. TYRAS, Georges, Le Désir de mémoire : entretiens avec Manuel Vazquez M o n t a l b a n , Vénissieux, Éditions Paroles d’aube, (1997), 279 pages. TYRAS, Georges, Entretiens avec Manuel Vazquez Montablan, Tournai, Renaissance du Livre, (Paroles d’aube), 2004, 387 pages. TYRAS, Georges (dir.), Manuel Vazquez Montalban, dans Tigre, no 2, octobre 1985, Grenoble, Université des Langues et lettres de Grenoble, 233 pages. WILLIAMS, Charles ( 1909 – 1975) DIAZ ARENAS, Ange, Introduccion a la lectura de la obra narrativa de Manuel Vazquez Montalban, Kasser, Reichenberg Verlag, (Problemata literaria, 24), 1995, 328 pages. DIAZ ARENAS, Angel, Quien es quien en la obra de Manuel Vazquez Montalban, Kassel, Reichenberg Verlag, (Problemata literaria, 40), 1997, 200 pages. ESTRADE, Florence, Manuel Vazquez M o n t a l b a n , Barcelona, Ediciones de la Tempesdad, (De primera voz), 2004, 257 pages. FUSTER, Jaume , Manuel Vazquez Montalban, Barcelona, Ajumenta de Barcelona : Laia, (Dialegs a Barcelona), 1985, 143 pages. [Entrevues. Transcriptions de Xavier Febrés] GELI, Carles & Marcel MAURI, El periodismo segun Manuel Vazquez Montalban, Barcelona, Roncel, 2008, 414 pages. GOYTISOLO, José Agustin et al., , A Carvalho y Vazquez Montalban, Barcelona, Planeta, 1997, 2 volumes. [Hommages : à l’occasion du 26 LOBDELL, Jared (ed.), The Detective Fiction Reviews of Charles Williams, 1930-1935, Jefferson (NC), McFarland, 2003, 224 pages. Compilation achevée en mars 2009. © Norbert Spehner 2009 INFOS DIVERSES Le bulletin Marginalia, ainsi que ses numéros hors série (Western, film noir) sont consultables et /ou téléchargeables sur le site du CERLI : (www.cerli.org). Sur le site de la revue policière Alibis, on peut consulter d’autres documents bibliographiques : www.revue-alibis.com le polar québécois 2000 – 2008 le polar canadien 2000- 2008 bibliographie de James Bond le polar scandinave Poe et le roman policier Les polars de Jack l’éventreur