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Gustave De Smet

Gustave De Smet (1877 - 1943) was active/lived in Belgium.  Gustave De Smet is known for Painting.

Born in Ghent, Gustave De Smet left the city for the countryside very early and moved to Laethem, where he joined his brother Leon and his friend Albert Servaes. During the First World War, he fled to the Netherlands where he studied with Frits Van den Berghe, and intensified his efforts through contact with Fauvism, German Expressionism, Cubism and Futurism.

On his return, he mainly painted peasants, children and festivals, and, little by little, his work became free and more fun. In the 30s, he showed a predilection for bare and rural characters.

Artist auction records

.  askART's database currently holds 480 auction lots for Gustave De Smet (of which 245 auction records sold and 4 are upcoming at auction.)

Artist artworks for sale and wanted

.  There are 0 artworks for sale on our website by galleries and art dealers . There are 0 galleries and art dealers listing works of art by Gustave De Smet as either "Wanted" or "For Sale" .

Research resources

.  askART lists Gustave De Smet in 0 of its research Essays. Gustave De Smet has 10 artist signature examples available in our database.

Similar artists

.  There are 24 similar (related) artists for Gustave De Smet available:    Leon De Smet,  Constant Permeke,  Roger Somville,  Rik Wouters,  Edgard Tytgat,  Henri Victor Wolvens,  Armand Vanderlick,  Frits Berghe,  Rik Slabbinck,  Jacob Smits,  Jules De Sutter,  Roland Rens,  Hubert Malfait,  Jean Brusselmans,  Jef Van Tuerenhout,  Felix De Boeck,  Albert Saverys,  Albert Servaes,  Georges Lemmen,  Roger Raveel,  Louis Thevenet,  Modeste Huys,  Maurice Wyckaert,  Valerius De Saedeleer



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Facts about Gustave De Smet

Born in Ghent, Gustave De Smet left the city for the countryside very early and moved to Laethem, where he joined his brother Leon and his friend Albert Servaes. During the First World War, he fled to the Netherlands where he studied with Frits Van den Berghe, and intensified his efforts through contact with Fauvism, German Expressionism, Cubism and Futurism.

On his return, he mainly painted peasants, children and festivals, and, little by little, his work became free and more fun. In the 30s, he showed a predilection for bare and rural characters.

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