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Licensed Unlicensed Requires Authentication Published by Edinburgh University Press 2014

Index

From the book The Edinburgh Companion to Samuel Beckett and the Arts

  • S.E. Gontarski
https://doi.org/10.1515/9780748675692-038
© 2022, Edinburgh University Press, Edinburgh
From the book
The Edinburgh Companion to Samuel Beckett and the Arts
The Edinburgh Companion to Samuel Beckett and the Arts

Chapters in this book (40)

Frontmatter
CONTENTS
Introduction: Towards a Minoritarian Criticism – The Questions We Ask
Part 1: Art and Aesthetics
1. ‘Deux Besoins’: Samuel Beckett and the Aesthetic Dilemma
2. ‘Siege Laid Again’: Arikha’s Gaze, Beckett’s Painted Stage
3. Convulsive Aesthetics: Beckett, Chaplin and Charcot
4. Pain Degree Zero
Part 2: Fictions
5. Sexual Indifference in the Three Novels
6. A Neuropolitics of Subjectivity in Samuel Beckett’s Three Novels
7. Evening, Night and Other Shades of Dark: Beckett’s Short Prose
Part 3: A European Context
8. French Beckett and French Literary Politics 1945–52
9. Beckett/Sade: texts for nothing
10. Beckett’s Masson: From Abstraction to Non-Relation
11. Beckett, Duthuit and Ongoing Dialo
12. Gloria SMH and Beckett’s Linguistic Encryptions
13. ‘I am writing a manifesto because I have nothing to say’ (Soupault): Samuel Beckett and the Interwar Avant-Garde
14. Beckett and Contemporary French Literature
Part 4: An Irish Context
15. The ‘Irish’ Translation of Samuel Beckett’s En Attendant Godot
16. Odds, Ends, Beginnings: Samuel Beckett and Theatre Cultures in
17. ‘Bid Us Sigh On from Day to Day’: Beckett and the Irish Big House
Part 5: Film, Radio and Television
18. A Womb with a View: Film as Regression Fantasy
19. ‘The Sound Is Enough’: Beckett’s Radio Plays
Part 6: Language/Writing
20. ‘Was That a Point?’: Beckett’s Punctuation
21. Beckett’s Unpublished Canon
22. Textual Scars: Beckett, Genetic Criticism and Textual Scholarship
23. Beckett’s Ill Seen Ill Said: Reading the Subject, Subject to Reading
Part 7: Philosophies
24. Beckett and Philosophy
25. ‘Ruse a by’: Watt, the Rupture of the Everyday and Transcendental
26. Beckett, Modernism and Christianity
Part 8: Theatre and Performance
27. ‘Oh Lovely Art’: Beckett and Music
28. Victimised Actors and Despotic Directors: Clichés of Theatre at Stake
29. Staging the Modernist Monologue as Capable Negativity: Beckett’s ‘A Piece of Monologue’ Between and Beyond Eliot and Joyce
30. Designing Beckett: Jocelyn Herbert’s Contribution to Samuel Beckett’s Theatrical Aesthetics
31. Dianoetic Laughter in Tragedy: Accepting Finitude – Beckett’s Endgame
32. Performing the Formless
Part 9: Global Beckett
33. ‘Facing Other Windows’: Beckett in Brazil
34. Beckett in Belgrade
35. ‘Struggling With a Dead Language’: Language of Others in All That Fall and the Japanese Avant-Garde Theatre in the 1960s
Contributors
Index
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