Martha Washington -- prisoner, runaway, lunatic, soldier, and now seditionist -- has seen the future. It looks great on paper, but it doesn't work. The U.S. government is controlled by power-hungry nutcases. The ecology is a shambles. Everyone talks about the weather, but nobody does anything about it . . . nobody, that is, except PAX and the very expensive weather-control satellite, Harmony. In Martha Washington Goes to War, it's Martha vs. PAX and the United States government, and the odds are more even than you might think!
Frank Miller is an American writer, artist and film director best known for his film noir-style comic book stories. He is one of the most widely-recognized and popular creators in comics, and is one of the most influential comics creators of his generation. His most notable works include Sin City, The Dark Knight Returns, Batman Year One and 300.
Amazing artwork and very relatable in 2019 to a potential civil war in the United States. I was surprised this graphic had less traction and notoriety until I read the dedication. Knowing what I do of Ayn Rand’s work, this is not exactly an Objectivist super hero story and more of an intelligent sci-fi war piece that any mindset could enjoy. No direct smack of Flavor-Aid one way or another. I recommend the graphic to anyone scared and paranoid of our darkest timeline future and anyone who needs to see a fresh take on a female hero.
Violent but oh-so-Frank-Miller-pretty, as expected. And I enjoyed it, especially the ending. I will pretend I didn’t read the afterward where he says thanks to Ayn Rand (ICK!) Ayn Rand would have had Raggedy Ann euthanized. Ayn Rand would not have a Native American love interest, much less an African-American protagonist. So yeah, screw her.
Le pongo 3, pero serían 2 y media. Hay personajes y situaciones interesantes, pero el conjunto no me ha convencido. Demasiada acción y poca ambientación. Tengo la siguiente entrega preparada y la voy a leer más por continuidad que por interés.
Dave Gibbons art is perfect in Watchmen, every panel is a joy. Here sometimes it's up to that standard, just so satisfying to look at, perfectly composed, perfect anatomy, beautiful lines. And it's helped by Angus McKie's colours. But there pages that look stiff and awkward, much of it seems rushed (by Gibbons' standard), sometimes McKie uses that liquid effect in Photoshop which has not dated well.
In Frank Miller's story, the president has been replaced by a robot simulacrum, 'Nobody elected the people who are in power right now... The president was assassinated on the night of his inauguration.'So Martha goes to overthrow the fake government, 'My name's Martha Washington. I'm a traitor. This is the second American revolution.' After recent events, this has not aged well. And even not considering that, it's a crass story with nothing particularly interesting in it. There are desert mutants like a cheap knockoff of the Cursed Earth. Not sure why Sin City is so good and this is so bad.
This entire review has been hidden because of spoilers.
A bit more straightforward than the original series, which doesn’t necessarily make it more enjoyable. Some good art in parts but I didn’t like the colouring as much, which was a real highlight of these comics previously. Other reviews here mention that this is an homage to Atlas Shrugged. I’m not sure if that reference only applies to this 2nd series, or to the Martha Washington story in general, but I have no intention of reading Rand so I may not ever find out. Washington continues to be a badass character so I might continue following her on her journey.
Miller’s politics are pretty solidly libertarian. Sometimes I find the political commentary spot on, and other times a little frightening. This book was inspired by Atlas Shugged so... yeah. But I like Martha Washington. I can’t help it.
Rollicking good fun! Frank Miller's bombastic interpretation of American history and adventure has a touch of the topical despite being enacted by relatively flat characters.
Miller tries to inject Great Purpose into this next installment in the Martha Washington saga, but instead gives us a weird tale of sedition, as a government war hero does some stuff and encounters some crazy circumstances that encourage her to lead the fight to take down the crappy US government, which seems composed entirely of lunatics who are safe and secure in letting the world fall apart for everyone else.
(That "everything is falling apart because of lazy union people letting it do so, and all the actual productively intelligent people out there have flown off to a libertarian commune" makes for the most boring, most polemical, and most overused _deus ex machina_ aspect of the series. On multiple occasions, including the climax of the series, the "nothing works right and fails as the most (in)convenient moment" plot device, is what drives Martha's involuntary failures and her involuntary triumphs. )
Miller thanks Ayn Rand in the afterword for giving him the plotline of cool, courageous free-thinking thinkers saving the day against the forces of corruption and incompetence, which is nearly all you need to know here.
Hace unos quinces años leí los tres primeros volúmenes de la historia de Martha Washington y tenía un buen recuerdo. Ahora de decidido releerlos, aprovechando que también me he hecho con el cuarto, y el resultado ha sido algo decepcionante. Alguna de las ideas originales son interesantes, pero están escasamente desarrolladas y prima la acción sobre la especulación mucho más de lo que recordaba. El cuarto volumen, que reúne las historias sueltas de la protagonista, es particularmente flojo. Una lectura entretenida, pero que deja una frustrante sensación de que podría haber dado mucho más juego con un enfoque más ambicioso.
I'm not sure what the Martha Washington #2 means in the title but this review is for the tpb that collects issues #1-5 from Dark Horse from 1998 ISBN: 1569710902. When Frank Miller could still write he came up with some real zingers and this is no exception. Miller gives Martha Washington a real personality even if she doesn't have the time to mourn, reflect, love, or hate. Spurred on by duty and a desire that only she can feel she is a true hero, and a true fighter that is compassionate for others more than for herself. All rendered with clear quality by Dave Gibbons.
No está a la altura de Give me liberty. Mucho más simplista en su planteamiento y su mensaje, probablemente para llegar a más público. A eso se suma un color en los primeros momentos del coloreado digital, con degradados que dan más tonos, pero que no se ve realmente bien (al menos en mi opinión).
When I finished "Give Me Liberty," Frank Miller's comics that started the story of Martha Washington, I didn't know what to think. The moral of the story seemed to be that in politics - or at least a murdering dictatorship - the devil you know is better than the devil you don't.
It was really rather upsetting.
But "Martha Washington Goes to War" completely redeemed Martha (and Miller) in my mind. And now I think every girl - especially young black girls - should be required to read it before they graduate high school.
In the not-too-distant future, a president is elected who later becomes a dictator. Martha Washington is a black girl who is born and grows up in the projects in Chicago. She is uneducated and victimized on a regular basis. But she grows up to become a super-smart super-soldier who does not let fear get in the way of her objective. Note that I did not say she is "fearless." Martha is a real character - she has fear, she just doesn't let it stop her.
"Martha Washington Goes to War" intentionally parallels Ayn Rand's "Atlas Shrugged." (Maybe that's why I love it so much.) Martha spends much of the comics fighting on behalf of her government as a PAX soldier to take over Texas and the Southwest. But she and her fellow troops are being sabotaged by "Ghosts." Martha is smart enough to realize that the "Ghosts" are actually people in suits that make them invisible. And she follows one into a nuclear wasteland - only to find an Atlantian paradise, and the truth about her government and herself.
This is basically Atlas Shrugged on steroid, Martha Washington goes to War against the government of United States of America. In this case Martha is basically Dagny trying to find the "ghost" which everyone fears. It's a pretty awesome homage though not exactly sure if that's what Rand would have wanted. Well done Frank Miller nonetheless.
Book 29 of 2015: 3/5 Stars Fast-paced, enjoyable. I loved the heroine and the concept but I think it could have been orchestrated more smoothly. The plot often felt rushed and unclear.