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Showcase Presents The Elongated Man Volume One Paperback – January 1, 2006
- LanguageEnglish
- PublisherDC Comics
- Publication dateJanuary 1, 2006
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- ASIN : B00MH89SEM
- Publisher : DC Comics (January 1, 2006)
- Language : English
- Customer Reviews:
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Carmine Infantino became active in comics during the 1940s and his style strongly resembled one of the comic strip giants of the period, Milton Caniff. In the early and mid 1950s Infantino's style began to change. He went back to school and studied under a highly influential art professor. This professor encouraged Infantino to study the French Impressionists like Edgar Degas and others and especially be concerned about the design principles they used. Above all else (even draftsmanship) Infantino became fascinated with design and composition. He used good design to propel his comic book story telling.
This book is a wonderful tour of arguably Infantino's best period as a comic book artist. Starting out with an early Flash story from 1960 that introduced Elongated man we observe Infantino's work and sense of design and composition develop during the course of the 1960s. His last Elongated Man story published in this volume is Detective Comics #367 (September 1967). During this period we see Elongated Man graduate from an occasional guest star in The Flash to receiving his own strip in the back of Detective comics starting with #327 (May 1964). On several different occasions Infantino was allowed to ink runs of his own stories. His delineations were scratchy when compared to the more polished Joe Giella or Murphy Anderson, but we see here what Infantino was truly trying to communicate through his art without the involved of other hands no matter how talented or skilled. When Sid Greene began working on Elongated Man he strove to keep his inking as close to Infantino's original drawing as possible. Later on Greene injected much more of his own personality into the work and some stories appear to be partially penciled by both artists (Greene also did full pencils and inks on several later EM stories). Infantino used elegant vertical and horizontal panels to great effect especially in depicted the grotesque stretching abilities of Elongated Man. Along with his fascination with design he was a frustrated architect. He captured the look of buildings, houses, interior design and the fabulous big finned autos of the period. When he had the chance he also drew some marvelously evocative landscapes. Because of his concentration on design and composition Infantino's work was the height of "cool" in comic book art in the early and mid 1960s.
As a designer myself I can't help but get enveloped into studying the compositions of Infantino's work whether on Elongated man, the Flash, Adam Strange or any of the wonderful science fiction tales he drew during the period. Perhaps this is just my problem, but I get so much into Infantino's design that I tend to forget about the story. I figure that most of the young readers who read these stories when they first appeared (and I was one of them) didn't have that problem. This book contains non-Infantino penciled stories by very capable comic book practitioners such as Greene, Gil Kane, Irv Novick, Murphy Anderson, Neal Adams and Mike Sekowsky and I don't have the same problem with their work. And it is interesting to observe how each artist approached this strip and how they compare with Infantino's work.
In this review I've concentrated on the art of the Elongated Man. The stories are finely crafted, light, humorously good-natured mysteries that editor Julius Schwartz and scripters Gardner Fox and John Broome were capable of producing during this time. However it is the wonderfully innovative artwork that is the star in the book, This volume is truly a showcase for one of the great comic book artists, Carmine Infantino.
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Like many readers of a certain age I came across The character via his appearance as a support strip in
Detective Comics issues 327-343 and later in a similar role in the Flash I seem to remember.
I always enjoyed the strip and Ralph Digby was a different take on the Super Hero.
He had no secret identity and he was married. The stories were more the detective rather than the more focused on his serum based super powers. So the 'detective Comic with Batman was a good match.
Now The Elongated Man had that rare quality of a true hero in that he could laugh at himself. He had lots of idiosyncrasies
His nose would twitch when he was on to something.
Being support character the stories were rather short and swift to come to a conclusion rather like the Martian Manhunter and that ilk.
So short but sweet.
But being in a major comic with a major hitter The Elongated Man was exposed to the wider readership and loved for that.
In England in the 1960s and 1970s DC comics and others were sent as extra cargo by ships.
You could pick them up for a shilling (5 new pence) but you could never guarantee that you could get the next issue. So you had gaps. BUT in those days kids swapped comics and bought 2nd hand to read and re read.
Other characters like Jonah Hex were unknown with others like Challengers of the Unknown,Metal Men and The Doom Patrol being rare. Pocket money was tight so you would be less likely to risk buying a 'new to you character, and were much more likely to go for the more familiar Superman, Flash or Green Lantern.
Any how.
DC has printed them in black and White on cheap as chips paper and they won't be printing any more like this for a few years.
This is a fantastic chance to get the full run of the Elongated Man stories.
A satisfying collection from the days when times were gentler and kids read comics.
Recommended.
By 1964 he had moved to the back up spot in the new, updated BATMAN comic and he brought his new wife, Sue, with him. Being married wasn't exactly common for superheroes at the time, and this wasn't the only thing that was different about EM; whilst he was as public spirited and philanthropic as the next good-guy, he also had a passion for publicity, and gloried in the applause of the public (he had, of course, revealed his secret identity, feeling that there was no point in hiding your light under a bushel). The strip was also unusual in that, for all of his stretchable skills, EM is basically a sleuth rather than a superhero. More often than not he isn't up against super-villains but clever crooks. At only a few pages length, it must be admitted that these are not the most twisty of crime stories, but they do try to be a little different from the standard superhero romp.
There's a charm and lightness to the stories here, which makes them especially unusual when compared with today's comics. After finishing a few you'll have a smile on your face. Ralph and Sue are immensely likeable characters, and even when the story is not exactly gripping you'll be pleased that you spent time in their company. They feel like a proper, grown up couple in the way that modern comic pairings often don't. This volume goes right back to the first appearance of EM in THE FLASH and reprints 52 stories in all. There are still about 30 of these to go, but no sign of a volume 2, so you'll pretty much have to make do with these. The lack of colour is a shame, but these stories are enormous fun, and I suspect that you'll enjoy them.
By the way, if you wan't to know what the title of this review is about...you'll just have to read 'Ten Miles to Nowhere'!